November 2024 – Metal Eclipse Reviews

Panzerchrist – Maleficium Part I

It’s time to return to no-nonsense, unapologetic Black Metal that can tear us a new one any day of the week. So, I bring you Panzerchrist (ask the AI to draw this name, please!) and its new album Maleficium Part I, which promises a level of fury and hysteria that many of you have been missing. You know Black Metal these days—it can get a bit complicated. Don’t you miss some meat and potatoes? Well, I think that’s what we’ve got here—or maybe not? It’s time to find out. Just don’t say I didn’t warn you about this album’s approach.

Remade, Reworked, Resurrected: The Best Metal Re-releases of 2024

It’s that time of the year when you, me, and every Metalhead feel this irrational urge to declare certain random works of art better than others. It’s a depressing attempt to find identity and meaning through the cultural products we consume (enjoy capitalism, kiddo!). This year, we’ve had some interesting “remakes”, and I have, as any benevolent tyrant would, decided to share my favorites with you. It’s not exactly a ranking, but I’m placing them from “Oh, that’s a lovely change” to “Wow! This album went from sounding like chimp noises to La Traviata“. Extreme? Yes, that’s the name of the game. So, without further ado, here are my favorite re-whatevers of 2024.

Againt I – Songs for the Dying

It’s tricky to pick the last album to review this year before we all dive into top lists and rankings for the holidays. This is the perfect chance to explore some of the more discreet releases that might otherwise get drowned out by the noise. When I first checked out Against I‘s Songs for the Dying, two opposing thoughts crossed my mind: “It looks like Brave Murder Day, but it can’t be that good”, and also, “It can’t be produced that poorly either”. With that calculated, almost sociopathic train of thought, I put Songs for the Dying on. Let me tell you if it delivered.

Ulver – Liminal Animals

Here we are, reviewing one of the most important and influential bands in Metal, yet one that hasn’t actually played much of it in decades. Ulver is a master of alienating its fanbase with every release, and Liminal Animals is no different. It follows the Electronic and Pop elements of its previous entry, but this time, there’s a different tone. The band is recovering from an irreplaceable loss, so I’ll keep the humor—just with extra respect, ok? So, what can we expect from the most Metal non-Metal band out there? Let’s dive in!

Project: Ultimate Satan – The Opus Satanas

Project: Ultimate Satan—now that’s a name I want to shout out loud in front of all my Metal friends (if I had any). They’d be so puzzled, thinking I was talking about some reality show. But enough jokes. Opus Satanas actually brings something interesting to the table. I’d define it as Symphonic Metal that devolves into Death Metal. It’s been a while since we’ve had a proposal like this, and honestly, I needed a break from all the “bark bark bark, dum dum dum” on repeat. So, let’s get to it!

Eard – Melancholia

Stargazer Scholar

Numerous subgenres of Metal have been squeezed to the very last drop of their former originality—exhausted, recycled, and overdone. Weirdly enough, despite its obvious overpopulation problem, Atmospheric Black Metal is not one of those genres. Before you object, dear reader, think of all the outstanding and unique artists this movement has spawned. Consider the legendary dungeon synth escapades of the mighty Summoning and its glorious followers; recall the dreamy medieval charm of the mysterious Obsequiae; and remember the swelling soundscapes of Saor. Italy’s Eard remains a well-hidden but no less precious gem in this constellation of curiosities—a gem yearning to be discovered.

Marilyn Manson – One Assassination Under God – Chapter 1

Ok, sigh, here we go. You guys voted for this in our Instagram poll, so I wash my hands of it! Saying that Marilyn Manson is a controversial figure is like saying Burger King sells burgers. So when I received the promo, my reaction was, “Oh no! What do I do now?” I asked the people—that’s what I did. I also want to state that if MM is guilty of even half of what he’s been accused of, that’s more than enough reason for me to not enjoy anything he’s produced. However, I’m a professional, and in One Assassination Under God – Chapter 1, I’ll do my best to separate the art from the artist.

Within Silence – The Eclipse of Worlds

Elyna Kahn

After reviewing several promos in my inbox, I stumbled upon a title that caught my attention: The Eclipse of Worlds by Within Silence from Slovakia. It was my first encounter with a Slovakian band and another “Within”—aside from Within Temptation. I didn’t know what to expect. I only review music that stirs something deep within my heart. So, after listening to several other bands, I clicked the link without high expectations. I downloaded the tracks and started listening. At first glance, it seemed like a generic Power Metal album. On the second listen, I realized it’s pure Power Metal—in the best sense of the term.

Opeth – The Last Will and Testament

It’s been tough to write this one. You see, Opeth holds the closest sentimental spot in my heart. I loved everything from Orchid to Watershed with passion. I studied the tracks, played them, and then Opeth changed completely. Although I still enjoyed some albums from the Prog Rock era, they weren’t as ambitious or interesting—nothing the ’70s hadn’t already given us (get mad!). Now, The Last Will and Testament comes with big promises. We all heard that the growls were back, but I couldn’t care less—I wanted the songwriting to return. So, I wasn’t too hopeful after the single; I didn’t want to believe the hype! But let’s see if this is a true return to form or just overhyped by every reviewer site out there.

Nepenthe – The Fading Promise of Tomorrow & Elegies of Loss and Doom

SonikGoat

I discovered Nepenthe shortly after writing my review of its labelmates, QAALM, and its mighty offering, A Grave Impression of an Unbroken Arc, under Hypaethral Records. Having found in that album an excellent blend of styles, the description of this Ontario-based band was enough to pique my interest. Would they manage to incorporate these diverse styles into a cohesive blend of their own?