Ceremony of Silence – Hálios

Slovakian Metal might seem alien to you, just as it would to me if I hadn’t visited Slovakia. There isn’t much to say about the country—great food, impressive castles, but the customer service can be terrible. This deadly combination almost begs for the creation of interesting heavy music. So, you might wonder if I’m writing this review in advance to gain a competitive edge. Well, yes and no. Ceremony of Silence is my kind of band, and just a glimpse of the cover art of Hálios makes me salivate more than free food at a boring conference.

Retro-Review: Aborted – The Necrotic Manifesto

Welcome to Retro-Reviews, a space where I indulge in my own nostalgic reveries, reminiscing about a time that never truly existed, but one that I’ve crafted through various random albums that hold significance for me. Whether good or bad, one thing is certain: remembering can be a bittersweet journey.

The Last of Lucy – Godform

You’ve lost count of your therapy sessions. Nothing seems to ease your anger issues. You’re on the brink of snapping at that coworker who cracks fart jokes all day. Well, let me tell you, I might not have any constructive solutions for you, but maybe The Last of Lucy does. This band has been delivering potent doses of compressed violence for years now. Moksha was definitely a step in the right direction, but does Godform continue this brutal onslaught?

Crawl – Altar of Disgust

Crawl has been busy lately. Following a lively split with Feral, it’s clear that they’re riding the wave of the new generation of old-school Swedish Death Metal bands emerging from (surprise!) Sweden. So yes, this is an extended version of the retro Metal that many have been enjoying lately. However, instead of more Immolation, you get more Entombed in your mix. But we’re not here to talk about Crawl; we’re here to discuss Altar of Disgust and determine if it has something new to offer or if it ends up being a derivative endeavor.