Gaerea – Coma

I wouldn’t be exaggerating when I say that in the barren landscape that is pure Black Metal, Gaerea stands as a rare ray of originality. I was there when Unsettling Whispers came out and was just as impressed as anyone else. Then came the crushing and lengthy Limbo, followed by the leaner and more dramatic Mirage. Now, Coma faces the difficult task of continuing a streak of innovation that few other contemporary Metal bands have been able to achieve. Can Gaerea keep us dreaming? Can it replicate the poetic anxiety that has defined its work so far? Come with me and let’s find out.

Various Artist: Surrender to Death A History of the Atlanta Metal Underground Vol. 1

If you’ve been following us for a while, you’ll know that we love history at MER. We even do retro-reviews all the time. Not many music genres have as much reverence for the past as Metal does. However, we tend to focus on the big classics and forget the dirt, the crust, and the deep underground where bands live and die, hoping to evade oblivion for just a little longer. That’s why today we have a different type of review. Surrender to Death: A History of the Atlanta Metal Underground Vol. 1 features more than 20 artists. I know nothing about Atlanta except that it has a huge airport, but let’s learn about its old Metal scene, shall we?

Tusenårseken – Omhuldra

Stargazer Scholar

The underground spirit of extreme Metal doesn’t prevent it from being one of the most demanding genres when it comes to execution. The increasing accessibility of modern technology has yet to catch up with human creativity and the exploratory ambitions of artists working in small studios and isolated bedrooms. Musicianship and songwriting talent are still the foundation of any musical edifice, but without appropriate production quality, even the most solid building blocks may not hold. Omhuldra, the third full-length release by Sweden’s one-man Atmospheric/Pagan Black Metal project Tusenårseken, exemplifies this contradiction better than any other album I’ve heard recently.

Blighted Eye – Agony’s Bespoke

You know my running joke: I judge albums by their cover. When I received Blighted EyeAgony’s Bespoke, I had two thoughts: this is either going to be AOTY material or a typical 2.5/5.0. There’s no middle ground. When a band takes itself this seriously, things can either fly or crash and burn. Especially when there’s a plot in the album that’s heavily inspired by an extremely raw and depressing film (The Nightingale). Hence, I approached this release with incoherent expectations. Anyway, let’s see if Blighted Eye can pull it off.

Leprous – Melodies of Atonement

Let’s not fool ourselves: Leprous is one of the biggest acts in Metal today. They might not be the heaviest band out there, but ever since Tall Poppy Syndrome (still my favorite), the group has transformed from a Prog Death Metal band to a Djent act, and now to whatever they’re doing at this point. To be honest, I haven’t been particularly interested in Leprous since The Congregation, but now that Melodies of Atonement has arrived, I’m willing to give them a second—or even third—chance.

God Dethroned – The Judas Paradox

Look at that art! It’s my thing! Despite a long career full of twists and turns, God Dethroned is still here, ready to show us that making Blackened Death Metal is an art few bands have mastered to this level. However, I won’t lie—it’s been a while since the band really hit me in the liver, more precisely since Under the Sign of the Iron Cross (oh, people! That title would get you in so much trouble today!). Yet, we’re all in for redemption and a return to form here. So, is The Judas Paradox a fresh slap in our faces, or is it going to punch like a two-year-old? Stick around!

Officium Triste – Hortus Venenum

Most reviewers at MER have a guilty pleasure, and for some reason, many of us are deeply into the Emo Rock of extreme Metal: Death/Doom. So when something sad hits the mailbox, we all fight for it! Enter Officium Triste, a band that, in Hortus Venenum, is planning to throw a mix of misery, melancholy, and despair at us. All of this is wrapped in a melodic package that could make even the toughest guys cry. But does it succeed in reaching your inner traumas? Grab your pills, and let’s dive into this sea of denial.

Ellende – Todbringerin

Stargazer Scholar

Metal and classical music have a lot in common. From direct quotations to arrangements and the general feeling of overarching grandeur, our beloved genre has borrowed heavily from its noble ancestor. However, while a romantic symphony or a baroque concerto are open to reinterpretation, Metalheads are known to be jealous guardians of the original incarnations of their favorite albums. And let’s be honest, more often than not, this stance is well justified. Nonetheless, the artists’ right to amend and reconsider their own creations should likewise be taken into account, leading us to a trade-off that is hard to resolve. This brings me to today’s topic.

Wintersun – Time II

Some things are certain in life: taxes, death, and that Wintersun will take a long time between releases. Honestly, I wasn’t sure we would ever get Time II until I saw the promo. There’s always so much anticipation when it comes to this band, and given how its last album received mixed reviews, my expectations were so grounded that I was listening to Wintersun with the same attention and “objectivity” (an absurd term to use in a review) as I would for any other promo in my email inbox. Having said that, you came here to find out if Power Metal/MeloDeath can offer something fresh as a sub-genre, right?

Releases that almost fell through the cracks: Vile Rites, Pythonic, Hvile I Kaos

The stressful life of a reviewer leads to many tragic mistakes. Some come in the form of missing releases or forgetting about newer acts. Hence, I’m here attempting to sink the ocean with my ship’s cannons (totally pointless, yes) and give attention to some of the many bands that hit MER’s mailbox every day. It’ll never be over, but consider this a futile act of redemption. Rarely have we seen such a strange constellation of bands in the same article, which is always fun, right? Say yes!