Black Metal – Page 18 – Metal Eclipse Reviews

Various Artist: Surrender to Death A History of the Atlanta Metal Underground Vol. 1

If you’ve been following us for a while, you’ll know that we love history at MER. We even do retro-reviews all the time. Not many music genres have as much reverence for the past as Metal does. However, we tend to focus on the big classics and forget the dirt, the crust, and the deep underground where bands live and die, hoping to evade oblivion for just a little longer. That’s why today we have a different type of review. Surrender to Death: A History of the Atlanta Metal Underground Vol. 1 features more than 20 artists. I know nothing about Atlanta except that it has a huge airport, but let’s learn about its old Metal scene, shall we?

Tusenårseken – Omhuldra

Stargazer Scholar

The underground spirit of extreme Metal doesn’t prevent it from being one of the most demanding genres when it comes to execution. The increasing accessibility of modern technology has yet to catch up with human creativity and the exploratory ambitions of artists working in small studios and isolated bedrooms. Musicianship and songwriting talent are still the foundation of any musical edifice, but without appropriate production quality, even the most solid building blocks may not hold. Omhuldra, the third full-length release by Sweden’s one-man Atmospheric/Pagan Black Metal project Tusenårseken, exemplifies this contradiction better than any other album I’ve heard recently.

Blighted Eye – Agony’s Bespoke

You know my running joke: I judge albums by their cover. When I received Blighted Eye – Agony’s Bespoke, I had two thoughts: this is either going to be AOTY material or a typical 2.5/5.0. There’s no middle ground. When a band takes itself this seriously, things can either fly or crash and burn. Especially when there’s a plot in the album that’s heavily inspired by an extremely raw and depressing film (The Nightingale). Hence, I approached this release with incoherent expectations. Anyway, let’s see if Blighted Eye can pull it off.

Ellende – Todbringerin

Stargazer Scholar

Metal and classical music have a lot in common. From direct quotations to arrangements and the general feeling of overarching grandeur, our beloved genre has borrowed heavily from its noble ancestor. However, while a romantic symphony or a baroque concerto are open to reinterpretation, Metalheads are known to be jealous guardians of the original incarnations of their favorite albums. And let’s be honest, more often than not, this stance is well justified. Nonetheless, the artists’ right to amend and reconsider their own creations should likewise be taken into account, leading us to a trade-off that is hard to resolve. This brings me to today’s topic.

Spectral Wound – Songs of Blood and Mire

There are few albums that have been relentlessly hyped on social media like Spectral Wound‘s Songs of Blood and Mire. Sure, I’ve liked what this band has released before, but the implicit pressure to check out this one has been a remarkable feat of marketing by whoever handles its promotions. Either way, you’re probably here after reading countless reviews that beat me to the punch, all of which have hyped you to death. Now you’re just wondering: Am I going to crush your expectations or make you even more ravenous for the release date? Watch and learn.

Zeal & Ardor – GREIF

Every once in a while, a band shows up and defies expectations to levels that we thought weren’t possible. Zeal & Ardor managed to mix oil and water; mixing Black Metal with Soul music in a way that even the biggest purist could respect. Yet it’s been years since Strange Fruit smacked us all in the mouth, and though Zeal & Ardor was good, I do wonder what can the band do next? It’s hard to keep innovating so much in this boring world. So stick around and find out here!

Har – Curse Creation

When you feel anger, despair, or just good old desolation, it’s hard to find the right soundtrack. I hear you! There’s a lot of heavy bands out there, but not many can truly capture the feeling of being utterly lost in anguish. Har is here to offer something hideous and immoral. You could almost call it Curse Creation. Before you start salivating in a Pavlovian manner, keep reading to find out if this is what your broken spirit needs to accept its inability to recover and live a functional life. Too dark? And we’re only getting started!

True kvlt: Roraima, A Xoloth, Natal Cleft, Niftar & Venus

What started as a cheap PR tactic has become a beloved part of this forgotten corner of the internet (MER). Here, you—the people—send us your work, and we give you a platform so you can brag to your friends and family that you’re now a musician someone writes about. As usual, we’ll give you a bit of praise and a bit of critique. Things we liked and things that… could improve (I sound like your boss now, right?). Time to start!

Mynskh – Chapter II – The Last Messiah

Hi there! Today, we’ve got in our hands an album that can only be described as strange. I’m talking about Mynskh’s Chapter II – The Last Messiah. It’s supposed to be a Black/Death Metal journey, but honestly, it feels more like a Prog and Post adventure that pulls elements from a ton of other influences. You’ve probably noticed that I’m throwing a lot of sub-genre terms into the mix, so you might be wondering what the heck I’m talking about, because it’s making things less clear. Well, that’s kind of what we’re getting into here—an uncertain adventure, most likely with a tragic end. Let’s dance!

True kvlt: Barzakh, Glass Coffin, Aldorfrea, Mindistry

Destiny has decided that this week’s True Kvlt becomes a blend of mostly underground Black and Death Metal straight from the cave. Lately, we’ve had too much beauty and cleanliness in this section, so it was about time things got nasty again. Join us on this quick trip to the basement.