Trve kvlt #24

Metalcatto

Shout-outs…

In Ad Hominem – Renaciendo: We’re back with some Heavy Metal that might remind you of the earlier days of this humble music genre. There’s a lot of highway vibe here that makes you feel this track would fit perfectly on any kind of long drive you’re planning to do. Or long commuting, if you hate driving like me. The riffs are straightforward, the energy is steady, and the whole thing carries that classic, no-frills attitude that defined the golden era of Heavy Metal.

Soul Protocol – We Never Know: We usually wouldn’t cover something like this, but this electro-Metal is so particular and harsh that I wanted to bring it up. Sure, it has beats, but it also has nasty riffs you could enjoy any given day. It’s direct and nothing pretentious, so the requirements for enjoyment are minimal. Try something remotely catchy for once—this might surprise you with its blend of aggression and accessibility.

Craig Bannerman – Angelos Satana: Well, this is raw, but not in the typical rancid way. The track offers Symphonic Black Metal that is grotesque but not 90s nostalgic, which is difficult to achieve. One can also appreciate the craft in the guitars and synths. There are musical brains behind this creepy aesthetic, and I can appreciate that. The composition is thoughtful, the atmosphere is thick, and the whole thing feels like a descent into something ancient and unsettling.

Departure – Solstice: Okay, this is disgustingly heavy. Breakdowns, grotesque vocals, weird tempo changes—it has that mix between Hardcore and Death Metal that has become so dominant these days. Yet the track isn’t boring at all. Too much is happening for us to lose interest. It’s loud and oppressive, but that’s exactly what some of you lunatics want. The chaos is controlled, and the intensity never lets up. A solid entry for those who like their Metal with a side of violence.

Octahawk – Samsara: The Sludge/Prog Norwegians are back with a track that not only shows their technical prowess, but also the heaviness and directness I hadn’t seen before from these guys. The production is loud and dense, which fits the music pretty well, so the band sounds professional. I really don’t get why a label or a promoter hasn’t picked them up yet. Maybe it’s for you to do something about it. The riffs are crushing, the grooves are infectious, and the whole thing screams potential. Don’t sleep on this one.