Death Metal – Page 23 – Metal Eclipse Reviews

Adorior – Bleed on My Teeth

SonikGoat

Galloping out of the fetid tunnels of darkest London after twenty-something years of silence, Adorior stops by only for a brief moment—but fear ye not! They simply want to make sure you’re bloodied, trampled, set afire, and offered up to Satan. Then, they’ll be on their merry way. Oh, and if you want to hold on to your bottles of strong booze and unravished virgins, you’d better hide them somewhere safe, because Adorior has come for those as well. To enact pandemonium on the scale described, key contributors from the likes of Grave Miasma, Qrixquor, and Destroyer 666 are at the helm—in other words, noted veterans of the metal underground.

Maul – In The Jaws of Bereavement

In the unforgiving landscape of the Death Metal scene, it’s hard for a band to find its own voice. Everyone has done it all—been too brutal, too technical, too weird—and we’ve loved and hated it all. Maul’s approach in its upcoming release, In the Jaws of Bereavement, aims to stand out from the sea of distortion and blast beats. Nobody said it would be easy, but I’m sure it’s going to be wild! So, let’s dig into this meat and potatoes now!

Ævangelist – Perdition Ekstasis Meta

Whoever said that Industrial Metal is boring and commercial has clearly never listened to whatever Ævangelist has been up to. Do they even know what they’re doing? Ever since De Masticatione Mortuorum In Tumulis, the band has developed this bizarre blend of Death, Black, and Industrial Metal, all wrapped in the most lo-fi production possible. It’s such a dense listen that I was genuinely worried I might hate Perdition Ekstasis Meta. Was it because it’s so far removed from anything we might consider enjoyable, or because it lacks something previous it previously had? Either way, I came in ready to give this disturbing album a chance. Let’s go!

Pyrrhon – Exhaust

Well, this came out of nowhere—promo included! Not many bands can match Pyrrhon‘s ability to obliterate what little sanity the listener has left. The Mother of Virtues and What Passes for Survival are absolute classics, perfect soundtracks for puking while looking up (don’t try it at home, you’ll drown). However, Abscess Time left me a bit cold. I didn’t quite get it, which is why I approached Exhaust with caution. You can never be too safe with a band this volatile. In that sense, Pyrrhon had already succeeded in manipulating my expectations. But enough intro—let’s dive into the madness.

EP madness 2: Hammerfilosofi, Emasculator & Grave Sermon

It’s been a while since we paid attention to the leftovers of the Metal world, or in other words, the EPs. As you know, I usually avoid them like the plague, but sometimes it’s good to step out of the comfort zone and try something different. These are a few EPs that managed to keep me awake when all I wanted to do was sleep. That should tell you everything you need to know, right?

Various Artist: Surrender to Death A History of the Atlanta Metal Underground Vol. 1

If you’ve been following us for a while, you’ll know that we love history at MER. We even do retro-reviews all the time. Not many music genres have as much reverence for the past as Metal does. However, we tend to focus on the big classics and forget the dirt, the crust, and the deep underground where bands live and die, hoping to evade oblivion for just a little longer. That’s why today we have a different type of review. Surrender to Death: A History of the Atlanta Metal Underground Vol. 1 features more than 20 artists. I know nothing about Atlanta except that it has a huge airport, but let’s learn about its old Metal scene, shall we?

Officium Triste – Hortus Venenum

Most reviewers at MER have a guilty pleasure, and for some reason, many of us are deeply into the Emo Rock of extreme Metal: Death/Doom. So when something sad hits the mailbox, we all fight for it! Enter Officium Triste, a band that, in Hortus Venenum, is planning to throw a mix of misery, melancholy, and despair at us. All of this is wrapped in a melodic package that could make even the toughest guys cry. But does it succeed in reaching your inner traumas? Grab your pills, and let’s dive into this sea of denial.

Releases that almost fell through the cracks: Vile Rites, Pythonic, Hvile I Kaos

The stressful life of a reviewer leads to many tragic mistakes. Some come in the form of missing releases or forgetting about newer acts. Hence, I’m here attempting to sink the ocean with my ship’s cannons (totally pointless, yes) and give attention to some of the many bands that hit MER’s mailbox every day. It’ll never be over, but consider this a futile act of redemption. Rarely have we seen such a strange constellation of bands in the same article, which is always fun, right? Say yes!

Har – Curse Creation

When you feel anger, despair, or just good old desolation, it’s hard to find the right soundtrack. I hear you! There’s a lot of heavy bands out there, but not many can truly capture the feeling of being utterly lost in anguish. Har is here to offer something hideous and immoral. You could almost call it Curse Creation. Before you start salivating in a Pavlovian manner, keep reading to find out if this is what your broken spirit needs to accept its inability to recover and live a functional life. Too dark? And we’re only getting started!

Fleshgod Apocalypse – Opera

The Gods of violence have been kind to me this time! We’ve been given this promo, and there’s no better way to celebrate it than by writing something snobbish about it! Fleshgod Apocalypse needs no introduction. Love them or hate them, no other band does it like they do. It’s also a band willing to take big risks. Ever since Oracles—which, by the way, is one of the best Tech Death albums ever; go get it!—the band has constantly evolved. Since King, the band has embraced its Italian-ness (that’s not a word!) more and more. And though I think Veleno was underrated, you never know what to expect from this band. Opera is ambitious, as its name indicates, but can it join the other great Italian works? Let’s go!