Suffering so you don't have to!
Metalcatto
Traditional wouldn’t be the way I’d describe our approach at MER Industries. If anything, I make sure our writers review things that sound new and fresh simply because I hate the past. However, sometimes you have to stop and see how far we’ve come in time. Enter Patchwork, a band that tries to bring a Heavy and Thrash approach from the 80s into our era with Scars. Are you ready for some nostalgic riffs? I’m not, but I can be soon! Let’s do this.
I have two awkward confessions. First, I almost forgot we’ve got this promo because, well, I now get more emails than a professor on sabbatical. Second, though, Messa has always been interesting and engaging—it’s a band that never really caught me. It always felt like retro-Metal to me, but now that I give The Spin a spin (don’t hit me!), could my opinion finally change? The band has been at it for a while, but it’s never too late for me to start a redemption arc, right?
Not every day we get a Kiwi band, and not every day we get one that dares to have lyrics in te reo Māori. As someone who spends life jumping between languages (it comes with my business and colorful family members), Alien Weaponry is a band that walks a thin line between Djent, Heavy Metal, and MeloDeath. Honestly, it’s hard to pin it down, but in Te Rā, it seems clear to me that the band aims to conquer the Metal masses. But does it succeed? Let’s find out!
It’s been a week full of high-profile releases. So much so that sometimes you lose perspective of what really matters—fami, the underground releases that, with sweat and tears, are trying to give us something different in this valley of darkness we call the world. Serpent Rider might have an angry name, The Ichor of Chimaera might have Black Metal-style art, but that doesn’t mean it can’t surprise us. In fact, I’d bet this is going to punch us all in the liver unexpectedly.
Sometimes at MER, we need a break from all the monkey howling and the buzzing chainsaw guitars. We need to connect with our spirit animal (probably one of these). That’s why we have room for old-school Heavy Metal/Hard Rock bands like Christian Mistress, a band that’s essentially rising from the dead with its latest album, Children of the Earth. In our niche scene, we’re used to bands taking long breaks between albums—after all, nobody’s making money out of this “business”—but that doesn’t mean we can’t get excited and have expectations, right? Let’s dive in!
Yeah, kids, I wasn’t sure what to make of this cover art. You’d think this album is some kind of weird, washed-out Nu-Metal that’s going to give us the wrong kind of pain, but you’d not only be wrong—you’d also be surprised! Because Blood Cult is an old-school Heavy Metal band that takes you straight back to the early days, and I mean 1970s early. Many of your parents weren’t even born yet, but We’re Gonna Take Your Soul is pure Redneck Black Metal, offering a strange and possibly unique interpretation of those drugged-out times.
Is it sarcastic to drop an album named Summer in autumn, with that cover art? It sure feels like a provocation for those of us who are about to not see the sun for months. Anyway, we’re here to judge the music, not the sense of humor. Valletta promises something rooted in the past but, at the same time, fresh. The band might be relatively new on the scene, but its members are experienced and ready to show us what dirty Black N’ Roll has to offer. Let’s move!
Satan is the coelacanth of Metal. You’re probably wondering, what the fudge is a coelacanth? Well, my uneducated child, it’s a fish once thought extinct long ago, until we discovered it was still alive, swimming away, indifferent to our existence. The same goes for Satan, a band once presumed dead for decades, but since Life Sentence, they’ve made a remarkable comeback. The question now is: can Songs in Crimson continue this legendary run of heavy fun? Welcome again!
If you’ve been following us for a while, you’ll know that we love history at MER. We even do retro-reviews all the time. Not many music genres have as much reverence for the past as Metal does. However, we tend to focus on the big classics and forget the dirt, the crust, and the deep underground where bands live and die, hoping to evade oblivion for just a little longer. That’s why today we have a different type of review. Surrender to Death: A History of the Atlanta Metal Underground Vol. 1 features more than 20 artists. I know nothing about Atlanta except that it has a huge airport, but let’s learn about its old Metal scene, shall we?
Let’s face it: old-school Heavy Metal sucks. Now that I have your attention, let me tell you that Black Sites is the biggest exception to this rule. Ever since In Monochrome, this band has put out banger after banger, avoiding the common tropes and typical corniness of the genre. Plus, it has its Prog moments! And that never hurts. However, The Promised Land? comes in quietly, maybe because of all the comparisons it’s going to face with other great albums, or maybe because you haven’t done your research and aren’t hyping this band as much as you should. Either way, let’s see if this album delivers!
Metal Eclipse Reviews 