Suffering so you don't have to!
This is a special segment dedicated to bands emerging deep from the underground, defying all odds to produce compelling work. These acts possess a rawness often absent from mainstream bands, though it might be an acquired taste. The choice is yours—show them love or hate, but whatever you do, give them something!
I can’t recall how The Wondering Daughters came to me. Probably it was a video recommending underground bands. Either way, Piah Mater managed to fill the void Opeth left in me when it decided to become a grandpacore band. Piah Mater was almost the missing link between Enslaved and Opeth. Even though you could feel it was copying those bigger bands, it was still great Prog Death/Black Metal, and that is hard to find. For years, I waited, and now I’m so excited to review Under The Shadow of The Foreign Sun. My expectations are high, and disappointment is always a possibility, but I’m diving in! Watch me!
Welcome to Retro-Reviews, a space where I indulge in my own nostalgic reveries, reminiscing about a time that never truly existed, but one that I’ve crafted through various random albums that hold significance for me. Whether good or bad, one thing is certain: remembering can be a bittersweet journey.
Alright, my beloved basement dwellers! Today, we have the humbling honor of hosting our first track premiere. It’s not something we’ll do often, but you should try everything at least once (except fentanyl!). So, here we have it!
Here we go! I know that Akhlys has been involved in controversy in the past and has even been banned from some media outlets. Since I’m a cat, human affairs don’t affect me, and despite my ideological disagreements with, well, a lot of Black Metal bands, I’ll focus on the art this time. Now that that’s out of the way, I’ll admit that I loved The Dreaming I and that it’s one of the best albums of its kind! Though I enjoyed Melinoë, it just wasn’t the same. Hence, I approached House of the Black Geminus with mixed expectations. Let’s just fall into this endless pit, ok?
It’s been a long time since we heard anything from Wormed. So long, in fact, that I was beginning to assume its members had all died and their bodies were thrown in a ditch. You can imagine my joy when I found out that not only was Wormed alive, but it was also dropping a new album: Omegon. Here, we return to the origins of MER, space Metal! However, Wormed has always done its own relentless and unapologetic thing. Can this new album top a short but consistent discography? Keep reading, astronaut.
Oh wow! Take a look at that cover art! It looks more disgusting than the last time I checked your browsing history (did you actually think the VPN would protect you? Cute!). Obscene brings us its newest release soon, Agony & Wounds. It’s unadulterated Death Metal that promises to throw you into a sea of gore and unpleasant body fluids. This all sounds sexy, but you know gory Death Metal is over-explored, especially after the lovely mayhem of 2023. Still, let’s see if Obscene has anything to offer, shall we?
Here we go again! We have a few EPs and albums submitted by you, our beloved readers who keep our hearts pumping but bring no food to our tables (how do you feel about that, you freeloaders?). That’s okay, I’ll forgive you for now… let the judging begin!
If you’ve been living under a rock, you might not know that Norway is a low-key powerhouse for Prog bands, not just Black Metal from the basement. I ran into Rendezvous Point aeons ago when they opened for Leprous at a local concert. It was exciting! We had a fire emergency, the power went off, and we were thrown out into the winter cold, but it was all a false alarm (ha ha ha…). Either way, they gave us a memorable performance. Needless to say, I want to like Dream Chaser, but do we ever get what we want? Who knows… read on!
Alright, my fellow basement dwellers, we have our first but not last interview for MER. I had the privilege of speaking with THE band in South African Black Metal. Even if you know nothing about South Africa (shame on you!), you know that Wildernessking (Wilderness and king, do you get it?) is the most important Black/Post Metal band coming from the deep south (Not Alabama, you American-centered people!). Destiny crossed my path with Keenan because I was the first person to get a digital copy of The Writing of Gods in the Sand. Exploiting my special status, I managed to convince Keenan to open this section for us. Needless to say, Keenan is an awesome and fun guy that I can’t wait to have a beer with. But putting my fanaticism aside, I did try to keep it together and ask him questions like his influences, which are close to what you’d expect.
Metal Eclipse Reviews 