Suffering so you don't have to!
Metalcatto
This year keeps throwing lots and lots of Thrash at us. As if the Metal Gods were offended we didn’t have a Best Of category for Thrash last year (there just weren’t enough good albums, Oxygen Destroyer won that easily). White Mantis’s Arrows At The Sun is here to join the rapidly growing competition in this niche that, despite hard times, never dies! But can the band stand out from the pack, or will we just get more 80s nostalgia that makes me want to quit? Let’s find out!
Vicky
I feel that, in a world where every rocker has at least one favorite “trve” Norwegian Black Metal band, the German extreme Metal scene has become undoubtedly underrated. However, it is not necessarily something bad – us, fans of Central European Dark Metal may see it as more of a treasure hidden in plain sight. You might expect the remainder of this article to be about a (new) release of a German band. And you are certainly not wrong. Here I am to give you more details about Der Weg Einer Freiheit (“The Way of a Freedom”)’s new album, Innern (“Inward”). Is this truly The Way to an Inner Freedom? From certain points of view, no.
Metalcatto
Well, here we go again. We’ve actually got another band that was in Eurovision. Lord of the Lost is a kind of Gothic Metal act that caters to the edgy kids who never quite moved past harsh vocals in their Metal journey. So, you might be wondering—am I just covering Opus Noir Vol. 1 to vent my deeply rooted intolerance for the mainstream world? Maybe. But that doesn’t mean I won’t try to be fair.
Metalcatto
I might’ve said it before, but this year seems to be a big one for Blackened Death Metal, and Shadows wants in on the trend with Miseria. At first glance, the album gives the impression that it’s more than ready to do the job—punching a hole through your emotions and unleashing the evil beast that lurks inside your heart. Does that make any sense? No clue. But what I do know is what this album offers, and I’m about to tell you.
Metalcatto
It’s hard to get people’s attention in this era of pathetic short attention spans. It’s even harder to stand out as a German Post/Black Metal band, since so many of them already offer outstanding quality music. But Heretoir has a nerdy trick up its sleeve. It’s not every day I get an album with a freaking Phorusrhacos on the cover—especially one that looks so sombre (like they weren’t terrifying enough already). Now, I’m sure Solastalgia is going to offer uplifting and hopeful tunes, right? One can dream… or just show despair. Both are valid in the Metalsphere.
Metalcatto
t’s been a while since I looked into a German band that wasn’t making some weird and sad Post/Black. Mouth of Madness is hard to define. Sometimes it feels like a Black/Thrash band, and other times like dirty Death Metal. What I’m sure of is that Event Horizon isn’t an album that’s going to leave anyone indifferent. The band might have been quiet for a long time, but this new release is clearly aiming to put them back on the map. Time to unfairly judge whether it succeeds—or if it’s just talking crazy (see what I did there? Don’t hit me!).
Metalcatto
Well, this isn’t a new release—it’s a reissue—so why am I writing about it? Simple. Hessian Firm, the label behind it, was kind enough to send us a free physical copy of Ingurgitating Oblivion’s debut EP, Cadence and Perspective in Desolation. A title that already hinted at how complex IO would become. So, without further nonsense, let’s check if this thing still holds up more than two decades later.
Vicky
I’d like to start this off by asking a very honest question: why are there so many bands named Cromlech? Trying to track down the Cromlech that’s about to release Of Owls and Eels is the Black Metal equivalent of finding a needle in a haystack. Naming your band “Cromlech” is basically a cooler way to say “Stonehenge,” but I swear there are more Cromlechs out there than bands named Stonehenge—at least judging by what turns up on Encyclopaedia Metallum. I could be wrong, but in the Metal realm, guessing games are half the fun. Anyway, now that we’ve made it through that intro, let’s dig into Of Owls and Eels.
Pegah
“Yes, the day the world ended and nobody was innocent again. God, how swiftly it all fell down!” ― Arthur Miller, After the Fall.
Instrumental Metal is something that many noobs dream of having. All your friends who hate “screaming” claim to want something like this—only to never listen to it anyway. That’s the reality of the game: people hate growling until it’s not there. However, that doesn’t take away from the merits of a band like Rýr, whose approach on Disloged makes me think of a less brutal Cult of Luna—yet still heavier than Pelican (let’s be honest, anything is heavier than Pelican). But enough mixed signals—let’s dig into what this album is all about.
Metal Eclipse Reviews 