Technical Death Metal – Metal Eclipse Reviews

Wayd – Reinvent

Metalcatto

As the year winds down and I clean our mailbox of lost hopes and dreams, I try to rescue a few things from the junk pile. Wayd is a band that has existed almost as long as yours truly. That usually means one of two things: a great history of success, or a long series of tragic events that stopped the project for years. Sometimes, of course, you get both. Anyway, I’m not entirely sure where Reinvent will fit into this story, but let’s see if the album was worth my dive into the mud. Fingers crossed.

Fallujah – Xenotaph

Metalcatto

I’ve been a Fallujah fan ever since Nomadic, then saw it grow with The Harvest Wombs, reach perfection with The Flesh Prevails (the remastered version that we reviewed, of course!), and finally fall into decadence and collapse with Dreamless and Undying Light. However, Empyrean was a return to form, so I’m honestly stoked to listen to Xenotaph—knowing full well the risk of getting all my hopes and dreams destroyed again is very real. But hey, I’m ready for the pain.

Rivers Of Nihil – Rivers Of Nihil

Stargazer Scholar

Believe it or not, I became a Rivers Of Nihil fan before Owls. Yes, yours truly is a Monarchy convert. The American Extreme Progressive Metal act started out in the atmospheric Tech-Death realm, yet the subsequent inclusion of saxophones and clean vocals made their third album, Where Owls Know My Name, blow up. And well-deserved. But my own relationship with the band began a few years prior, when I was taken aback by the sultry density of the sophomore. The musicians themselves may have gone on record lamenting the underwhelming reception of their second opus, but its importance for the band’s discovery of its own identity is hard to overlook. The Owls I have already referred to, and 2021’s The Work brought along further exploration, as the Rivers flowed into even more experimental waters. I hope you’re feeling as hyped for the 2025 self-titled album as me then, as you never really know what to expect with this talented bunch. Where to now? Was the band able to get over the departure of the lead vocalist? Will we get our sax again? Ah, so many questions.

Diabolizer -Murderous Revelations

There’s a dark place in my heart reserved for Turkey’s Diabolizer. You see, it was the first album I ever purchased on Bandcamp. Despite Brutal Death Metal being one of Metal’s most monotonous subgenres, I was blown away by the sheer evil and violence of Khalkedonian Death. It hit that perfect sweet spot between technical prowess and heinous brutality. It’s felt like forever, but now Murderous Revelations is here—and I’d be lying if I said I wasn’t worried the band might just end up being another Hyperdontia copycat. But could that really be true?

Allegaeon -The Ossuary Lens

Stargazer Scholar

Allegaeon is a daunting band. No, the musicians don’t wear corpsepaint, and no, they don’t employ spooky dissonant chords to ward off the casual listener. It’s just that their discography is so amazingly solid. One may prefer certain records to the others, but come on—none of those albums is anything less than highly enjoyable. So imagine the feelings that tormented me during the anticipation of The Ossuary Lens: Will this unlikely career-long run of form continue, or will the band finally allow itself a misstep? Well, no spoilers—you’ll have to read the whole thing.

Obscure – A Sonication

Yes! I’m guilty! I forgot about one of the hottest releases of the year because life is a more complicated rollercoaster than an Obscura opening riff. I’m a huge fan—I love almost everything in the band’s catalog, which is why it’s going to be hard for A Valediction to top previous releases. I know many were divided with Diluvium, but I loved it; it was as if At the Gates could perform Tech Death (I’m not the first one to say this, so chill!). However, can the apex predator in Tech Death defend its seat on Metal Olympus? Let’s shred our way in!

Carnosus – Wormtales

Carnosus has both the blessing and the curse of having dropped one of the best albums (and probably the best Tech Death album) of 2023: Visions of Infinihility. It took the underground by storm, and before we could even recover, the band is back with Wormtales. Many of us were nervous that it was too soon for Carnosus to hit us with more of its unique approach to Tech Death. But if there was one band capable of pulling off this feat, it was Carnosus. So, let’s dive in!

The Black Dahlia Murder – Servitude

The Black Dahlia Murder is a pinnacle of consistency. There hasn’t been an album in its long career that sucked. Even though the band has remained strict in style, TBDM has never fumbled the bag. However, it had to face its biggest challenge ever after the tragic loss of Trevor Strnad (everyone in the community struggled when the news hit, let’s face it), which is why I’m approaching this review differently. More than just jokes and expectations, I’m rooting for the band to show us that, despite how irreplaceable Trevor was, they can continue honoring his memory. Oh, and it’d be great if we love Servitude too! Let’s dive in.

Evilyn -Mondestrunken

I’ll give something to Evilyn—it has a cool band name. One that won’t make you suspect the ridiculous beatdown it can deliver. And what if I told you this is a “debut”? Could you believe a new band would compete in a year plagued with great Tech Death releases? Except Mondestrunken wasn’t written by amateurs. It features former members from Defeated Sanity, Psycroptic, and many others, which actually gives Evilyn the feeling of being a discreet superband. Cute, but Tech Death lives and dies by how exciting it is. Can this album stand out? We’ll see!

Monument of Misanthropy – Vile Postmortem Irrumatio

I’m usually honest with you, unless there’s some kind of profit behind lying to you. Otherwise, I always share my expectations. So, when I received the promo for Monument of Misanthropy‘s Vile Postmortem Irrumatio, I felt doubtful. Why? Because a Brutal Death Metal band singing about serial killers, psychological deviance, and grotesque violence is probably why the sub-genre was invented. However, I was puzzled by the fact that the band had cared to build a narrative in this album and that Transcending supported it, as they don’t support trash. So, let’s see if I was wrong!