Suffering so you don't have to!
Sometimes, as a reviewer, I wonder if bands are seriously trying to destroy my taste or if they’re just trolling me to see how far they can push us with the most heinous combinations of noise (looking at you, True kvlt classics). Mephitic Corpse has a new album titled Sickness Attracts Sickness, and though the artwork initially made me think of old Cannibal Corpse, I quickly realized that the horror had just begun. Let’s just say I wasn’t prepared for what came next.
Oh wow! We already have a new Sepulchral Curse album. It feels like yesterday when the band released Abhorrent Dimensions. So far, I only have good things to say about this Finnish pack—they deliver massive and evil Death Metal with zero remorse. However, it’s always been evident to me that the band could take another path. Maybe in Crimson Moon Evocations, the Finns will show us old-school Death Metal in a different way. Or maybe I’m just being hopeful…
Well, I wonder what comes to mind when you hear the name Rats of Gomorrah. It’s quite vivid, isn’t it? But is Infectious Vermin as biblical as the band’s name might suggest? No, of course not! In Metal, brutal words are often used as salad dressing—they enhance the experience, but we could also do without them (this is the part where you confess you haven’t touched a salad in years). I know you’re here for the rats, so let’s get to it before wrath takes over again.
Stargazer Scholar
What makes a Metal song great?
I hope you’ll forgive me for this oversimplification. Despite the obvious personal filter that always comes into play whenever we talk about music, there is still something undeniably universal about the songs that work. You’re welcome to share your thoughts on what this X factor might be (fun fact: we have a comment section), and I promise to provide my own take in the conclusion of this review. But while you’re pondering, allow me to introduce an album that made me reflect on such existential mysteries in the first place. Enter Catharsis, the third offering by the Swedish Death Metal entity Consumption.
Here we go again. We survived another week of painful existence only to see what random stuff the deep underground wants to throw at us. This week feels a bit different, or at least I think so, because I bring you heavy elements—music so hostile and violent that I’m sure many of you will let this one pass. But hey, the people who love pure brutality need representation, too.
Look at that art! Doesn’t it look desolate? Doesn’t it make you feel like Phrenelith is going to obliterate your ears so badly that you’ll actually start wearing earplugs at concerts (as a hearing expert, I highly recommend you do it anyway)? Ashen Womb promises what any Danish death metal album would: unfathomable agony and horror. But can it really stand out from the crowd? Let’s find out!
Welcome back to another edition of our favorite section of the week: True Kvlt, where you send us your dungeon tapes, and we provide mostly constructive feedback—plus a few bad jokes to keep the audience engaged. Nothing too wild; after all, if you want to make it in the music world, you need to be ready to take a few punches from nameless creatures on the internet. Let’s dive in!
I should’ve asked Ixione to review Putred‘s Megalit al Putrefacției, since my Romanian is next to non-existent. Either way, you don’t listen to rancid, heinous Death Metal for the lyrics, right? What? You do? Please, go get some help if that’s the case. But I digress. We have our first “new” Old School Death Metal album of the year, and though my expectations are realistic, I’m more than ready to get destroyed by some nasty riffs from the land of horror.
With a band name like Cerebral Hemorrhage, you’d be inclined to think that Exempting Reality isn’t about being a teen trying to find your place in the world while dealing with your angst. You’d be right because this act is all about bringing old-school Death Metal to its real roots. I’m not talking about the retro-Death Metal we’ve had over the last 10 years. I mean Death Metal from the era before computers—when the USA and Sweden were battling to see who could produce the most poorly recorded piece of violent music. Enough with the history lesson!
Metalcatto
There’s no question that this has been an amazing year for Death Metal. Specifically, it’s been the year when Disso-Death totally took over. Though there were lots of enjoyable old-school albums, the level shown by the biggest innovators just couldn’t be matched. I know what you’re thinking looking at this list: “Where’s Pyrrhon? Where’s Blood Incantation?” To which I say, wait until tomorrow and the day after tomorrow! Today, we stick to the more death-focused material. It’s time for the best of the best!
Metal Eclipse Reviews 