Ripper – Towards Rebirth

Metalcatto

Sometimes I wonder why we don’t have more Death/Thrash bands. It makes sense—why wouldn’t you mix chocolate with cream? It’s the killer combo. But then I realized: finding the balance between those two is freaking hard. Ripper is more Death than Thrash, or so a superficial listen will lead you to believe. However, we’re not here to only make fart jokes and laugh at our penniless existence. We’re also giving Towards Rebirth a deeper dive.

Double Mute – Corporate Culture CEO Edition

Metalcatto

Let’s face it: in our current social and political climate, satire has lost its purpose. Reality is just funnier than anything else. Double Mute has done two things: brought us one of the strangest concepts for a band and shown one of the most heinous cover arts in MER history. Anyway, if Corporate Culture CEO Edition delivers what it promises, I might once and for all punch that intern who keeps messing up the printer at work.

Khemmis – Khemmis

Metalcatto

At this point, you know I like Doom, but I’m not Pegah, so my level of fanaticism is relatively sober. However, if there’s one Doom band that makes me feel like a cat on catnip, it’s Khemmis. Sure, the band still has yet to surpass its first two albums, but everything afterward has been nothing but quality. That’s why you’d expect Khemmis to be a display of the band’s experience and maturity, right? You know, these guys know the game. Or so I hope.

Véhémence – Assiégé pour l’éternité

Metalcatto

Here we go again. More French Black Metal that sounds like it was recorded in a fridge by people who should have gone to therapy instead. That’s the cliché, at least. But Véhémence is doing something strange with Assiégé pour l’éternité. It’s a remake of its own first album, with new production, new tracks, and new lyrics. It’s almost as if they said, “This is the way we wanted to debut, but back then we didn’t have the budget.” So how good can this be? I’m completely primed by previous Antiq releases, so you could say I’m pretty neutral about it.

Temple ov Ahriman – Heretics of Consensual Reality

Metalcatto

In our not-so-long career, we have reviewed bands with all sorts of quirky names. Temple ov Ahriman isn’t that weird, but who the heck names an album Heretics of Consensual Reality? I’m old school. I read Durkheim. Reality is what opposes the individual will. This title makes no sense! Anyway, you’re here for the Metal, not for the snobbery. So let’s see if this is more than just average Black Metal.

Rigor Sardonicous -Diatriba Deorum

Metalcatto

When I think of Meuse Records, I think of sad puppy Death/Doom with clean production. However, Rigorous Sardonicus truly defies the stereotypes, because Diatriba Deorum is just nasty work that feels like it came out of Finland in 1993. I was surprised by the band’s obscene proposal, but that’s not all it had to offer. We need more than slow riffs to be truly impressed at this point, don’t you think?

Tsar Stangra -Химните на разрушените светове (Hymns of the Broken Worlds)

Metalcatto

It’s been a while since I last gave a chance to a little band. Tsar Stangra is basically that – I don’t mean it in a disrespectful way. The whole point of this blog is helping bands reach new people. Hymns of the Broken Worlds pretty enigmatic. Is it folk, or death metal? Or both? Also, I could be wrong, but this might be the first or second band with Bulgarian heritage we’ve reviewed. Hence, I know nothing about Bulgarian metal. Still, there should be fair judgement today. Don’t despair!

Voivod – Symphonique

Metalcatto

I have a confession to make: I’ve never been the biggest Voivod fan. A mystery indeed, because the band has everything I should like—Thrash, Prog, space themes, and just pure, unhinged madness. But who knows? It just doesn’t click with me. Symphonique is pretty much a greatest hits album, but with an orchestra in the background, which might be what I’ve always needed to enjoy these guys’ work as much as I should. Anyway, does this work, or is it going to be full of clichés?