Pegah
British Doom Metal band Witchsorrow released their latest album via Church Road Records. Rooted primarily in classic old-school Doom Metal and enriched by melodic guitar solos, the album demonstrates a remarkable level of maturity and musicianship. Despite the relative youth of the band members, the record feels remarkably accomplished, evoking the atmosphere of Candlemass and Black Sabbath while retaining the band’s own creativity and distinctive touch.
The cover art adopts the visual language of medieval woodcuts, depicting the Devil devouring a human figure amid flames, chains, death, and occult imagery. The surrounding symbols appear to embody “all his works”—temptation, vice, mortality, and damnation—while the consumed figure represents humanity ultimately falling victim to these forces. The artwork evokes medieval visions of Hell, where evil is not an abstract presence but an active and destructive force.
The album opens with the solemn tolling of church bells, casting a sense of impending death over the soundscape. Considering the meaning behind “Omnia Finiuntur”—“All Things End”—the bells feel almost like a death knell, announcing the inevitability of mortality while simultaneously marking the beginning of the listener’s descent into the album’s dark world.
This descent takes a more intense turn in “Hades Chains”, where the rhythm, vocals, and overall pace shift noticeably, becoming faster and more urgent. The track explores the consequences of surrendering to temptation and seeking power through foolish bargains, with the frantic soundscape mirroring the suffering and damnation that follow. Here, the harmony between the lyrics and the music becomes particularly evident, allowing the listener to experience the growing sense of chaos and desperation behind the narrative. “Altar” marks another shift, returning to the old-school roots of doom metal with a crushing and ominous soundscape. Here, the focus turns toward humanity’s desire to transcend mortality through forbidden knowledge and ritual, as the music itself takes on the weight and solemnity of a dark ceremony.
The final track, “A Quintessence of Dust”, feels noticeably more philosophical and melancholic than the previous compositions. The focus shifts away from rituals and witchcraft toward human mortality itself. In this sense, the album ends where it began: no matter what we pursue, believe, worship, or fear, human beings ultimately return to dust.
Label: Church Road Records
Release date: July 3rd, 2026
Website: https://witchsorrowdoom.bandcamp.com/album/the-devil-and-all-his-works
Country: UK
Score: 4.0/5.0
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