Suffering so you don't have to!
Metalcatto
Why am I reviewing a long EP? Is it because it’s Behemoth‘s? Yes, totally. If you read this and that, you’ll know I have a rocky relationship with the band. How can they reach such highs and such lows? A mystery nobody can solve. Yet, my real question when it came to I, Scvlptor—why the edgy writing style?—was: is the band more washed than Ali in the 80s, or is there still talent left?
Vicky
To start things on a more depressing note, this album is close to three decades of existence, being released in 1996. The year itself was absolutely remarkable for the Metal industry, with new material from My Dying Bride (Like Gods of the Sun), Opeth (Morningrise), Sepultura (Roots), Cradle of Filth (Dusk… and Her Embrace), Hypocrisy (Abducted), Type O Negative (October Rust), Rage (Lingua Mortis and then End of All Days), Therion (Theli), The 3rd and the Mortal (Painting on Glass), Napalm Death (Diatribes), Pantera (The Great Southern Trendkill), and other albums that are less praised but also important for the Metal world, by Moonspell, Stratovarius, Tool, Warrant, Zakk Wylde, Marilyn Manson, Slayer, Slipknot, Staind, Stone Temple Pilots, and the band of Sakis and Themis Tolis. So, as you may notice, this was one of the best years to be alive.
Metal Eclipse Reviews 