It’s time to talk about those bands and albums that ended up in my inbox, coming from the depths of the internet. These are bands that, with talent, sweat, and humility, have worked hard to surprise listeners this year. I truly hope they keep growing to gather the cult following they deserve. Some of these bands are just debuting or don’t even have a promoter—an injustice that needs to change as soon as possible. So here they are, in no specific order because they all deserve your attention: the revelations of the year.
Oriska – Oriska: It’s been aeons since Anopheli released anything, which is why I was so excited to listen to Oriska. It feels like a sludgier, more Post-Metal evolution of that band. Coming seemingly out of nowhere, Oriska has already established itself as a force to be reckoned with in the Post/Black scene. The depth of emotions it explores and the impressive balance between styles—styles that often feel stale but are executed here with remarkable finesse—are stunning. Most bands would kill to start their career like this, and Oriska is just getting warming up.
Cosmic Jaguar – El Era del Jaguar: This is one of the quirkiest and strangest albums I’ve reviewed all year. I mean, how often do you come across Ukrainian Tech Death/Folk Metal inspired by Mayan culture, integrating multiple languages (and flute?) into the mix, and showcasing a level of creativity that could rival Sadist or Atheist? Sure, it has a somewhat vintage production quality, but the band made this in Zaporizhzhia—not exactly the most relaxed place to record. Every time I put this on, I know I’m about to be blown away by unmatched originality, and that alone makes it worth your time!
Blighted Eye – Agony’s Bespoke: When it comes to ambitious debuts this year, I can’t think of any as daring as Blighted Eye’s. It’s not just the amazing songwriting or the technical proficiency of its musicians—it’s the willingness to explore uncomfortable and disturbing themes we thought we’d heard everything about (such as loss and vengeance), but with a fresh, theatrical approach. The album is heart-wrenching and deeply immersive. On top of that, it boasts some of the best guitar solos of the year. Yes, the tracks are a bit long, but this is Prog/Death Metal—you’re here to embrace the grind!
Unhallowed Deliverance – Of Spectres and Strife: I have a bit of a soft spot for these guys. Normally, I’m not a fan of anything that ends with “Core”, yet Unhallowed Deliverance’s debut blends Deathcore and Tech Death so seamlessly that it captures the best of both worlds: face-melting musicianship reminiscent of Alkaloid, combined with a sense of groove and catchiness often lost in the style. I still can’t believe this band reached out to me via Facebook DMs for some exposure, but of course, I had to give it a full review. This band deserves far more recognition, and our community needs to take notice!
There you have it, my corpse-painted children! These are the bands dropping absolute killers with little support compared to many of the albums we review here. They’ve earned their place as “young” players of the year, and every one of them is a worthy recipient of that “honor”. So, get off your sofa or chair, grab your phone (if you’re young) or your computer (if you’re old), and find out where and how to get these albums. I don’t care if you order them on trashy cassettes—these are our True kvlt darlings! For once in your life, give back to the world instead of just taking from it. Stay tuned—more top lists are coming this year!
Metal Eclipse Reviews 