Suffering so you don't have to!
You know what time it is! It’s that moment of the week when, fed up with the world’s depravity, I decide not to give up—because there are plenty of Metal bands out there dying for attention. Even if all they get is disdain, they keep going. And honestly, having edgy opinions that a handful of people read on the internet is enough to keep my sad hope alive. Today, we’ve got a lot of bands with flashy, long names—let’s see if they’re worth the effort!
Defeated Sanity needs no introduction. Not many bands embody the heaviest of the heavy like this act does. Ever since Psalms of the Moribund, its catalog has been a masterclass in brutal consistency without devolving into the numbing exercise that often plagues Brutal Death Metal. That alone is an achievement. I can throw on a Defeated Sanity album and be annihilated for 35 minutes straight. Yet, with every new release, there’s always the lurking risk of falling into tired tropes. So, does Chronicles of Lunacy dodge the lameness abyss?
It’s time to travel back to more angsty times—and less angry ones. It’s the late 2000s, the peak of Metalcore. The world is about to be hit with a recession so devastating that we collectively decided any pack of imbeciles could run nations just as well. Oh, sorry! Did I say something controversial? Is it any more controversial than the drama surrounding As I Lay Dying and its new album Through Storms Ahead? I don’t think so! But, like any wannabe professional, I’m going to refrain from edgy commentary and focus on the music. Shall we?
Monolithe has the honor (or disgrace, depending on how you look at it) of having two 5.0/5.0 albums in my book: Monolithe II and Monolithe III. Both are masterclasses in Funeral Doom. However, those days of ultra Doom are long gone, and now Monolithe has evolved to such an alienating degree that it feels almost unrecognizable. Yet, it’s still the band in Doom Metal that makes my blood flow the most, reminding me how infinitely insignificant our existence is in the vastness of the cosmos. You might not love every risky step it takes, but I find it refreshing that, despite working within such a focused framework, Monolithe always manages to surprise me. Will Black Hole District be the same?
Pegah
The French Melodic Death/Doom Metal band Lying Figures returns after a long hiatus with its new album, Inheritance. This time, Frédéric Simon (vocals & bass) and Matthieu Burgaud (guitars) guide us on a profound introspective journey, confronting emotions long buried or ignored. The album delves into deeply personal themes, exploring self-alienation, frustration, inner conflict, despair, and disorientation. These ideas are mirrored in the album cover, which portrays a dark, abandoned cityscape devoid of light, teetering on the brink of collapse. The inverted city hints at duality and the tension between mind and body, as well as a fractured sense of reality. The dominant red tones evoke intense emotions such as self-expression, aggression, and resilience, while birds and barren branches in the corners suggest life fleeing this desolate scene.
It’s time to stop the doomscrolling! The man, the myth, the legend is here. You wouldn’t believe how excited I was when I got the promo for Thy Catafalque’s XII: A gyönyörű álmok ezután jönnek (Satan, help me with this title!). No project sounds quite like this one. That’s the paradox of Thy Catafalque—you never know what you’re getting, yet you kind of do. Am I making sense? Probably not. I’ve been a fan since Rengeteg and loved almost everything since. But surpassing Alföld, which was album-of-the-year material, is a massive task. Let’s dive in!
SonikGoat
Until now, Mitochondrion has not released a new full-length album in 11 years. Eleven years in which the commodification of some of popular music’s most challenging and demanding material has continued unabated. Indeed, in 2024, it’s possible to say that in the rarefied world of extreme Metal, styles such as Disso-Death have even become somewhat “fashionable”—by the niche standards of the underground, of course. Bands pushing further into abyssal realms seem to erupt into our cosmos on a weekly basis these days, so it takes a special group to take such a long hiatus and still return with a palpable buzz of expectancy. Not only has Mitochondrion achieved that, but has also surpassed its previous full-length, the mighty Parasignosis, delivering yet another top-tier album for 2024.
Alright, my beloved readers (I’m in a good mood, so you get some love for once), it’s time to dig into the depths of the underground and dish out the love—or hate—these submissions deserve. You know the drill: some of these bands are working with the production value of a 2009 smartphone short film, but who cares? We’re here for what’s true and kvlt, not for petty concerns like beauty, right? Let’s get this firing squad ready!
Let’s travel to the cradle of democracy (assuming your definition of democracy includes only rich dudes voting) and meet Auriferous Flame, a band that doesn’t sound like your typical Greek outfit. Yes, it’s still Black Metal, but not the kind we’re accustomed to. The Insurrectionists and The Caretakers hit us with a sound that flirts with Black/Thrash, laced with Progressive influences. Intriguing, right? Let’s not delay any further and dive into this violent and dark revolution.
SonikGoat
What’s to be done with a corpse, you may ask? To most, a corpse is just a swiftly decaying pile of blood and guts—a mess, an inconvenience. Sure, you could burn it or dispose of it, but it will cost you time and effort. Wouldn’t it be more useful to repurpose it somehow? Let Molder show you the way. The band knows how to take a cadaver, reanimate it, imbue it with an undead will, and let it thrash around for 30 minutes or so. A most excellent and entertaining use for a heap of remains, wouldn’t you agree?
Metal Eclipse Reviews 