Suffering so you don't have to!
Milo Lane
Hello, solstice, and hello, Cryptopsy Saturday! An Insatiable Violence arrives with the summer heatwave — relentless, overwhelming, and probably exactly what you didn’t know you needed. Just when you thought the Brutal Death Metal scene couldn’t get any more punishing, these Canadian legends throw down a record that will easily jackhammer an eardrum out of ya. And while I can’t tell you what to like, I can try my best to explain why this is a good thing.
Metalcatto
It’s time to return to my local scene and see what the sewer’s flushing out today! Filth is exactly what you’d expect from a Swedish Death Metal band these days, and Time to Rot is also the kind of title you’d expect from a band named that way. So far, things feel a bit too familiar, right? Well, at least the cover art stands out—it’s disturbing, but also kind of beautiful. You might be wondering if the album carries that same vibe. Stay put and find out!
Metalcatto
It used to be that if you learned English and maybe Swedish or German, you’d be able to understand around 90% of extreme Metal lyrics. However, that’s not true anymore. Now you need French too—because beyond France, Quebec is basically its own Metal country (this isn’t a political statement, don’t kill me!). Décryptal‘s Simulacre is bringing some old school Death Metal that promises to be disgusting enough that we’d actually remember it from the pile. Or at least that’s what the promo claimed. Let’s go!
Metalcatto
Metal is full of colorful and almost quirky band names. Incinerated isn’t one of those. If anything, this Indonesian band means business with its proposal. Also, have we noticed how Indonesia has become an extreme Metal powerhouse in the last decade? I wouldn’t be surprised if it hasn’t already become Asia’s biggest producer, but I digress. Time to focus on Epitome of Transgression.
Welcome to a new section of the blog, where those who patreon/contribute to the site (see options below) get our most honest feedback possible. This is still a review, but it’s also aimed at telling the band what works—and what needs improvement.
Metalcatto
Hi there, my beloved dungeon dwellers. It’s that time of the week where I dig into whatever the deep underground throws at us and try to give some constructive criticism. I really tried to mix things up this time. Also—did I mention that now even the smallest bands can get a full review? But for a price, of course (scroll to the bottom), and with no guarantees of a positive score. We’re not complete sellouts… yet! Let’s go!
Metalcatto
It’s hard to keep a gimmick going for long, but if there’s one band that’s taken it to the next level, it’s Impureza. The French-Spanish band sings in Spanish about the fall of the Aztec Empire on La Caída de Tonatiuh (this has to be the musical equivalent of an Asian fusion restaurant). This time, though, it’s leaning even harder into its flamenco roots, and with Alcázares, the project seems determined to win over those who found Tonatiuh a bit too weird. But hey, this is Death Metal—how strange can it really get?
Metalcatto
It’s time again! Your submissions are starting to pile up, and I should take a look before my patience runs out and I click “delete all” in my inbox—but for now, one can only dream. Believe it or not, there’s no Black Metal this week. People are actually coming up with other things to show me. Anyway, let’s get to it!
Metalcatto
Hi there, my beautiful music degenerates. Here I am, back with another section of low‑budget and unpredictable releases from the dungeons of my email inbox and personal DMs. What can I say? You people reach out in all sorts of creative ways that would probably cross more than one legal boundary. Anyway, I’ll talk to my lawyer later and focus on this random selection of bands again.
Metalcatto
I can’t speak for my fellow reviewers here, but I’ve gotten a lot of stinkers lately — oh, sorry, is that not diplomatic? At least I’m giving no names! However, there was something about Drouth that made me think there might be hope for something fresher this time. The Teeth of Time had all the signs of apparent validity: long tracks, but balanced between Black and Death Metal; cool art and title; but mostly, the band is from Portland, Oregon — a place Extreme Metal owes a lot to. But I’m under no illusion about how badly expectations can betray you. Let’s go!
The Teeth of Time has that raw, organic production that’s become part of the Portland scene. However, you can still appreciate everything that’s going on, so for those of you who like authenticity and actual dexterity, you’ll have a blast — assuming being swallowed into a tornado of anguish and anxiety is your definition of fun. Drouth is a band that takes itself seriously and has no problem staying in a place that would make the average Metal noob very uncomfortable. Yet this is all balanced with bleak details that add emotional depth to the journey.
The vocals are wild, jumping between growling and shrieking. It’s hard to put a single label on The Teeth. Sometimes, it felt like I was listening to Downfall of Gaia mixed with Fall of Rauros and Spectral Wound; other times, it leaned more into old Tomb Mold territory — and yet, there are moments of Melodic Death Metal here too. Don’t let its primal first assault fool you: Drouth has crafted something that genuinely defied my expectations. It’s not often you find an album that sounds evil and tragic at the same time. I believe a lot of that comes down to the diverse guitar work throughout, which resists being pinned to just one idea or formula.
I usually don’t enjoy this kind of basement Metal as much as I’ve enjoyed The Teeth. However, if you’re not paying close attention to its detail, it won’t be all that engaging. The album isn’t long, but the tracks are — especially when the high-pitched shrieking comes in, things can feel particularly jarring. So while the pacing has its bumps, it’s not a major issue. Still, I’d like to see Drouth explore more of its melancholic side, especially when opening tracks. The intros, particularly around the middle of the album, are a bit too conservative.
The best albums are the ones that surprise me in some way. Or maybe that’s just the opinion of someone who’s reviewed hundreds of records and is dying for a little sugar in their bland porridge. Either way, that’s what we’ve got here. It might not be for everyone, but Drouth is clearly trying to catch us off guard — and for once, I’m all in.
Label: Eternal Warfare Records
Release date: 16 May, 2025
Website: https://drouth.bandcamp.com/album/the-teeth-of-time
Country: USA
Score: 3.8/5.0 and maybe I’ll upgrade it later!
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