Metal Eclipse Reviews

Corridoré – Abandon

Metalcatto

In many ways, there are two types of metal bands: the ones that want to have fun and Rock n’ Roll, and the ones that want to send you on a reflective and pessimistic trip into the aches of the human condition. If you haven’t figured it out by the beautiful and bleak cover art, Corridoré belongs to the second type. But does Abandon do more than copy Falls of Rauros or Neurosis? You know I have a soft spot for sad Post-Metal, but that doesn’t mean I’m handing out good scores the way Elyna does! I’m much grumpier than that.

Shadows – Miseria

Metalcatto

I might’ve said it before, but this year seems to be a big one for Blackened Death Metal, and Shadows wants in on the trend with Miseria. At first glance, the album gives the impression that it’s more than ready to do the job—punching a hole through your emotions and unleashing the evil beast that lurks inside your heart. Does that make any sense? No clue. But what I do know is what this album offers, and I’m about to tell you.

True kvlt: Thørles, Amerakin Overdose, & Willem

Metalcatto

Hi there, my depressed people of the internet! I know True kvlt usually doesn’t come out on Fridays, but a) I’m terribly busy living the summer life, and b) I recently joined Groover, and these are the projects that got my attention so far. They’re diverse and don’t exactly match my usual taste, but they definitely raise the quality of this section—not exactly known for its prestige. But hey, what can I do if you guys submit better stuff? Let’s go!

Steegmoord – Mandatory

Metalcatto

At MER, we don’t have a policy against instrumental Metal—in fact, most of us would probably agree that it wasn’t the vocals that first made us fall in love with this weird genre. Steegmoord is an instrumental project that avoids both the shred-heavy and Djent-obsessed ends of the spectrum, and for me, that alone warrants a bit of attention. Sure, the artwork for Mandatory might look suspiciously similar to that of Redemptor, but if this album is even half as good as Arthaneum, I’d consider myself briefly satisfied with life.

Heretoir – Solastalgia

Metalcatto

It’s hard to get people’s attention in this era of pathetic short attention spans. It’s even harder to stand out as a German Post/Black Metal band, since so many of them already offer outstanding quality music. But Heretoir has a nerdy trick up its sleeve. It’s not every day I get an album with a freaking Phorusrhacos on the cover—especially one that looks so sombre (like they weren’t terrifying enough already). Now, I’m sure Solastalgia is going to offer uplifting and hopeful tunes, right? One can dream… or just show despair. Both are valid in the Metalsphere.

Azure Emote – Cryptic Aura

Metalcatto

Azure Emote’s Cryptic Aura is what happens when you combine Monstrosity with Eluveitie and Sirenia. If that sounds bizarre to you, you’re not alone. I wasn’t sure what to expect from such an eclectic group of musicians. To be honest, I had little time to overthink it—just got back from vacation, still in a food coma—but I figured this was a worthy shot to give a band some exposure. Whether that turns out good or bad remains to be seen, but one thing’s for sure: it’ll be honest. Even money can’t change our strong opinions at MER!

Proscription – Desolate Divine

Metalcatto

Alright, I’ll tell you something superficial — and I’m not proud of it, but it’s the truth. I had several earlier promos to check out, but I saw Proscription‘s Desolate Divine and its absolutely astonishing cover art and said, “Screw merits and fairness, this thing looks evil!” That kind of aesthetic confidence is hard to resist. Still, you always have to be cautious with artwork that looks too convincing, especially when it comes to Blackened Death Metal. You risk overindulging and ending up sick the whole trip home (which I’m actively trying to avoid during this vacation).

Guitar solos to break you and heal you part 3

Vicky

You’ve probably been waiting for my take on guitar solos, so here it is — but first, a quick intro. My musical taste spans from Pop Rock and Indie to Brutal Death and Black Metal, and my picks reflect that range, though I’ve kept the Black Metal to a minimum (I know not everyone’s a Burzum or Darkthrone fan). I could ramble endlessly about what makes a great solo—or why “Nymphetamine Overdose” by Cradle of Filth and Liv Kristine is, in my view, a more refined take on Symphonic Gothic/Black Metal than “Nymphetamine Fix”—but I’ll spare you the tangents and get straight to the list.

Malformed – Confinement of Flesh

Metalcatto

It’s been a while since we’ve reviewed some good old school Death Metal. Honestly, after everything that happened in 2024, I’ve gotten dangerously close to becoming a hater. It’s just hard to stay excited when the scene feels so oversaturated. Still, despite the genre fatigue, new bands continue to dive into the old school trenches like it’s 1992 all over again. One of these brave souls is Malformed, who arrive with the debut Confinement of Flesh. This record is supposed to bring something fresh to the table, but you’ll have to excuse my skepticism — I’ve heard that before.

The Medea Project – Kharon

Ixone

Oh good lord, what have I even gotten myself into? One bizarre mention of influences and I’m on a cruise down the river Styx… absolutely brilliant! The Medea Project have come forward and delivered what I can only describe as an absolute Doom Metal oddball; a fascinating one, yes, but an oddball nevertheless. Crushing, eerie and disjointed are only a few of the myriad of adjectives that come to mind when listening to Kharon (the river Styx mention wasn’t actually pointless), brought forth by both the music and the adjacent elements, such as the stunning cover artwork. That being said, I shall leave the introduction as it is and actually do what I am supposed to.