Aexylium – Myth of Mankind

Vicky

Folk Metal is a genre that most people consider to be limited strictly to Eluveitie, Korpiklaani, Arkona, Feuerschwanz, and a few other titans. But that’s not really the case. There are also numerous underground groups that certainly deserve your attention. One of them is the Italian Folk Metal act Aexylium. And it’s not trying to mimic any of the praised bands I have mentioned earlier, but it walks on its own path. So far, this means combining traditional Folk Metal instruments with enchanting symphonies and feeling – one that you have probably encountered before in Power Metal. At times, they even incorporate Technical Death Metal elements into their work (especially on the track “In Sorrow”). You may also find things specific to Brutal Death Metal on the title track.

Beleth’s Trumpet – Chapel of Bones

Metalcatto

Sometimes I wonder what Atmospheric Black Metal would sound like if anyone actually knew or cared how to produce it. Enter Beleth’s Trumpet‘s Chapel of Bones, a band seemingly interested in doing old-school Black Metal that doesn’t sound like French fries fried out of existence. It also happens to be a Finnish band, and despite my best efforts to find some drama, it remains properly mysterious. Time will tell if that’s a good or bad thing. Anyway, let’s dive into this swirling mass of malevolence and static noise.

Patristic – Catechesis

Metalcatto

Whether we like it or not, 2025 has become the year of Blackened Death Metal. Sure, Behemoth dropped something, but we’ve also had heavyweights such as Dormant Ordeal and Decline of the I raising the bar. Now Patristic storms in with Catechesis, looking ready to join this fiercely competitive field. Dramatic cover art, unsettling religious track names, an ambitious scope, and Willowtip Records backing it—on paper, everything points to a real show‑stopper. The flip side is that my expectations shoot to a surreal level, which could set the stage for disappointment.

True kvlt: Asnahsarg, Tombstone & Gore Force V

Metalcatto

Hi there, my beautiful music degenerates. Here I am, back with another section of low‑budget and unpredictable releases from the dungeons of my email inbox and personal DMs. What can I say? You people reach out in all sorts of creative ways that would probably cross more than one legal boundary. Anyway, I’ll talk to my lawyer later and focus on this random selection of bands again.

Patchwork – Scars

Metalcatto

Traditional wouldn’t be the way I’d describe our approach at MER Industries. If anything, I make sure our writers review things that sound new and fresh simply because I hate the past. However, sometimes you have to stop and see how far we’ve come in time. Enter Patchwork, a band that tries to bring a Heavy and Thrash approach from the 80s into our era with Scars. Are you ready for some nostalgic riffs? I’m not, but I can be soon! Let’s do this.

Chepang – Jhyappa

Metalcatto

We all know that Metal is a melting pot (some people in the Black Metal community live in a fantasy, though), and we’ve seen our fair share of Folk Metal. However, how many times have you seen a band mix Grindcore with Nepali culture? Never, right? Well, that’s what Chepang promises in Jhyappa—a blasting and merciless delivery with some added detail and depth. But does it work? I was fairly skeptical. Let’s be real, this combination sounded like eating a chocolate cake with nachos on it—but who knows, maybe that’s also good. Let’s go!

EchoSoul-Time of The Dragon

Elyna Khan

Discovering incredible bands is one of the perks of being a zine reviewer. You receive the promos in your email, put on your headphones, press play, and the journey begins. Little by little, in every note, every chord, every cut, you discover pieces of yourself. The blood begins to pump strongly to your heart, filling your chest with a comforting warmth and imbuing you with an intense, luminous energy that simply leaves you happy.

Enterré Vivant – Akuzaï

Metalcatto

Whether you like it or not, we live in an interconnected world, where people end up being or living in places they didn’t plan to be in the first place. Enterré Vivant is a French project. However, its creator has been living in Japan for 25 years, so it wouldn’t be wrong to call him at least part Japanese—which is why Akuzaï got my attention. How would French/Japanese Black Metal sound? Is it going to be a cheap gimmick, or is it going to take the best of both worlds? Let’s see.

Executionist – Sacrament of the Sick

Metalcatto

It’s been a while since we checked out some Thrash. I must say, this year hasn’t been all that bad in that area, but Thrash comes and goes in waves, and this one hasn’t impressed all that much yet. Yes, Stargazer liked the new Warbringer, but I was just OK with it. However, Executionist is debuting with Sacrament of the Sick, and I’m always in the mood to give young bands the opportunity to surprise me—even if it rarely happens. The real question is: will this project have anything novel to add to one of the most explored styles in Metal?

…And Oceans – The Regeneration Itinerary

Metalcatto

…And Oceans has had a quiet and interesting return from the dead. It even released As in Gardens, So in Tombs, an album that could’ve made it to any serious ranking in 2023. It was a fascinating take on rough MeloBlack that borrowed heavily from ’90s Swedish Black Metal, yet still carried its own deeply depressing and personal touch. So here we are with The Regeneration Itinerary, and hopefully the album will keep regenerating (yes, pun intended) the band’s renewed career. Otherwise, I’m strong enough to be disappointed. Let’s get to it, kids.