Suffering so you don't have to!
When I got Barathrum’s Überkill and read that this was a Finnish Black Metal band, all alarms went off at MER HQ. Panic and anxiety ensued! We called our contact in intelligence to run a background check on the band. Luckily, nothing sketchy came up! So, I could proceed with reviewing what many call the first Black Metal band from the land of a thousand lakes. Join me, and let’s uncover some hidden history!
We keep giving chances to bands just starting their promising careers in this ruthless, kill-or-be-killed arena we call the Metal scene. I won’t sit here and pretend I knew who Aberrator was, or that I saw the album title Beckoning Tribulation and thought, “This is the next big thing!” But when I saw that beautiful and tasteful cover art, I thought: “Alright, that does it—this should at least be fun!” So, here we are, ready to taste another heavy meal.
Alright, people, this isn’t going to be our usual review because Melted Bodies is a band so strange and out-of-pocket (in the best way!) that I’m still trying to wrap my head around The Inevitable Fork. Like, what even is that album title? What does it mean? If you think the band is as bizarre as its album art suggests, let me tell you—yes, but maybe not in the way you’d expect. I’ll elaborate a bit to guide you through this journey into the depths of absurdity.
Stargazer scholar
Norway’s 1349 has been consistent in proving that maintaining the unholy spirit of Black Metal doesn’t require stagnation. Starting out as self-professed adherents of a more traditionalist approach, the band has since explored Dark Ambient and Thrash, all without compromising its blackened credentials. While some of its work has been divisive—particularly the more experimental, droning side, which received mixed reactions from the genre’s more conservative audience—the band has pressed on with unfaltering zeal and grim determination. At this point in 1349‘s career, one thing is certain: the new opus is dark, uncompromising, and extreme. Its final form, however, remains to be seen, so let’s discover The Wolf and the King together.
Let’s face it: Post/Black Metal has won the extreme music war. It doesn’t matter where I go; there are at least 20 Post/Black bands making everything around them a valley of tears and sorrow. That brings me to today’s guest, Hell is Other People. With a name clearly inspired by Huis Clos, I couldn’t let it pass! I love my Black Metal existentialist, and that’s what Moirae seemed to promise. Rarely have I been this interested in finding no way out of a painful situation, but that’s what extreme music does to the soul! Anyway, it’s judgment time!
Sunday is here! Which means it’s time for another 400-500 words to make the Metal world a bit fairer. We’re shining a light on releases that you’ve personally sent us or that deserve some love in this cold, heartless world. This week won’t be as rancid and tvre as usual, since we’re focusing on bands building their hype, but who don’t necessarily sound like they’re gargling hot sauce in a tunnel. For once, we’re expecting a certain level of production quality, but don’t get too used to it—it won’t become a trend.
Pegah
“There are certain sores in life that, like a canker, gnaw at the soul in solitude and diminish it. Since generally it is the custom to attribute these incredible sufferings to the realm of rare and singular accidents and happenings, it is not possible to speak about them to others“.
― Sadegh Hedayat, The Blind Owl
It wouldn’t be an exaggeration to say that Blood Incantation is one of Death Metal’s underground darlings and that its first two albums are already modern classics of space Metal. However, the band pulled an “Ulver move” with Timewave Zero, alienating much of its fanbase. Even after what many would call a misstep, I remained optimistic about what Absolute Elsewhere could offer. Now that the band had gotten all that intense psychedelia out of its system, could it return to something more familiar for us Metalheads, or would it fully embrace the path of Ulver? Let’s find out.
Is it sarcastic to drop an album named Summer in autumn, with that cover art? It sure feels like a provocation for those of us who are about to not see the sun for months. Anyway, we’re here to judge the music, not the sense of humor. Valletta promises something rooted in the past but, at the same time, fresh. The band might be relatively new on the scene, but its members are experienced and ready to show us what dirty Black N’ Roll has to offer. Let’s move!
In 2022, Devenial Verdict released Ash Blind, an album that was among the best I found that year. So, you can imagine that when I heard Blessing of Despair was coming out this year, I was more excited than the last time Transcending Obscurity did a “name your price” digital sale (I’m not hinting at anything for the future, of course! wink wink). Still, I also felt a bit nervous because we’ve had so much amazing Disso-Death this year that I started to wonder if there were any areas left to explore in the subgenre. Let’s see if Devenial Verdict has an answer for us!
Metal Eclipse Reviews 