
Pegah
“Where there is sorrow, there is holy ground“
Oscar Wilde
Suffering so you don't have to!

Pegah
“Where there is sorrow, there is holy ground“
Oscar Wilde

It’s been a bit of a slow year for Doom so far (hehe!), but maybe that’s about to change – because when you see Structure‘s Heritage cover art, you know there are only two ways this can go: breathtaking and unforgiving Death/Doom, or just a bloated, pretentious mess. There’s next to no middle ground when it comes to releases that take themselves this seriously, where everything feels personal and built through time and pain. There’s not much else I can say to introduce a project that promises so much from the start, yet we all know how full the world is of disappointment. So let’s see what we have here.

Pegah
Le Déclin (meaning The Fall) is the sixth full-length album by the French Funeral Doom Metal band Ataraxie. However, its style isn’t confined to Doom Metal’s subgenres, as some tracks can be categorized as Progressive Death Metal. The first time I listened to Ataraxie, I was thrilled by the sudden changes in rhythms—shifting from calm, low-tempo, Doom-like rhythms to high-speed, Death-like blasts. Specifically, as a Funeral Doom Metal fan, you’ll be surprised by how, in the blink of an eye, they pull you out of the dreary, depressive atmosphere and thrust you into the cruel world, forcing you to face reality.

I don’t know when or how it happened, but the universe has conspired to make 90s Death/Doom cool again. More and more bands are rehashing this clearly underrated style, and I welcome it with open arms. Bring back the era of alienated pain! Marche Funèbre isn’t new to the sorrow game. The band has been delivering for more than a decade, always offering what angsty Metalheads need, which is why I approached After the Storm with uncalled optimism. So, let’s see how this is going to hurt me!