Metal Eclipse Reviews

Immortal Bird – Sin Querencia

Stargazer Scholar

Immortal Bird has developed an especially vicious brand of Death Metal. Seasoned with Black, Sludge, and Crust undertones, its music is as intricate as it is pummeling. That being said, listeners were left to conjecture about the next step in the band’s evolution, as its previous full-length had already reached the respectable age of five. Personally, I was favoring a more progressive, sprawling approach, being an ardent appreciator of the lengthier tracks from the prior releases. You can imagine my surprise, then, when I received the promo for the long-awaited Sin Querencia and discovered that, contrary to my expectations and hopes, Immortal Bird opted for concision.

True kvlt: Bullhead, Grimworm & Negative Bliss

It’s that time of the week again, when we look at our inbox and feel infinite mercy for the little guy. When we say: enough with the clout-chasing, let’s talk about those who took the time to send us a respectful, well-written email. Even if we don’t reply directly, consider this our thoughtful response to your submission. This week, I have to admit, I’m pleasantly surprised by the quality of material we’ve received. So, let’s dive in!

Capilla Ardiente – Where Gods Live and Men Die

SonikGoat

My only previous experience with Chilean Metal has revolved around the country’s formidable Death Metal scene, which has spawned killer bands like Melektaus, Godagainst, Atomic Aggressor, and many others. Chilean Doom—specifically, in this case, one of my admitted blind spots, the “Epic” formulation of the style—had completely escaped my attention, at least until this album caught my eye.

Barathrum -Überkill

When I got Barathrum’s Überkill and read that this was a Finnish Black Metal band, all alarms went off at MER HQ. Panic and anxiety ensued! We called our contact in intelligence to run a background check on the band. Luckily, nothing sketchy came up! So, I could proceed with reviewing what many call the first Black Metal band from the land of a thousand lakes. Join me, and let’s uncover some hidden history!

Aberrator – Beckoning Tribulation

We keep giving chances to bands just starting their promising careers in this ruthless, kill-or-be-killed arena we call the Metal scene. I won’t sit here and pretend I knew who Aberrator was, or that I saw the album title Beckoning Tribulation and thought, “This is the next big thing!” But when I saw that beautiful and tasteful cover art, I thought: “Alright, that does it—this should at least be fun!” So, here we are, ready to taste another heavy meal.

Melted Bodies – The Inevitable Fork

Alright, people, this isn’t going to be our usual review because Melted Bodies is a band so strange and out-of-pocket (in the best way!) that I’m still trying to wrap my head around The Inevitable Fork. Like, what even is that album title? What does it mean? If you think the band is as bizarre as its album art suggests, let me tell you—yes, but maybe not in the way you’d expect. I’ll elaborate a bit to guide you through this journey into the depths of absurdity.

1349 – The Wolf and The King

Stargazer scholar

Norway’s 1349 has been consistent in proving that maintaining the unholy spirit of Black Metal doesn’t require stagnation. Starting out as self-professed adherents of a more traditionalist approach, the band has since explored Dark Ambient and Thrash, all without compromising its blackened credentials. While some of its work has been divisive—particularly the more experimental, droning side, which received mixed reactions from the genre’s more conservative audience—the band has pressed on with unfaltering zeal and grim determination. At this point in 1349‘s career, one thing is certain: the new opus is dark, uncompromising, and extreme. Its final form, however, remains to be seen, so let’s discover The Wolf and the King together.

Hell is Other People – Moirae

Let’s face it: Post/Black Metal has won the extreme music war. It doesn’t matter where I go; there are at least 20 Post/Black bands making everything around them a valley of tears and sorrow. That brings me to today’s guest, Hell is Other People. With a name clearly inspired by Huis Clos, I couldn’t let it pass! I love my Black Metal existentialist, and that’s what Moirae seemed to promise. Rarely have I been this interested in finding no way out of a painful situation, but that’s what extreme music does to the soul! Anyway, it’s judgment time!

True kvlt: Torrefy, Neocracy & Shadows Decay

Sunday is here! Which means it’s time for another 400-500 words to make the Metal world a bit fairer. We’re shining a light on releases that you’ve personally sent us or that deserve some love in this cold, heartless world. This week won’t be as rancid and tvre as usual, since we’re focusing on bands building their hype, but who don’t necessarily sound like they’re gargling hot sauce in a tunnel. For once, we’re expecting a certain level of production quality, but don’t get too used to it—it won’t become a trend.

Bile Caster – Writhing Between Birth and Death

Pegah

“There are certain sores in life that, like a canker, gnaw at the soul in solitude and diminish it. Since generally it is the custom to attribute these incredible sufferings to the realm of rare and singular accidents and happenings, it is not possible to speak about them to others“.
― Sadegh Hedayat, The Blind Owl