review – Page 3 – Metal Eclipse Reviews

Mývalyĭr – The Past Tales

Metalcatto

Mývalyĭr is what happens when you blend the epic, storytelling scope of Blind Guardian with the intense seriousness of a band like Eternal Storm or other deeply committed MeloDeath acts. Consequently, its new album, The Past Tales, sounded on paper like an oddball proposition for me, as it combines elements I deeply love with others I’m almost embarrassed to admit I enjoy. The central question was how the band would balance its grandiose, fantastical aspirations with the musical gravitas such themes demand. Honestly, my initial hopes were buried underground, but there’s always room for dreaming, right?

Stabbing – Eon of Obscenity

Metalcatto

Let’s face it: if you got money every time a Brutal Metal band had a name that implied knife play, you’d be the one invading some defenseless country that has done you no wrong. Either way, Stabbing is supposed to be that Brutal Death Metal band—the one that consistently knocks it out of the park. Its new album, Eon of Obscenity, is precisely engineered to deliver that promise, an auditory experience meant to shake us harder than losing our job on a Friday. But since music this extreme is inherently inhumane, it risks leaving us completely numb. So, what’s the final verdict?

Negative Agent – Terminal Days

Metalcatto

Sometimes, I get to review the weirdest things, and by that, I mean something like Negative Agent’s Terminal Days—an Industrial Metal album steeped in Cyberpunk aesthetics and antifascist politics. This is genuinely underground material, but it arrived with a strong personal recommendation from musicians whom we deeply respect here at MER. Trusting that instinct, I decided to give this electronic assault a fair chance, even though it checks almost none of the boxes on my usual stylistic checklist. There are moments when one simply craves to be surprised, and this seemed like the perfect opportunity.

Karnivool – In Verses

Metalcatto

Karnivool is what happens when a band possesses the intricate, atmospheric ambition of Tool but is fundamentally more willing to wear its heart on its sleeve and openly explore emotional vulnerability, rather than shrouding everything in cryptic metaphor and themes of substance abuse. The band carries both the blessing and the curse of an undeniable landmark album in its past (Sound Awake). Hence, its latest offering, In Verses, arrives with enormous shoes to fill and, frankly, zero of my initial hopes for a triumphant return. But let’s dive in regardless.

No Worth of Man – The Killing Streets

Metalcatto

With a title that makes you think No Worth of Man might be dropping some gangster rap, their new album The Killing Streets arrives with more pent-up anger issues than a hypothetical ten-year-old alcoholic. As is often the case with such intense material, the quality wasn’t immediately apparent; it required a deep, attentive dive to unravel. That’s precisely what we’re here for: to mess around in the sonic chaos and, hopefully, find out what lies beneath the aggression.

Cartoons Can’t Die – Rebirth

Metalcatto

If you’ve ever read Sophie’s World, you’ll understand how perfectly Platonic the band name Cartoon Can’t Die truly is. Now that I’ve indulged in that moment of cheap snobbery, let me tell you that their new album, Rebirth, doesn’t really fit into a simple genre box. And no, it’s not exactly the soundtrack to Who Framed Roger Rabbit. So, let’s jump into one genuinely strange album, because that’s what you’re here for.

Therion – Con Orquesta

Vicky

When talking about Symphonic Metal bands that have both excellent music, and a good internal collaboration between artists, Therion is one of the first examples that spring to mind. From their Death/Black beginnings, all the way to Symphonic and Operatic Metal, the group have proven to us numerous times that they can perform alongside musicians from pretty much any genre, and that their lyrics can cover a wide range of topics.

Casket – In The Long Run We Are All Dead

Milo Lane

There is a particular mindset required to sit down with a Casket record. Not preparation exactly — more like consent. An agreement with yourself that what follows will not ask politely, will not soften its edges, and will not care whether you are ready. Pressing play felt like anticipation braided tight with a certain resistance. I wanted this record. I knew I would also probably fight it.

Invictus – Nocturnal Visions

Metalcatto

When I think of Japanese Old School Death Metal, my first thought is Intestine Baalism. I know that’s not entirely fair to Invictus, a band that comes from a musical culture renowned for taking something that works and refining it to an even higher standard. Hence, I held onto a sliver of hope that their new album, Nocturnal Visions, wouldn’t be another generic entry merely trying to catch Tomb Mold‘s fiery momentum. I was cautiously optimistic, yet acutely aware that this style is arguably one of the most stable and traditional niches in Metal, rivaled perhaps only by the steadfast formulas of Power and Symphonic Metal. But let’s dive in.

Megadeth – Megadeth

Metalcatto

There’s a level of tragedy to this review. Despite how much we all love to pick on Megadeth, and especially on Dave Mustaine for all his public antics and tumultuous history, he’s our weird, cantankerous uncle in the metal family. Seeing the band seemingly ready to leave the gloves on the ring is a genuinely sad moment. I’m a realist; there is absolutely no way Megadeth is ever going to top the holy trinity of Rust in Peace, Countdown to Extinction, or even Peace Sells… But Who’s Buying? But here we are, collectively not quite ready to let the old guys ride peacefully into the sunset with their millions. So, let’s not pull any punches in discussing one of the most iconic acts in our little, utterly insignificant metal world.