review – Page 37 – Metal Eclipse Reviews

Ghostheart Nebula – Blackshift

Elased

VdB 141 is the astronomical designation for the distinctive Ghost Nebula in the constellation Cepheus.IC 1805, on the other hand, refers to the Heart Nebula in the neighboring constellation Cassiopeia. These two codes form the title of the intro to this album and at the same time explain the enigmatic name of the band, Ghostheart Nebula. In its musical vision, the band merges the two nebulae into a mystical collision of almost impenetrable soundscapes. It may seem an ambitious undertaking, but the name and the idiosyncratic symbol could hardly be more fitting. No one has ever captured the essence of void, loneliness, hopelessness, farewell, and loss in such astronomical dimensions of darkness, weightless spacelessness, and disembodiment.

Marche Funèbre – After The Storm

I don’t know when or how it happened, but the universe has conspired to make 90s Death/Doom cool again. More and more bands are rehashing this clearly underrated style, and I welcome it with open arms. Bring back the era of alienated pain! Marche Funèbre isn’t new to the sorrow game. The band has been delivering for more than a decade, always offering what angsty Metalheads need, which is why I approached After the Storm with uncalled optimism. So, let’s see how this is going to hurt me!

Glacial Tomb – Lightless Expanse

Alright, we’re picking up where last week’s madness left off. What can I say? If you look at Glacial Tomb’s album art, you’ll think, “Oh wow! This album has to slap”. It even has the perfect name: Lightless Expanse. If an album has an abstract or almost senseless title, you know it’s going to try to kill you. I’m sure some of you are coming in with your opinions already set. So instead of being an obnoxious contrarian just for clicks, I’ll try to add something meaningful to the discussion. Anyway, you’re here to find out if Glacial Tomb kicks butt or not. Let’s go!

Servant – Death Devil Magic

Sometimes, release days are so packed that we have to keep talking about them long after they’ve passed. Sometimes, they leave us with things we can’t dare to miss. I picked up Servant‘s Death Devil Magic with the hope that this would be one of those cases—where I almost missed a cool release. I mean, just look at that art! It practically screams diabolical riffs that will melt faces, right? It can’t just be me trying to justify my laziness here. Well, I hope not. But let’s cut the self-pity and get down to business.

Winterfylleth – The Imperious Horizon

Stargazer Scholar (follow the scholar here!)

A band doesn’t need to invent a new genre to have an identity. Originality may earn you a paragraph or two in a history book, but at the end of the day, it’s the songwriting that sells records and boosts streaming stats. It’s that special, subtle something that makes you stand out from the crowd and be distinct. Case in point: Winterfylleth, who over the years have managed to carve out a niche within the overcrowded subspace of Melodic and Atmospheric Black Metal. Without being too groundbreaking or experimental, the Mancunians excel at conveying complex emotions with memorable tunes, and their mixture of bludgeoning pagan valor and moving melodicism has become a trademark. But did the band succeed in maintaining its standards with The Imperious Horizon?

Typhonian – The Gate of the Veiled Beyond

I’ve always said one of our principles is to give nostalgia a chance, even though we deeply hate leaning on it. Lately, we’ve been indulging bands that sound straight out of 1995. So, when I heard Typhonian was 90s-inspired with a Swedish Death Metal sound, I puked my breakfast all over my marble countertop—because, honestly, I can’t handle another retro album this week. However, The Gate of the Veiled Beyond promised something different, claiming to pay homage to Edge of Sanity—and I’m always down for that kind of nostalgia. So, let’s set aside our biases for once and check this beast out.

Coffin Rot – Dreams of the Disturbed

Coffin Rot is part of what’s already the wave in modern Death Metal. You know, retro-Death Metal that’s finally getting the production it deserves. However, the band strikes a strange spot, leaning heavily on Cannibal Corpse and Entombed, which makes it at least intriguing. Yet, in this year filled with wacky old-school extreme Metal, it’s going to take actual effort to impress my jaded heart. So, let’s welcome this crusty bag of moldy meat (Dreams of the Disturbed) and give it a chance, shall we? It’s okay! We’ll put some spices on it to make it taste good (don’t actually do that!).

Invernoir – Aimin’ for Oblivion

It’s starting to get cold where I live (despite my mansion being on a volcano—those Lamborghinis need a lot of heat to stay beautiful). What better way to embrace the slow but inevitable descent into darkness than with some Death/Doom from Invernoir, a project that blends the melancholy of Novembre and My Dying Bride with the fury of Décembre Noir? These bands always risk falling into clichés and well-worn tropes, but can Aimin’ for Oblivion manage to become unforgettable (see what I did there? Hehe…)?

Kanonenfieber – Die Urkatastrophe

We know that Sweden has Swanö, Finland has Saukonnen, and lately, Germany has Noise—an anonymous artist involved in countless projects, all receiving high critical acclaim. I won’t hide my bias: I want Kanonenfieber to blow me away. Its Menschenmühle had me more than impressed. Sure, the sound the band goes for isn’t exactly new, but the way it uses it, combined with the power of such an authentic and raw narrative, has turned it into one of the most fascinating acts in Black Metal. Excellent! But how about Die Urkatastrophe? Does it honor the dead? Join us in the trenches!

Adorior – Bleed on My Teeth

SonikGoat

Galloping out of the fetid tunnels of darkest London after twenty-something years of silence, Adorior stops by only for a brief moment—but fear ye not! They simply want to make sure you’re bloodied, trampled, set afire, and offered up to Satan. Then, they’ll be on their merry way. Oh, and if you want to hold on to your bottles of strong booze and unravished virgins, you’d better hide them somewhere safe, because Adorior has come for those as well. To enact pandemonium on the scale described, key contributors from the likes of Grave Miasma, Qrixquor, and Destroyer 666 are at the helm—in other words, noted veterans of the metal underground.