Suffering so you don't have to!
Elyna Kahn
Feuerschwanz – Knightclub has been released. At first listen, this work instantly evokes the feeling of “when Metal came to the Shire.” It’s a masterful fusion of technical power, festive energy, honour, joy, mystery, humour, and elegance, all woven together with perfect balance. The sound echoes something you might have heard at Bilbo Baggins’ legendary 111th birthday party—celebration and joy turned into music.
Metalcatto
You guys are sending me so much stuff lately, so no need for an intro, let’s go!
Vicky
You’ve probably been waiting for my take on guitar solos, so here it is — but first, a quick intro. My musical taste spans from Pop Rock and Indie to Brutal Death and Black Metal, and my picks reflect that range, though I’ve kept the Black Metal to a minimum (I know not everyone’s a Burzum or Darkthrone fan). I could ramble endlessly about what makes a great solo—or why “Nymphetamine Overdose” by Cradle of Filth and Liv Kristine is, in my view, a more refined take on Symphonic Gothic/Black Metal than “Nymphetamine Fix”—but I’ll spare you the tangents and get straight to the list.
Stargazer & Elyna
Stargazer Scholar
Once upon a time, the little Stargazer was in the car with his dad. They were listening to the radio and a rock song came on. I could not remember its title or the artist for the life of me (no Shazam back then, alas), but I will never forget the exact moment when the guitar solo came on.
Metalcatto
It feels like fame has gotten to the top of my head and I’m starting to neglect the deep underground, right? Just kidding! But we’ve had a lot of special articles and high-profile reviews lately, and—as usual—the local bands pay the price like innocent bystanders. So now I’m bringing back a bit of justice, even if just for a moment, in this sorrowful world… Wait, what am I trying to say? It’s sunny outside—let’s stick to that mood. Let’s go!
Vicky
To make this introduction brief, I am just going to say that I realised these days that the ’90s as a decade had marvelous music, both Rock, and in Metal. Given that there were so many great albums released during that time, I’ve decided to make a short list containing five of my personal favorites – that are also sometimes overlooked. Let’s dig into these five underrated masterpieces.
Vicky
You’ve probably heard about Alestorm before. As a long-time fan of these pirate Metal titans, I had to listen the moment I heard they were about to release a new album. Your average Alestorm listener knows the band has evolved from a Running Wild-esque Heavy/Power Metal act with lyrics about pirates, alcohol, and battles to a more Power Metal-oriented sound—while keeping the same lyrical themes. Over time, the band has embraced humor too (who can forget the deluxe edition of 2017’s No Grave But the Sea, which included “dog versions” of all the songs?). That’s why one wouldn’t be too wrong in saying Alestorm is to Running Wild what NanowaR of Steel is to Rhapsody of Fire: initially a parody that eventually gained worldwide recognition and became a cult favorite.
Metalcatto & Vicky
As usual, I want our interviews to be about more than just the albums.I know many artists will sigh at this, since they see an opportunity for ruthless self-promotion slip away—but that’s not the case, people! We want to give you layers, and today we have Fia from Exiled Hope, someone who’s aiming to become a lawyer and defend your (yes, your!) rights against the predatory hands of the merchants of death. (That’s the music industry, of course.). But first, we asked Fia a bit about Apocrypha, her latest album—you know, the one Vicky reviewed here!
Elyna Khan
Discovering incredible bands is one of the perks of being a zine reviewer. You receive the promos in your email, put on your headphones, press play, and the journey begins. Little by little, in every note, every chord, every cut, you discover pieces of yourself. The blood begins to pump strongly to your heart, filling your chest with a comforting warmth and imbuing you with an intense, luminous energy that simply leaves you happy.
Elyna Kahn
As a lifelong Metalhead and devoted fan of classic Power Metal, I hold the early works of Rhapsody (before the name drama), Blind Guardian, Stratovarius, and Sonata Arctica as sacred texts. That era – when music felt raw, honest, and untainted by excessive digital manipulation – represents the genre’s golden age to me. In recent years, I’ve watched with dismay as the obsession with Dolby Atmos and “modern” production has led many great bands to drown their essence in a sea of cinematic embellishments and artificial polish. While I won’t name names (some still manage to captivate me despite their transformations), this trend has left me yearning for the unadulterated Power Metal of yore.
Metal Eclipse Reviews 