Suffering so you don't have to!
Pegah
“There are certain sores in life that, like a canker, gnaw at the soul in solitude and diminish it. Since generally it is the custom to attribute these incredible sufferings to the realm of rare and singular accidents and happenings, it is not possible to speak about them to others“.
― Sadegh Hedayat, The Blind Owl
It’s been a decent year for Doom Metal! We’re in the midst of a revival, particularly of the more melancholic aspects of the sub-genre. Endonomos may not have been on our radar for very long, but if I had to describe the project, I’d call it a mix of Pallbearer, Fvneral Fvkk, and Swallow the Sun. I know what you’re thinking: “I hate soft Death/Doom”. But hear me out—Endonomos II – Enlightenment seems to offer something different that could melt the coldest heart (this me reaching new levels of corny). It’s time!
Elased
VdB 141 is the astronomical designation for the distinctive Ghost Nebula in the constellation Cepheus.IC 1805, on the other hand, refers to the Heart Nebula in the neighboring constellation Cassiopeia. These two codes form the title of the intro to this album and at the same time explain the enigmatic name of the band, Ghostheart Nebula. In its musical vision, the band merges the two nebulae into a mystical collision of almost impenetrable soundscapes. It may seem an ambitious undertaking, but the name and the idiosyncratic symbol could hardly be more fitting. No one has ever captured the essence of void, loneliness, hopelessness, farewell, and loss in such astronomical dimensions of darkness, weightless spacelessness, and disembodiment.
I don’t know when or how it happened, but the universe has conspired to make 90s Death/Doom cool again. More and more bands are rehashing this clearly underrated style, and I welcome it with open arms. Bring back the era of alienated pain! Marche Funèbre isn’t new to the sorrow game. The band has been delivering for more than a decade, always offering what angsty Metalheads need, which is why I approached After the Storm with uncalled optimism. So, let’s see how this is going to hurt me!
Enough happy times and enjoyable music. It’s time for us to sink into the deepest despair and cry a river of tears. I hope this gloomy intro got your attention because thanks to ASCIAN (don’t confuse it with Asian, you monster!), we’re only going down from here—into more weeping and unfathomable sadness, of course. Right, we’re also here to try to grasp the quality of Sing to Me, Sweet Void (uplifting title, right?). Prepare those tissues, because you might need them by the time we’re done.
It’s starting to get cold where I live (despite my mansion being on a volcano—those Lamborghinis need a lot of heat to stay beautiful). What better way to embrace the slow but inevitable descent into darkness than with some Death/Doom from Invernoir, a project that blends the melancholy of Novembre and My Dying Bride with the fury of Décembre Noir? These bands always risk falling into clichés and well-worn tropes, but can Aimin’ for Oblivion manage to become unforgettable (see what I did there? Hehe…)?
Most reviewers at MER have a guilty pleasure, and for some reason, many of us are deeply into the Emo Rock of extreme Metal: Death/Doom. So when something sad hits the mailbox, we all fight for it! Enter Officium Triste, a band that, in Hortus Venenum, is planning to throw a mix of misery, melancholy, and despair at us. All of this is wrapped in a melodic package that could make even the toughest guys cry. But does it succeed in reaching your inner traumas? Grab your pills, and let’s dive into this sea of denial.
Many moons ago, a tiny yet mighty Doom Metal act from Russia gave us a 5.0/5.0 album that redefined what Epic Doom could sound like. Will of the Gods is a Great Power (I sense some Russian grammar in this title) is probably the best Viking Epic Doom album ever made. However, it had been overshadowed by 27 years of inactivity and the tragic demise of Scald‘s original vocalist. And now, here we are decades later, and out of nowhere, a miracle has happened! Ancient Doom Metal is out, and with all sorts of mixed feelings, I wonder: Can Scald touch the sky again? Are you ready? Because I’m not!
You’ve heard about space Black Metal, you’ve heard about space Death Metal, even about cosmic Thrash. I guess it was about time we started hearing something about space Post-Metal. Yes, it finally happened: space has become a theme for deconstruction. Grid is volunteering to offer us an epic journey into our own interstellar origins, which already sounds refreshing, but can The World Before Us stand out in this vast universe filled with indifference? That’s what we’re here to find out!
It seems we’ve finally reached the first submission list from the deep web. However, there are still one or two lists more left. Hence, our suffering/joy continues. This week, we bring you some albums and EPs that show you how diverse and strange Metal can be. You know the drill: give them love or hate, but give these bands something! Let’s start!
Metal Eclipse Reviews 