Black Metal – Page 20 – Metal Eclipse Reviews

Exploring South Africa’s Metal Scene: An Interview with Keenan Oakes of Wildernessking & Constelletia

Alright, my fellow basement dwellers, we have our first but not last interview for MER. I had the privilege of speaking with THE band in South African Black Metal. Even if you know nothing about South Africa (shame on you!), you know that Wildernessking (Wilderness and king, do you get it?) is the most important Black/Post Metal band coming from the deep south (Not Alabama, you American-centered people!). Destiny crossed my path with Keenan because I was the first person to get a digital copy of The Writing of Gods in the Sand. Exploiting my special status, I managed to convince Keenan to open this section for us. Needless to say, Keenan is an awesome and fun guy that I can’t wait to have a beer with. But putting my fanaticism aside, I did try to keep it together and ask him questions like his influences, which are close to what you’d expect.

KVAEN – The Formless Fire

KVAEN has been the underground’s darling for a while now. Needless to say, yours truly is a fan of the previous two albums, where KVAEN showcases speed, durability, heaviness, and exceptional songwriting that combines the best of old and new Black Metal. I think I speak for many when I say the expectations for The Formless Fire are huge, and the mightiest band from Kalix (the North of the North) has a monumental task ahead of it. However, this has been a good year for unrealistic expectations, so let’s keep it going, ok?

Alcest – Les Chants De L’Aurore

It’s one of those days! The rare ones when you wake up feeling victorious, refreshed, and ready to take on the world! This unique occasion calls for a fitting soundtrack, and no other band defines the feeling of flying on a cloud towards freedom quite like Alcest. Their last two albums have been certified winners in my feline opinion, but now we’ve got Les Chants De L’Aurore in our claws, and it’s our duty to see if it stacks up in Alcest‘s illustrious catalogue. It’s emotion time!

True kvlt – The Giant Baba, Eisige Venen, JAELYN, June 1974, Ghost Frog and Crystal Sun

In today’s edition of True kvlt, we’re featuring an insane variety of bands and styles. You might think I’m trying to spam you mercilessly, and you’re sort of right. However, they’re all singles! So, if you put them all together, it’ll take the same amount of time that you would otherwise waste watching cat videos instead of doing something productive with your life, like exploring the deep underground. You know It’s time!

Codex Mortis – Tales of Woe

Here at MER, we strive to follow state-of-the-art Metal. However, we sometimes deny our roots, occasionally talking friendly trash about those who came before us. Enter Codex Mortis‘ Tales of Woe, a band trying to capture the spirit of the second wave of Black Metal (but meaner). It’s an extremely difficult task! You might be thinking, “What does The Catto mean? It’s been done to death”. Precisely, my child! How is this going to surprise us when “pure” Black Metal has become a constant trip to the past? Let’s find out!

Mythologik – Blood in the Sky

Don’t ask me why, but there’s an unfathomable resurgence of bands that like to to take inspiration from less conventional mythologies. To be fair, many do have some sort of connection with the respective regions. Here at MER, we welcome any new takes on old Metal. So, when I noticed that Mythologik‘s Blood in the Sky was joining the hottest trend in extreme Metal (only slightly, there’s so much more here), I wanted a piece of it. After all, opportunism is the key to survival, kids. Enough chatting, let’s jump in then!

True kvlt – Black Phantom, Pagan Rites and Unveil The Omen

It’s that time of the week again when we go through our followers’ submissions in hopes of finding the next big thing. Today, we have two albums and one single. A strange mix, you might say, but may I remind you that at MER, we do whatever we want since you haven’t opened thy wallet yet. Remember, beggars can’t be choosers.

Helps us start an illegal militia here

Construct of Lethe – A Kindness Dealt in Venom

I first want to start by warning that this review requires serious consideration. Suicide is no joke, and if you joke or bully people about it, we’ll find you. Hence, I’ve been delaying my take on Construct of Lethe‘s A Kindness Dealt in Venom. First, my underpaid interns have been struggling with your requests, and second, I didn’t want to review something that approaches such a serious matter in an exploitative way (not the case here, fortunately). But let’s focus on the music, shall we?

Ulcerate – Cutting the Throat of God

I’ve been delaying this more than you delay your work emails, but the time has come. If there’s one band that can consistently compete for album of the year awards on any platform, it’s Ulcerate. They’ve done it with every single album since Everything is Fire and kept it going until Stare Into Death and Be Still. Ulcerate never holds back and can only compete with itself. So, you’d be right to think that my expectations for Cutting the Throat of God are so out of proportion that I should call my therapist soon, but before I get sent back to rehab, just read this.

Al-Namrood – Al Aqrab

When you think of Black Metal, your mind goes to cold and windy mountainous regions, full of darkness and solitude. You imagine a place desolated by the sins of Christianity and the return of pagan traditions. It’s all extremely Eurocentric, right? Well, I’ve been waiting for this album to drop in my mailbox for a while because Al-Namrood – Al Aqrab comes from the last place you associate with Black Metal. That’s right, I’m talking about Riyadh in Saudi Arabia! We made it, my siblings in faith! We’ve reached all corners of this planet. That’s moving, but is Al Aqrab any good? Time to roll out!