The Silver – Looking Glass Hymnal Blue

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Two things seem evident to me now. One: that you’re all hyped up about Looking Glass Hymnal Blue. Two: that The Silver really likes the color blue. This eclectic project likes to defy labels, which always sits well with me. However, that doesn’t mean we automatically roll out the red carpet at MER. You could get a boot in the face any day. Just know that before you send us your stuff. Now that this information is clear, let’s start.

The Biscuit Merchant – Golden Age

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The Biscuit Merchant is back, and if the artwork is telling us anything, they’re now the cookie dealer. If you owe them money, you end up like that. I knew it was only a matter of time before the kids would come back and try to break my legs. So, one of the revelations of 2025 wants to try again. Let’s see if Golden Age is an honorable sequel or just forgotten cookie dough.

Vomitory – In Death Throes

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The Death Metal band with the sexiest name ever is back. If Vomitory‘s In Death Throes is as good as anything the band has offered in its last two albums, then we can all go home happy and relieved that another OG band still has something to give to the world. Let’s not lie—this project restores our faith in brutality. There’s little to be worried about, right?

Hellripper – Coronach

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Yes, I don’t live under a rock. If anything, I have the three Vs—if you know, you know—but everyone has been going head over heels for Hellripper‘s Coronach. I’m familiar with the project’s previous releases, but for some reason, I always forget to return to them. Needless to say, the expectations are understandably high. There’s something about this Black/Thrash/Heavy combo that has escaped me before, and it could happen again, but let’s be optimistic for once. It’s time.

Obscure Fate – Shaded of a Dying world

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There are very few things as reliable and comfortable as Finnish Melodic Death Metal. You always get exactly what you’re expecting. Obscure Fate brings us an album with a name that again promises consistency: Shades of a Dying World. The only real question is whether this will be genuinely melodic or fall into Arch Enemy-level corny territory. Either way, those guitars will shine. Let’s see.

Golgotha – Hubris

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Finally, a band with a good name—or at least one that makes me feel like the members take their work kind of seriously. It’s been a while since we’ve had some proper Death/Doom, so why not give Golgotha a chance. I have some illusions for Hubris. Let’s see if I don’t end up more let down than a kid who doesn’t meet a rollercoaster’s height requirements.

Asenheim – Elbenblut

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Can you believe that this is Asenheim‘s tenth album? I honestly can’t. Why haven’t we heard more about these musicians before now? Is it their marketing team’s fault? Is it our fault? I don’t know, but it’s time to try to fix that by reviewing Elbenblut. Besides, it’s been a while since we reviewed some Black/Folk—yesterday, technically—and you people can’t seem to get enough of this stuff. Let’s face it, you’re all a little geeky deep down. Shall we begin?

Eveale – Enter the Woodland Realm

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We have some usual suspects at MER, and one of them is Steve Wiener, who is also behind Am I in Trouble? That was a classic Post-Black project, but can this working-class Black Metal endeavor reach the same quality level? It’s not our first run into Eveale either, but we hadn’t properly checked Enter the Woodland Realm until now. So one can hope to find a few surprises, right? Yes, I’m feeling optimistic today. If you have a problem with that, we can always throw down outside.