Black Metal – Page 15 – Metal Eclipse Reviews

Metalcatto’s top artworks of 2024

Lunart & Metalcatto

It’s time for yours truly to give you a proper top list of something! Since you’ve been asking for one a zillion times on social media, I couldn’t say no. However, being a fervent supporter of the division of labor and a total snob, I’ve teamed up with Lunart—someone with an actual arts degree—to judge the best album art of the year. So, this isn’t just my peasant opinion; it’s also supported by the refined taste of someone who knows the field. That means you’ve got to bend the knee, right?

Before you lose it, yes, we’re aware many of the best works this year are adaptations of classical paintings. But let’s be real—that doesn’t take away from the incredible worlds they transport us to, especially when combined with the music. Let’s dive in!

Monte Penumbra – Austere Dawning

Did you think we were done with new releases? That we were just going to remember the highs and lows of this year? Well, let me surprise you with some Black Metal from the cave. I’m talking about Monte Penumbra’s Austere Dawning, an album that, while it feels Icelandic in many ways, continues to establish tiny (but mighty) Portugal as one of the powerhouses in this niche sub-genre. We’ve had an exhausting week when it comes to tremolo picking, so how can this release top that? Let’s find out.

Lost in the Riffstorm 2024: part 3

Part three of the endless search for albums we missed. This is a bit of a mixed bag. We have huge omissions, but also some underground darlings that we couldn’t let pass—regardless of our excuses (usually staff shortages). I’m thinking about opening a review factory in some country with no workers’ rights, of course! So watch out, USA—here we come! But I digress. Let’s continue our dive into some albums worth remembering.

Lost in the Riffstorm 2024: Part 2

Let’s keep reviewing our greatest omissions of the year. Some of these are older than MER Industries itself, so you can’t blame us too much for missing them. However, I suspect that they’re are going to end up on a few end-of-the-year lists, so it would be criminal to let them slip by without glory—even if this moment of honor feels insignificant. Alright, so here’s part two of our redemption rounds. If your favorite album is missing, relax—there will be more parts.

True kvlt: 11Redearth,The Obsidian Resurrection, Arkuum & NihilstVoid

Pegah & Metalcatto

It’s that time of the week when we raid the fridge for whatever leftovers we can find—because who wants to cook a lot on a Sunday? You do? Well, respect, I’ll give you that. But this time is different. I’m not alone in this section—Pegah has decided to join in and bring another band to your tearful eyes. So, here we have this week’s lucky picks:

Kir – L’appel du Vide

Polish Black Metal has already established itself as its own school of thought in our small community. It’s hard to define it precisely. However, the sound of human decadence is the first thing that comes to mind. Kir is trying to portray that, but from an urban perspective in L’appel du Vide. You’d think that with such a title, this would be a mellow Post-Rock album, but no—this is as dirty as it gets. Still, it would be good to know more about the quality of the work itself, right? Stick around, kid.

Mörk Gryning – Fasornas Tid

If Disso-Death has taken over Death Metal this year, I think it’s fair to say that MeloBlack is becoming the new meta within Black Metal. More and more bands are jumping on the sad but angry bandwagon that Dissection pioneered so long ago. Enter Mörk Gryning, a project that has been away for a while but promises to continue this newly rediscovered tradition. With Fasornas Tid, the band promises to stick to what it’s done but also adapt to these enigmatic times. Will it manage to stay on the bandwagon? Let’s find out.

Svarttjern – Draw Blood

Stargazer Scholar

Let us play a little game, shall we? I’m going to name a subgenre of Metal and you will quickly come up with three associations it evokes. Ready? Just promise not to overthink it, OK? Great, I knew I could count on you!

And our genre is… ‘Black Metal!’

Panzerchrist – Maleficium Part I

It’s time to return to no-nonsense, unapologetic Black Metal that can tear us a new one any day of the week. So, I bring you Panzerchrist (ask the AI to draw this name, please!) and its new album Maleficium Part I, which promises a level of fury and hysteria that many of you have been missing. You know Black Metal these days—it can get a bit complicated. Don’t you miss some meat and potatoes? Well, I think that’s what we’ve got here—or maybe not? It’s time to find out. Just don’t say I didn’t warn you about this album’s approach.

Eard – Melancholia

Stargazer Scholar

Numerous subgenres of Metal have been squeezed to the very last drop of their former originality—exhausted, recycled, and overdone. Weirdly enough, despite its obvious overpopulation problem, Atmospheric Black Metal is not one of those genres. Before you object, dear reader, think of all the outstanding and unique artists this movement has spawned. Consider the legendary dungeon synth escapades of the mighty Summoning and its glorious followers; recall the dreamy medieval charm of the mysterious Obsequiae; and remember the swelling soundscapes of Saor. Italy’s Eard remains a well-hidden but no less precious gem in this constellation of curiosities—a gem yearning to be discovered.