Suffering so you don't have to!
Metalcatto
Edenbridge would be the kind of band Elyna would normally cover, but she’s on vacation, so you’ll have to settle for my snarky takes in the meantime. The big question from the start was simple enough: what can Set the Dark on Fire add to an already long and fairly successful career? I’m not sure the answer is entirely straightforward, but I’ll do my best to help with some balanced and absolutely not hateful commentary… who am I kidding? This is Power Metal, after all.
Metalcatto
I’m late to this party again, but here we are: a new Ellende album exists, and that alone means we can’t just let it pass unnoticed. The band has been delivering stunning Post/Black Metal for years now, to the point where having an opinion on a new release isn’t just advisable, it feels almost mandatory. I also happened to see that one of the band members (L.G.) defended his PhD not long ago, which honestly explains a lot. Suddenly, the sheer emotional devastation of this record makes complete sense. Ellende, if you’re reading this, I’d love to say the academic pain is over, but judging by Zerfall, it has merely transformed into sound.
Elyna Kahn
Visions of Atlantis has been waving the symphonic metal flag for years now, and this time they decided to prove it live. Armada – Live Over Europe is their latest statement, a 19-track beast stitched together from various stops of their 2024 Armada European tour. It’s mostly material from their last two studio raids, Pirates (2022) and Pirates II (2024), released July 14th on vinyl and CD, because apparently these pirates still believe in treasure you can actually hold.
Metalcatto
Here we go again—everyone’s favorite niche genre: Black Metal solo projects. But before you run away like you owe me money, let me tell you that Rauhnåcht actually has a label, plays more Folk than Atmospheric, and the production is surprisingly acceptable. That should be enough to entice you—or, if you’re Ixone, to totally disappoint you. Either way, let’s find out what Zwischenwelten is all about. We all have things to do and places to be, after all.
I’ve been hearing whispers about Karg for a while. It’s another band that can proudly join the whole German/Austrian Post/Black Metal scene. It’s been dominating this small niche for at least the last ten years. So yeah, I do feel kind of guilty that it took me this long to give the project a proper chance. Marodeur has a serious name, a serious cover art—so you obviously expect serious music. The kind of album that reminds you of those small mistakes you thought you’d let go, but still haunt you at night. Uplifting stuff, right? Let’s start!
Welcome to Retro-Reviews, a space where I indulge in my own nostalgic reveries, reminiscing about a time that never truly existed, but one that I’ve crafted through various random albums that hold significance for me. Whether good or bad, one thing is certain: remembering can be a bittersweet journey.
Aren’t you excited? We finally get our first Post-Metal heavyweight of the year! I’ve been a fan of Harakiri for the Sky since III: Trauma, and though I enjoyed Arson and subsequent releases, it just hasn’t felt the same ever since. Enter Scorched Earth, an album that promises to erase all my doubts and put Harakiri for the Sky back into killer-track territory. There’s good reason to have hope because no other band can portray hopelessness as well as this one does. So let’s believe one more time!
Stargazer Scholar
Metal and classical music have a lot in common. From direct quotations to arrangements and the general feeling of overarching grandeur, our beloved genre has borrowed heavily from its noble ancestor. However, while a romantic symphony or a baroque concerto are open to reinterpretation, Metalheads are known to be jealous guardians of the original incarnations of their favorite albums. And let’s be honest, more often than not, this stance is well justified. Nonetheless, the artists’ right to amend and reconsider their own creations should likewise be taken into account, leading us to a trade-off that is hard to resolve. This brings me to today’s topic.
Hi there! Today, we’ve got in our hands an album that can only be described as strange. I’m talking about Mynskh’s Chapter II – The Last Messiah. It’s supposed to be a Black/Death Metal journey, but honestly, it feels more like a Prog and Post adventure that pulls elements from a ton of other influences. You’ve probably noticed that I’m throwing a lot of sub-genre terms into the mix, so you might be wondering what the heck I’m talking about, because it’s making things less clear. Well, that’s kind of what we’re getting into here—an uncertain adventure, most likely with a tragic end. Let’s dance!
I’m usually honest with you, unless there’s some kind of profit behind lying to you. Otherwise, I always share my expectations. So, when I received the promo for Monument of Misanthropy‘s Vile Postmortem Irrumatio, I felt doubtful. Why? Because a Brutal Death Metal band singing about serial killers, psychological deviance, and grotesque violence is probably why the sub-genre was invented. However, I was puzzled by the fact that the band had cared to build a narrative in this album and that Transcending supported it, as they don’t support trash. So, let’s see if I was wrong!
Metal Eclipse Reviews 