Meuse Music Records – Metal Eclipse Reviews

Old Night – Mediterranean Melancholy

Vicky

2025 has been an interesting year for Doom Metal. I mean, let’s take a look back and see what we have witnessed earlier this year: Messiah Marcolin and Candlemass reunited for one show, My Dying Bride split in two and started collaborating with Mikko from Swallow The Sun, Paradise Lost, In The Woods…, Pilgrimage, and various othersreleased new albums. All in all, we had a pretty decent year in Rock/Heavy Metal as a whole, if we overlook the brilliant musicians we have unfortunately lost (Ozzy Osbourne, Ace Frehley, John Skyes, Adam Ramey, Tomas Lindberg, etc.). Hoping I didn’t depress you too much, turn on your sad music and buckle up, kids, ’cause we’ve got a great album to talk about today: Mediterranean Melancholy by Old Night.

Shades Of Deep Water – The Years On Borrowed Time

Vicky

Doom Metal as a whole is one of the most niche genres out there. It has a little something for everyone, and without a doubt, we all once found ourselves in a Doom Metal song – ranging from slightly less depressive (Candlemass deserves credit for coming up with “please let me die in solitude”), all the way to the even more mournful part (think of this: Swallow The Sun once sang “My old friend will you lay me back to rest? I’ve been suffering so long without you. Come and take me away from this pain”. If that doesn’t scream out Metal Dostoevsky, I don’t know what will).

Death Has Spoken – Elegy

Metalcatto

I know! We’ve just reviewed some Death/Doom, so why are we doing it again? Well, not every day do we get some of it from Poland, and I thought, well, let’s see if pierogi isn’t the only thing they do differently there. So here we are, ready to dive into some hardcore depression that somehow makes us feel good for at least a few minutes before we’re dragged back into the pain and sorrow of capitalist existence. Oh, sorry! This is Death Has Spoken’s Elegy — let’s go!

Sorrowful Land – Hiraeth

Metalcatto

You know what this year hasn’t had much of (aside from peace and love)? Sad puppy Death/Doom. So I decided to check the inbox and see if we had some. Of course we did: Sorrowful Land – Hiraeth (I swear I’ve reviewed an album with that name before). However, despite my obvious bias for this wholesome and crushing subgenre, I’m trying to give more balanced views lately when it comes to my guilty pleasures. So, let’s see if this album is something Pegah would love, or just me. Let’s dive in!

Pilgrimage – From Amber To Sun

Vicky

I had only briefly heard of Pilgrimage in my Doom/Goth/Death Metal groups of friends when some of them said that this band was very promising. I’ve listened to its debut album – Sigil of the Pilgrim Sun – in the Pandemic era, but I have to admit that, to my embarrassment, I completely forgot about it. I have to thank the manager of Metal Eclipse Reviews, our fellow cat lover and Metal enthusiast, Catto, for reminding me that Pilgrimage is about to release a new album, From Amber To Sun. And it’s a very good one.

Ornamentos del Miedo – Vacio Como El Tronco De Un Arbol Muerto

Pegah

Sometimes, you don’t need to understand the language to feel the music. That’s exactly how I felt listening to Vacío como el tronco de un árbol muerto, the newly released album by Ornamentos del Miedo. Founded in late 2017 by Ángel Chicote in Burgos, Spain, Ornamentos del Miedo is a one-man Funeral Doom/Death Metal project that delves deep into themes of melancholy, existential dread, and sorrow. After the breakup of his former band, Graveyard of Souls, Chicote set out to craft slow, atmospheric compositions marked by mournful guitar melodies and deeply philosophical lyrics.

Soliloquium- Famine

One could argue that I’m now an old school Soliloquium fan, since Contemplations was my introduction to the band. Needless to say, I still listen to it today. It’s that perfect mix of Prog and Swedish Melodeath that’s not always easy to find. The band has done interesting things since then, but Famine seems to aim for a more personal direction – channeling all the suffering and pain its creator went through (something common in Metal, let’s be honest). So the real question is: will this satisfy us or leave us hungry?

Lying Figures – Inheritance

Pegah

The French Melodic Death/Doom Metal band Lying Figures returns after a long hiatus with its new album, Inheritance. This time, Frédéric Simon (vocals & bass) and Matthieu Burgaud (guitars) guide us on a profound introspective journey, confronting emotions long buried or ignored. The album delves into deeply personal themes, exploring self-alienation, frustration, inner conflict, despair, and disorientation. These ideas are mirrored in the album cover, which portrays a dark, abandoned cityscape devoid of light, teetering on the brink of collapse. The inverted city hints at duality and the tension between mind and body, as well as a fractured sense of reality. The dominant red tones evoke intense emotions such as self-expression, aggression, and resilience, while birds and barren branches in the corners suggest life fleeing this desolate scene.

Ghostheart Nebula – Blackshift

Elased

VdB 141 is the astronomical designation for the distinctive Ghost Nebula in the constellation Cepheus.IC 1805, on the other hand, refers to the Heart Nebula in the neighboring constellation Cassiopeia. These two codes form the title of the intro to this album and at the same time explain the enigmatic name of the band, Ghostheart Nebula. In its musical vision, the band merges the two nebulae into a mystical collision of almost impenetrable soundscapes. It may seem an ambitious undertaking, but the name and the idiosyncratic symbol could hardly be more fitting. No one has ever captured the essence of void, loneliness, hopelessness, farewell, and loss in such astronomical dimensions of darkness, weightless spacelessness, and disembodiment.