Windswept – A Sign of the Cloven Hoof

Metalcatto

Black Metal. I know, nobody is excited about it—especially when we have just five tracks here, like it’s going to hit us with three riffs for forty-five minutes, right? There’s no light at the end of the tunnel. Well, it’s true that there’s no hope. However, Windswept is trying to propose something more interesting than just a few half-baked ideas. A Sign of the Cloven Hoof should be as pagan as it sounds. Let me tell you something, then.

Well, kind of. Sure, it sounds like we’re getting introduced to some diabolical ritual and all that—you know, black magic and all the stuff that keeps us from believing in nothing. A Sign is a long and brutal journey, but an entertaining one. So those of you worried that this is going to sound like a factory, do not despair, because there are tons of ideas here that go beyond just mere blastbeats, goat screams, and white noise. It might not be the Icelandic school, but it does offer a lot of evil and darkness—and all the edgy things you came for.

There are only five tracks here, and though that should be terrifying for some, they’re all pretty well balanced. If anything, they could all blend into one horrifying and godless track. So your patience doesn’t need to be endless—you could actually chill while listening to this. Assuming you’re as disturbed as the rest of us to even contemplate heavy stuff as relaxing. Anyway, the bulk of the album’s momentum falls upon the guitar work, which has a solid and even memorable performance here. Okay, time to squeal.

A Sign is interesting indeed and doesn’t suffer from a lot of the issues albums like this usually have. But I do feel there could be more poignant possibilities here. As it is, it doesn’t stick in my head like, for example, something from Svartidaudi would, or even more Folk acts like Saor. Perhaps there are too many similarities between all the tracks. So even if it’s enjoyable, the album could have tried a few more disruptive concepts to stick harder in our memories.

Overall, this is a good performance. I know I’m making this sound like sports, but in a way, playing Metal has become so physical that the analogy makes sense, okay. Either way, for those of you who want creepy and endless Black Metal, Windswept has created something immoral for you. But if you like things more to the point or want real insanity, then keep holding your breath until you pass out. The album has its moments, but it won’t convert anyone who’s not already a fan of the style. For the faithful, though, it’s a solid addition to the collection—not a masterpiece, but a worthy listen for a dark night when you want to feel the cold wind of the north without leaving your room. And sometimes, that’s exactly what you need.

Label: Primitive Reaction

Release date: September 25th, 2026

Website: https://primitivereaction.bandcamp.com/

Country: Ukraine

Score: 3.3/5.0

Nail by Nail- Internal Inferno

Metalcatto

It’s been a while since we reviewed something remarkably sad. Like, more depressing than a puppy getting put down. Anyway, Nail by Nail has a strange approach. It’s this old school Black Metal mixed with crushing Melodic Death Metal. That sounds exciting, right? Especially if you’re a crazy masochist like all of us. Yet I can’t help but worry about this thing being too safe. It’s a familiar formula, and familiarity can be a double-edged sword—comforting, yes, but also predictable.

Taake – En Skog Av Nidstang

Metalcatto

Yes, we actually got an OG promo for once. If you don’t know who Taake is, well, it’s time you go back to his first three albums or so. They’re Black Metal landmarks—some of them even a 5/5 in my book. However, it’s been forever since Taake didn’t bore me to death, and En Skog Av Nidstang has to beat my overwhelming negative bias. Will a miracle happen?

Exitium Sui – Unravelling

Thechopstickdrummer

Chris Gebauer is, in essence, a superspreader of black metal grime. Under various monikers, Gebauer has managed over ten musical projects, ranging from a duo with his wife, Anett Hauzu, to multiple depressive suicidal black metal (DSBM) bands. In these undertakings, he mainly sings, but in Exitium Sui, the full set of standard musical apparatus is all under his control. This project acts as an outlet for his efforts on blackened doom metal and dirge-like atmospheres, habits not entirely new to a musician like himself. Exitium Sui’s third full-length, Unravelling, is a curiosity of funeral doom-adjacent textures, but hopefully there’s enough life for me to cling to. Unlike the moods in the majority of Gebauer’s bands, I like living. 

Ceremonial Worship – Between Sleep and Death

Metalcatto

For some strange reason, I jumped into this album thinking that it would be another retro-Death take with crunchy distortion and grey riffs. Turns out Ceremonial Worship had other plans for our sorrowful lives. Between Sleep and Death is rancid and underground, for sure. You’re traveling back to the 90s, but maybe the result is something that will make you feel hope in Metal again. Or probably not. But hey, keep reading.

Retro-Review: Emperor – Prometheus: The Discipline of Fire and Demise

Metalcatto

The year is 2001. A new era of world terrorism falls upon the world. China joins the World Trade Organization. The Second Intifada is taking place. And there’s no smartphone in sight. Right, I’ve gotten carried away again. The Metal was spectacular—we got timeless classics from OpethToolConverge, and System of a Down. However, we’re not going to dig even deeper into the underground. We’re going to talk about Emperor‘s Prometheus: The Discipline of Fire and Demise.

Fogos – Of Wyrm And Men

Thechopstickdrummer

Fogos seems like an unpretentious black metal band at first sight. At second, third, and any other sight after, the Catalonian kvlters remain unadorned in their style. This isn’t a negative—sometimes black metal is done best simplistically. Whether that applies to the band’s second record, Of Wyrm And Men, is something to be determined by a plethora of factors, most imperatively, if the music is, uhh, good?

Duir – Catarsi

Metalcatto

How would you call a band that has folk sounds straight out of Scotland, sings in Italian, and riffs like a German Post-Metal band? Well, Duir seems to be the name, and Catarsi caught me off guard for once in my life. I’m not saying get excited yet, but you’d be right to believe that the artwork promises something interesting. And sure, this album is interesting—but is it good? The tracks are long and the mood is depressing, so is it going to get drony? Let’s find out.

Fyrnask -Íosir 

Metalcatto

Look. It’s Icelandic Black Metal from Germany (you read that right). AAAAHHH. Now that I’ve calmed down, I can say that Fyrnask is exactly what I mentioned before: a band from the school of endless cold caves and godless volcano eruptions, but most of all, ridiculously long tracks. However, you’re not here to know all this—you already know. You’re here to find out if Íosir will defy your patience or help you travel to a darker time.