review – Metal Eclipse Reviews

Negative Agent – Terminal Days

Metalcatto

Sometimes, I get to review the weirdest things, and by that, I mean something like Negative Agent’s Terminal Days—an Industrial Metal album steeped in Cyberpunk aesthetics and antifascist politics. This is genuinely underground material, but it arrived with a strong personal recommendation from musicians whom we deeply respect here at MER. Trusting that instinct, I decided to give this electronic assault a fair chance, even though it checks almost none of the boxes on my usual stylistic checklist. There are moments when one simply craves to be surprised, and this seemed like the perfect opportunity.

Karnivool – In Verses

Metalcatto

Karnivool is what happens when a band possesses the intricate, atmospheric ambition of Tool but is fundamentally more willing to wear its heart on its sleeve and openly explore emotional vulnerability, rather than shrouding everything in cryptic metaphor and themes of substance abuse. The band carries both the blessing and the curse of an undeniable landmark album in its past (Sound Awake). Hence, its latest offering, In Verses, arrives with enormous shoes to fill and, frankly, zero of my initial hopes for a triumphant return. But let’s dive in regardless.

No Worth of Man – The Killing Streets

Metalcatto

With a title that makes you think No Worth of Man might be dropping some gangster rap, their new album The Killing Streets arrives with more pent-up anger issues than a hypothetical ten-year-old alcoholic. As is often the case with such intense material, the quality wasn’t immediately apparent; it required a deep, attentive dive to unravel. That’s precisely what we’re here for: to mess around in the sonic chaos and, hopefully, find out what lies beneath the aggression.

Cartoons Can’t Die – Rebirth

Metalcatto

If you’ve ever read Sophie’s World, you’ll understand how perfectly Platonic the band name Cartoon Can’t Die truly is. Now that I’ve indulged in that moment of cheap snobbery, let me tell you that their new album, Rebirth, doesn’t really fit into a simple genre box. And no, it’s not exactly the soundtrack to Who Framed Roger Rabbit. So, let’s jump into one genuinely strange album, because that’s what you’re here for.

Therion – Con Orquesta

Vicky

When talking about Symphonic Metal bands that have both excellent music, and a good internal collaboration between artists, Therion is one of the first examples that spring to mind. From their Death/Black beginnings, all the way to Symphonic and Operatic Metal, the group have proven to us numerous times that they can perform alongside musicians from pretty much any genre, and that their lyrics can cover a wide range of topics.

Casket – In The Long Run We Are All Dead

Milo Lane

There is a particular mindset required to sit down with a Casket record. Not preparation exactly — more like consent. An agreement with yourself that what follows will not ask politely, will not soften its edges, and will not care whether you are ready. Pressing play felt like anticipation braided tight with a certain resistance. I wanted this record. I knew I would also probably fight it.

Invictus – Nocturnal Visions

Metalcatto

When I think of Japanese Old School Death Metal, my first thought is Intestine Baalism. I know that’s not entirely fair to Invictus, a band that comes from a musical culture renowned for taking something that works and refining it to an even higher standard. Hence, I held onto a sliver of hope that their new album, Nocturnal Visions, wouldn’t be another generic entry merely trying to catch Tomb Mold‘s fiery momentum. I was cautiously optimistic, yet acutely aware that this style is arguably one of the most stable and traditional niches in Metal, rivaled perhaps only by the steadfast formulas of Power and Symphonic Metal. But let’s dive in.

Megadeth – Megadeth

Metalcatto

There’s a level of tragedy to this review. Despite how much we all love to pick on Megadeth, and especially on Dave Mustaine for all his public antics and tumultuous history, he’s our weird, cantankerous uncle in the metal family. Seeing the band seemingly ready to leave the gloves on the ring is a genuinely sad moment. I’m a realist; there is absolutely no way Megadeth is ever going to top the holy trinity of Rust in Peace, Countdown to Extinction, or even Peace Sells… But Who’s Buying? But here we are, collectively not quite ready to let the old guys ride peacefully into the sunset with their millions. So, let’s not pull any punches in discussing one of the most iconic acts in our little, utterly insignificant metal world.

Blackwater Drowning – Obscure Sorrows

Metalcatto

It’s time to review a band I have no prior knowledge about—a statement that, for a reviewer, borders on the embarrassing. Lucky for you, I have very little shame left. Blackwater Drowning (a wonderfully evocative name) arrives with their album Obscure Sorrows, and to be fair, the proposal is at least intriguingly enigmatic. So, let’s see if this album can rescue me from the near-permanent state of critical numbness that sets in after doing this for more years than I’d care to admit. Enough professional bitterness, however; let’s try to approach this with an open mind and see if we can find some genuine cheer in the music.

Beyond The Pale – Monument In Time

Metalcatto

There are musical projects with wildly ambitious dreams—like making a sustainable living from metal—and then there are the more humble endeavors that simply exist as an excuse for friends to create music together. That latter category seems to be where Beyond the Pale firmly resides. A band that began its battle during the isolating days of the pandemic, it’s are now ready to release its debut full-length, Monument in Time, which promises a savage and unrefined fusion of Death and Thrash Metal. I’m continually surprised by how infrequently these two genres are blended effectively, as the combination makes so much inherent sense. Anyway, let’s jump into the fray.