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Retro-review: Galneryus – Resurrection

Elyna Kahn

Today’s journey takes us back to 2010, a year marked by a memorable musical landscape. Epic albums like The Wicked Symphony by Avantasia, At the Edge of Time by Blind Guardian, What Lies Beneath by Tarja Turunen, and The Frozen Tears of an Angel by Rhapsody of Fire emerged, becoming essential cornerstones in Power/Symphonic Metal. At the same time, 2010 saw devastating natural disasters. On February 27th, a massive 8.8 magnitude earthquake followed by a mega tsunami claimed hundreds of lives in Chile. Just two weeks later, Japan was struck by another powerful earthquake, leaving destruction in its wake.

Maul – In The Jaws of Bereavement

In the unforgiving landscape of the Death Metal scene, it’s hard for a band to find its own voice. Everyone has done it all—been too brutal, too technical, too weird—and we’ve loved and hated it all. Maul’s approach in its upcoming release, In the Jaws of Bereavement, aims to stand out from the sea of distortion and blast beats. Nobody said it would be easy, but I’m sure it’s going to be wild! So, let’s dig into this meat and potatoes now!

Satan – Songs in Crimson

Satan is the coelacanth of Metal. You’re probably wondering, what the fudge is a coelacanth? Well, my uneducated child, it’s a fish once thought extinct long ago, until we discovered it was still alive, swimming away, indifferent to our existence. The same goes for Satan, a band once presumed dead for decades, but since Life Sentence, they’ve made a remarkable comeback. The question now is: can Songs in Crimson continue this legendary run of heavy fun? Welcome again!

Groza – Nadir

Groza is Germany’s answer to Mgła. They share that traditional rawness, that sense of melancholy, and so far, no major controversies. So, it’s a more guilt-free experience (but we’re all guilty of something, aren’t we?). Album after album, I’ve watched the band evolve from a traditional Black Metal act into a more Post-Black entity. Yet, I always feel like Groza is just one step away from truly finding its own voice on the treacherous path to originality. Is Nadir the album where it finally reaches its full potential? Grab an umbrella, because it’s about to rain tears.

Ævangelist – Perdition Ekstasis Meta

Whoever said that Industrial Metal is boring and commercial has clearly never listened to whatever Ævangelist has been up to. Do they even know what they’re doing? Ever since De Masticatione Mortuorum In Tumulis, the band has developed this bizarre blend of Death, Black, and Industrial Metal, all wrapped in the most lo-fi production possible. It’s such a dense listen that I was genuinely worried I might hate Perdition Ekstasis Meta. Was it because it’s so far removed from anything we might consider enjoyable, or because it lacks something previous it previously had? Either way, I came in ready to give this disturbing album a chance. Let’s go!

True kvlt: Sonolith, Grimgotts, & Fallen Gabriel

What if I told you that sometimes, in this section, we feature fresh releases? As in, they’re not even out yet. I picked three for today, and the best part is that they’re so different from each other, mixing them up will feel like eating jelly bathed in chicken fat with a touch of cinnamon. Absolutely disgusting, right? Well, I promise everything here will be far better than whatever atrocity you just imagined. As usual, give them love or give them hate—but please, give them something!

Pyrrhon – Exhaust

Well, this came out of nowhere—promo included! Not many bands can match Pyrrhon‘s ability to obliterate what little sanity the listener has left. The Mother of Virtues and What Passes for Survival are absolute classics, perfect soundtracks for puking while looking up (don’t try it at home, you’ll drown). However, Abscess Time left me a bit cold. I didn’t quite get it, which is why I approached Exhaust with caution. You can never be too safe with a band this volatile. In that sense, Pyrrhon had already succeeded in manipulating my expectations. But enough intro—let’s dive into the madness.

Interview: Gunn-Hilde Erstad of Rendezvous Point on Musicianship, Physical Performance, and Navigating the Prog Scene

Hi there, my fellow basement-dwellers! We’ve had another interview, but this time, we’re aiming to educate you a bit, especially you, our musician demographic that needs to learn how to take care of your body since four energy drinks mixed with donuts are no healthy dinner. We’ve got Gunn-Hilde Erstad from Rendezvous Point, who happens to be a PhD candidate researching physical performance in musicians. But enough talking, let’s hear from her!

EP madness 2: Hammerfilosofi, Emasculator & Grave Sermon

It’s been a while since we paid attention to the leftovers of the Metal world, or in other words, the EPs. As you know, I usually avoid them like the plague, but sometimes it’s good to step out of the comfort zone and try something different. These are a few EPs that managed to keep me awake when all I wanted to do was sleep. That should tell you everything you need to know, right?

Gaerea – Coma

I wouldn’t be exaggerating when I say that in the barren landscape that is pure Black Metal, Gaerea stands as a rare ray of originality. I was there when Unsettling Whispers came out and was just as impressed as anyone else. Then came the crushing and lengthy Limbo, followed by the leaner and more dramatic Mirage. Now, Coma faces the difficult task of continuing a streak of innovation that few other contemporary Metal bands have been able to achieve. Can Gaerea keep us dreaming? Can it replicate the poetic anxiety that has defined its work so far? Come with me and let’s find out.