USA – Page 12 – Metal Eclipse Reviews

Coffin Rot – Dreams of the Disturbed

Coffin Rot is part of what’s already the wave in modern Death Metal. You know, retro-Death Metal that’s finally getting the production it deserves. However, the band strikes a strange spot, leaning heavily on Cannibal Corpse and Entombed, which makes it at least intriguing. Yet, in this year filled with wacky old-school extreme Metal, it’s going to take actual effort to impress my jaded heart. So, let’s welcome this crusty bag of moldy meat (Dreams of the Disturbed) and give it a chance, shall we? It’s okay! We’ll put some spices on it to make it taste good (don’t actually do that!).

The Black Dahlia Murder – Servitude

The Black Dahlia Murder is a pinnacle of consistency. There hasn’t been an album in its long career that sucked. Even though the band has remained strict in style, TBDM has never fumbled the bag. However, it had to face its biggest challenge ever after the tragic loss of Trevor Strnad (everyone in the community struggled when the news hit, let’s face it), which is why I’m approaching this review differently. More than just jokes and expectations, I’m rooting for the band to show us that, despite how irreplaceable Trevor was, they can continue honoring his memory. Oh, and it’d be great if we love Servitude too! Let’s dive in.

Maul – In The Jaws of Bereavement

In the unforgiving landscape of the Death Metal scene, it’s hard for a band to find its own voice. Everyone has done it all—been too brutal, too technical, too weird—and we’ve loved and hated it all. Maul’s approach in its upcoming release, In the Jaws of Bereavement, aims to stand out from the sea of distortion and blast beats. Nobody said it would be easy, but I’m sure it’s going to be wild! So, let’s dig into this meat and potatoes now!

Satan – Songs in Crimson

Satan is the coelacanth of Metal. You’re probably wondering, what the fudge is a coelacanth? Well, my uneducated child, it’s a fish once thought extinct long ago, until we discovered it was still alive, swimming away, indifferent to our existence. The same goes for Satan, a band once presumed dead for decades, but since Life Sentence, they’ve made a remarkable comeback. The question now is: can Songs in Crimson continue this legendary run of heavy fun? Welcome again!

Ævangelist – Perdition Ekstasis Meta

Whoever said that Industrial Metal is boring and commercial has clearly never listened to whatever Ævangelist has been up to. Do they even know what they’re doing? Ever since De Masticatione Mortuorum In Tumulis, the band has developed this bizarre blend of Death, Black, and Industrial Metal, all wrapped in the most lo-fi production possible. It’s such a dense listen that I was genuinely worried I might hate Perdition Ekstasis Meta. Was it because it’s so far removed from anything we might consider enjoyable, or because it lacks something previous it previously had? Either way, I came in ready to give this disturbing album a chance. Let’s go!

Pyrrhon – Exhaust

Well, this came out of nowhere—promo included! Not many bands can match Pyrrhon‘s ability to obliterate what little sanity the listener has left. The Mother of Virtues and What Passes for Survival are absolute classics, perfect soundtracks for puking while looking up (don’t try it at home, you’ll drown). However, Abscess Time left me a bit cold. I didn’t quite get it, which is why I approached Exhaust with caution. You can never be too safe with a band this volatile. In that sense, Pyrrhon had already succeeded in manipulating my expectations. But enough intro—let’s dive into the madness.

Various Artist: Surrender to Death A History of the Atlanta Metal Underground Vol. 1

If you’ve been following us for a while, you’ll know that we love history at MER. We even do retro-reviews all the time. Not many music genres have as much reverence for the past as Metal does. However, we tend to focus on the big classics and forget the dirt, the crust, and the deep underground where bands live and die, hoping to evade oblivion for just a little longer. That’s why today we have a different type of review. Surrender to Death: A History of the Atlanta Metal Underground Vol. 1 features more than 20 artists. I know nothing about Atlanta except that it has a huge airport, but let’s learn about its old Metal scene, shall we?

Blighted Eye – Agony’s Bespoke

You know my running joke: I judge albums by their cover. When I received Blighted Eye – Agony’s Bespoke, I had two thoughts: this is either going to be AOTY material or a typical 2.5/5.0. There’s no middle ground. When a band takes itself this seriously, things can either fly or crash and burn. Especially when there’s a plot in the album that’s heavily inspired by an extremely raw and depressing film (The Nightingale). Hence, I approached this release with incoherent expectations. Anyway, let’s see if Blighted Eye can pull it off.

Black sites – The Promised Land?

Let’s face it: old-school Heavy Metal sucks. Now that I have your attention, let me tell you that Black Sites is the biggest exception to this rule. Ever since In Monochrome, this band has put out banger after banger, avoiding the common tropes and typical corniness of the genre. Plus, it has its Prog moments! And that never hurts. However, The Promised Land? comes in quietly, maybe because of all the comparisons it’s going to face with other great albums, or maybe because you haven’t done your research and aren’t hyping this band as much as you should. Either way, let’s see if this album delivers!

Evilyn -Mondestrunken

I’ll give something to Evilyn—it has a cool band name. One that won’t make you suspect the ridiculous beatdown it can deliver. And what if I told you this is a “debut”? Could you believe a new band would compete in a year plagued with great Tech Death releases? Except Mondestrunken wasn’t written by amateurs. It features former members from Defeated Sanity, Psycroptic, and many others, which actually gives Evilyn the feeling of being a discreet superband. Cute, but Tech Death lives and dies by how exciting it is. Can this album stand out? We’ll see!