review – Page 12 – Metal Eclipse Reviews

Malformed – Confinement of Flesh

Metalcatto

It’s been a while since we’ve reviewed some good old school Death Metal. Honestly, after everything that happened in 2024, I’ve gotten dangerously close to becoming a hater. It’s just hard to stay excited when the scene feels so oversaturated. Still, despite the genre fatigue, new bands continue to dive into the old school trenches like it’s 1992 all over again. One of these brave souls is Malformed, who arrive with the debut Confinement of Flesh. This record is supposed to bring something fresh to the table, but you’ll have to excuse my skepticism — I’ve heard that before.

The Medea Project – Kharon

Ixone

Oh good lord, what have I even gotten myself into? One bizarre mention of influences and I’m on a cruise down the river Styx… absolutely brilliant! The Medea Project have come forward and delivered what I can only describe as an absolute Doom Metal oddball; a fascinating one, yes, but an oddball nevertheless. Crushing, eerie and disjointed are only a few of the myriad of adjectives that come to mind when listening to Kharon (the river Styx mention wasn’t actually pointless), brought forth by both the music and the adjacent elements, such as the stunning cover artwork. That being said, I shall leave the introduction as it is and actually do what I am supposed to.

Floating – Hesitating Lights

Metalcatto

Let me say something straight: I meant to review this way earlier, but life (and summer holidays) got in the way. Even after the delay, I couldn’t bring myself to ignore Floating. A band claiming to mix Death Metal with Post-Punk? That doesn’t happen every day. I needed to hear it to believe it! Hesitating Lights might just be that weird record that ends up on the “best genre fusion” list by the end of the year. Or am I being overly optimistic? Is it too soon? I don’t know—but let’s get to work, ok?

Grimovetust – Gates To Heptagon Tower

Ixone

It’s high time I leave aside any sort of thought that indicates that I know what I’m doing and just admit that this album left me scratching my head quite a lot. Having bothered to look into the background of Grimovetust before diving into Gates To Heptagon Tower I was certain that I was in for a scratchy, raw record with the most amount of grit possible. That being said, one can only imagine my surprise when the first thing I heard was a rather triumphant synth intro, soon followed by a reverb enhanced, fairly melodic piece of music, closer in sound to First Spell rather than A Blaze in the Northern Sky. At that point I was certain that I was about to have several grapes with this record, but something seemed hellbent on telling me otherwise…

Abigail Williams – A Void Within Existence

Stargazer Scholar

I like it when bands take their time between records. Longer breaks leave the audience with a fair chance of truly understanding the artist’s vision, while the artists themselves are given plenty of time to evolve and produce their finest work without having to rush it. OK, I know that this view is somewhat idyllic, as it ignores label pressure and other natural constraints, but lo and behold, here’s our case in point. The trajectory of Abigail Williams is exemplary in that regard. As the gaps between the band’s output seem to grow, the music itself is becoming increasingly mature and compelling. We had six years at our disposal to imbibe, dissect and revisit the gripping Walk beyond the Dark, and now here we are with A Void Within Existence, the cover art shocking with its gloomy detachment, the title oozing pain, and the music… Well. let’s explore.

Mouth of Madness – Event Horizon

Metalcatto

t’s been a while since I looked into a German band that wasn’t making some weird and sad Post/Black. Mouth of Madness is hard to define. Sometimes it feels like a Black/Thrash band, and other times like dirty Death Metal. What I’m sure of is that Event Horizon isn’t an album that’s going to leave anyone indifferent. The band might have been quiet for a long time, but this new release is clearly aiming to put them back on the map. Time to unfairly judge whether it succeeds—or if it’s just talking crazy (see what I did there? Don’t hit me!).

The Bleak Picture – Shades of Life

Pegah

“Where there is sorrow, there is holy ground“

Oscar Wilde

Völur & Cares – Breathless Spirit

Metalcatto

I’ve seen it all in my short life—from bands trashing venues for fun to false nuclear armageddons. Not much surprises me anymore. And yet, the world still has some strange tricks up its sleeve. This is where Völur & Cares step in. The band claims to be an Experimental Doom act, but to me, Breathless Spirit is pure Avant-Garde Metal. I mean, how else do you describe a Metal album with no guitars—just bass, violin, and drums—centered on an epic Icelandic saga? It’s full-on weirdness, and we’re diving straight in.

Eternal Darkness – Eternal Darkness

Metalcatto

I usually don’t give much context about the bands we review at MER, but this time is different—and not just because it’s a Swedish band again. Eternal Darkness – Eternal Darkness is a debut that took 35 years to get done. I wasn’t even born when the first idea for it started emerging! And yet, I find out the band has already split. Dead before being properly born—well, it can’t get more Death Metal than that. Let’s get to it!

Zeicrydeus – La Grande Hérésie

Metalcatto

When we talk about retro-Metal at MER, we usually end up talking about rancid Death Metal or potato-production Black Metal. However, rarely do we run into a band like Zeicrydeus; one that’s honestly hard to define beyond saying “these guys play a bunch of Metal that reminds me of what dad used to put on here and there.” La Grande Hérésie should be promising just by the fact of having a French title. You know, that usually means this is going to be excellent or cause me indigestion. Let’s start!