Suffering so you don't have to!
Metalcatto
With a title that makes you think No Worth of Man might be dropping some gangster rap, their new album The Killing Streets arrives with more pent-up anger issues than a hypothetical ten-year-old alcoholic. As is often the case with such intense material, the quality wasn’t immediately apparent; it required a deep, attentive dive to unravel. That’s precisely what we’re here for: to mess around in the sonic chaos and, hopefully, find out what lies beneath the aggression.
Metalcatto
I’m later to this than an airplane with two engines on fire, so let’s dive right in!
Metalcatto
If you’ve ever read Sophie’s World, you’ll understand how perfectly Platonic the band name Cartoon Can’t Die truly is. Now that I’ve indulged in that moment of cheap snobbery, let me tell you that their new album, Rebirth, doesn’t really fit into a simple genre box. And no, it’s not exactly the soundtrack to Who Framed Roger Rabbit. So, let’s jump into one genuinely strange album, because that’s what you’re here for.
Milo Lane
There is a particular mindset required to sit down with a Casket record. Not preparation exactly — more like consent. An agreement with yourself that what follows will not ask politely, will not soften its edges, and will not care whether you are ready. Pressing play felt like anticipation braided tight with a certain resistance. I wanted this record. I knew I would also probably fight it.
Metalcatto
When I think of Japanese Old School Death Metal, my first thought is Intestine Baalism. I know that’s not entirely fair to Invictus, a band that comes from a musical culture renowned for taking something that works and refining it to an even higher standard. Hence, I held onto a sliver of hope that their new album, Nocturnal Visions, wouldn’t be another generic entry merely trying to catch Tomb Mold‘s fiery momentum. I was cautiously optimistic, yet acutely aware that this style is arguably one of the most stable and traditional niches in Metal, rivaled perhaps only by the steadfast formulas of Power and Symphonic Metal. But let’s dive in.
Pegah
Hey guys! We’re back with another interview, this time with French Doom/Death Metal band Lying Figures. Formed in 2012 in Nancy, the band began shaping their identity through the 2013 demo From Nowhere to Nothing and the EP A World Of My Own (2014). Over the years, Lying Figures steadily developed its voice within the underground Metal scene, leading to the release of its debut album The Abstract Escape in 2017 — an evocative journey through fractured psyches, dark emotions, and oppressive atmospheres. Its latest album, Inheritance, released in November 2024, marks a new chapter in the band’s evolution. A full review of the album is also available on our website.
Metalcatto
It’s time to review a band I have no prior knowledge about—a statement that, for a reviewer, borders on the embarrassing. Lucky for you, I have very little shame left. Blackwater Drowning (a wonderfully evocative name) arrives with their album Obscure Sorrows, and to be fair, the proposal is at least intriguingly enigmatic. So, let’s see if this album can rescue me from the near-permanent state of critical numbness that sets in after doing this for more years than I’d care to admit. Enough professional bitterness, however; let’s try to approach this with an open mind and see if we can find some genuine cheer in the music.
Metalcatto
There are musical projects with wildly ambitious dreams—like making a sustainable living from metal—and then there are the more humble endeavors that simply exist as an excuse for friends to create music together. That latter category seems to be where Beyond the Pale firmly resides. A band that began its battle during the isolating days of the pandemic, it’s are now ready to release its debut full-length, Monument in Time, which promises a savage and unrefined fusion of Death and Thrash Metal. I’m continually surprised by how infrequently these two genres are blended effectively, as the combination makes so much inherent sense. Anyway, let’s jump into the fray.
Metalcatto
Paganizer is like a shark. In the sense that after millions of years, it has changed very little. And why would you when you play Old School Swedish Death Metal? However, even I’ve started to wonder if the band can break the mold for once. Given that its last release wasn’t that long ago, my hopes aren’t exactly high for As Mankind Rots to deliver change, but let’s see!
Metalcatto
You know what’s up, click below and see what underground darling we found this week! Maybe you’ll be surprised!
Metal Eclipse Reviews 