
There’s no way around Whitechapel—it’s a band with a fiercely loyal fanbase that’s stuck with it through thick and thin. So, let’s get this out of the way: I’m fully aware that diving into Hymns in Dissonance might summon the wrath of the internet. You might be wondering, “Why even review something so ‘Core’?” After all, it’s almost a tradition at MER to trash the whole niche. But hey, someone’s gotta take one for the team, right? We’re aiming for more journalistic integrity these days, and being open-minded is part of the deal. Plus, if there’s one band that’s managed to elevate the genre, it’s Whitechapel, so why not give it the benefit of the doubt for once?
Let’s cut to the chase: this album is heavy. And I mean that in the most literal sense—Hymns in Dissonance feels like it could punch through walls if it were a person. It’s pretty remarkable how Whitechapel has decided to ramp up the speed and intensity at a time when so many bands are slowing down. The sound is still massive, with that signature blend of brutality and slight melodic undertones. It’s like being hit by a train, but the impact is so intense that time slows down, making everything feel even more crushing. If you’re a fan of old-school Whitechapel, this album will likely hit the spot. It’s everything the band has done well in the past, even if it occasionally gets a little too carried away with its own energy.
The vocals, as always, are a standout. They’re consistent and varied, though maybe not quite as dynamic as on some of their previous efforts. Still, they do their job as another merciless instrument in the mix, delivering with enough force that I don’t feel the need to dig too deep into the lyrics (which, by the way, are already dividing the fanbase). The album is essentially a nonstop festival of breakdowns, each one slower and more punishing than the last, building toward chaotic and dramatic endings. It’s exactly what you’d expect from a solid “Core” release, and it delivers on that front.

Now, let’s talk about the production. Oh boy, this album is loud. It’s a sonic brick wall that hits you like a ton of steel—literally. While that’s great for impact, it can become exhausting after a few tracks. The sheer intensity starts to lose its punch when there’s no room to breathe. I appreciate the melodic moments scattered throughout, like the closing track, “Nothing is Coming for Any of Us”, which provides a much-needed reprieve. But honestly, the album could’ve used more of those. More outros, more dynamic shifts, more moments where the soundscape opens up instead of just pummeling you into submission. Whitechapel has shown it can do this kind of thing before, so it’s a bit underwhelming not to see more of that balance here.
These issues might not be obvious on the first listen. When you’re caught up in the initial excitement, Hymns in Dissonance feels like a relentless force of nature. But after a couple of spins, once the adrenaline wears off, the cracks start to show. It’s a great album for those moments when you just want to rage, but if you’re looking for emotional complexity or deeper layers, you might come away empty-handed. (What? You don’t crave some emotional depth in your life? Sad!) Hymns in Dissonance is a solid effort from Whitechapel, and it’ll definitely blow out your speakers if you let it. But if you’re after something with a bit more nuance, you might want to revisit The Valley.
Label: Century Media Records
Release date: March 7, 2025
Website: https://whitechapelmetal.bandcamp.com/music
Country: USA
Score: 3.0/5.0

1 comment