Double review: Solnegre- Anthems For The Grand Collapse

Metalcatto

Spain isn’t particularly known for its Doom Metal. That doesn’t mean it’s bad, but it does mean that Solnegre‘s Anthems For The Grand Collapse arrives with little pre-existing noise around it, which honestly feels more like a gift than a curse. I’m approaching this thing with no preconceptions or prejudices, just expecting to get trashed in all the right ways. However, Death/Doom can be so derivative at times that there’s still some level of worry lurking in my dark heart. Let’s see if that concern was justified.

Highgate – Prophecies  of Eternal Doom

Metalcatto

If you thought Highgate‘s Prophecies of Eternal Doom was a Speed Metal album, then I don’t know what you’re doing with your life. However, if you thought it sounded like Doom, then you figured out something ridiculously obvious. Good for you. Anyway, how about we dive into this pool filled with pee and despair? You first.

Hrob – Brána Chladu

Metalcatto

Hrob isn’t for people who want to have a good time. What do I mean by that? Well, if you listen to thirty seconds of Brána Chladu, you’ll understand right away that the band is trying to inflict as much emotional damage as possible. Just like your parents. Anyway, I wasn’t ready for this sorrowful ride, but that doesn’t mean I was going to chicken out.

Lord of Confusion – The Weight of Life

Metalcatto

With a band name that would make you think of Stoner Rock or your last visit to the dentist, Lord of Confusion sounds nothing like either. Their album The Weight of Life is in principle an eclectic work trying to live in that space between Doom and Post-Metal, which means things are going to move slowly, but toward the most comforting kind of anxiety one could have. That made no sense, so let’s get to it.

Mammon’s Throne – My Body to The Worms

Metalcatto

You could certainly argue that my Doom Metal bias leans heavily toward the most depressing and suffocating end of the spectrum. I don’t cover enough Epic Doom, and that’s a fair criticism. But let me pose a question: what if you didn’t have to choose between crushing depression and epic grandeur? What if an album could be simultaneously brutal and majestic? Can that even work? I honestly didn’t know, but that was precisely the proposition Mammon’s Throne put forward with its new album, My Body to The Worms (an uplifting title, right?). My only real hope was that this wouldn’t simply be a carbon copy of Hooded Menace—I mean, just look at that artwork!

In Ruins – We Are All To Perish

Metalcatto

Depression! Now that I have your attention, I know you might be wondering if In Ruins‘ album artwork does justice to the music contained within. Just look at it; I haven’t seen such genuinely miserable, hollow faces since the Soviet Union was still a functioning state. That is precisely why this new album, We Are All To Perish, should hit us harder than discovering our favorite band is playing in town only to find tickets sold out in seconds. Anyway, dry your tears elsewhere, because we need to review this agonizing ride.

Post Luctum – Timor Lucis

Vicky

Being highly passionate about foreign languages and particularly Latin, I have to begin by telling you that Post Luctum comes from “post”, meaning “after”, and “luctum” (from “luctus”), meaning “grief”. At the same time, Timor Lucis also comes from Latin, with “timor” meaning “fear”, and “lucis” (from “lux”) meaning “light”. Ergo, to conclude my complex and meaningful introduction, the band After The Grief will soon release the album Fear of the Light.

Pegah Interviews Lying Figures!

Pegah

Hey guys! We’re back with another interview, this time with French Doom/Death Metal band Lying Figures. Formed in 2012 in Nancy, the band began shaping their identity through the 2013 demo From Nowhere to Nothing and the EP A World Of My Own (2014). Over the years, Lying Figures steadily developed its voice within the underground Metal scene, leading to the release of its debut album The Abstract Escape in 2017 — an evocative journey through fractured psyches, dark emotions, and oppressive atmospheres. Its latest album, Inheritance, released in November 2024, marks a new chapter in the band’s evolution. A full review of the album is also available on our website.

Malignant Aura – Where All of Worth Comes to Wither

Metalcatto

Rarely has a band name been so accurate in describing the atmosphere it creates as Malignant Aura. From the very first moments, the music lives up to that promise, radiating a suffocating, almost inhuman presence that feels carefully engineered rather than accidental. One could imagine this being the sound of ancient entities waking up, though filtered less through Lovecraftian myth and more through a modern Progressive/Death Metal lens. Even before pressing play, Where All of Worth Comes to Wither sets the tone with a title that feels relentlessly bleak, practically daring the listener to engage with it on its own terms.