Suffering so you don't have to!
Metalcatto
Lately, I’ve felt in control of the mess release dates can become. However, great albums from the underground still escape my grasp here and there. In an attempt to do justice to bands that we were either too late or too busy to explore deeply, we’re back with this section where we try to make this unjust world a little fairer in our own low-budget way. Let’s check out this unique bunch, ok?
I’ve been hearing whispers about Karg for a while. It’s another band that can proudly join the whole German/Austrian Post/Black Metal scene. It’s been dominating this small niche for at least the last ten years. So yeah, I do feel kind of guilty that it took me this long to give the project a proper chance. Marodeur has a serious name, a serious cover art—so you obviously expect serious music. The kind of album that reminds you of those small mistakes you thought you’d let go, but still haunt you at night. Uplifting stuff, right? Let’s start!
Instrumental Metal is something that many noobs dream of having. All your friends who hate “screaming” claim to want something like this—only to never listen to it anyway. That’s the reality of the game: people hate growling until it’s not there. However, that doesn’t take away from the merits of a band like Rýr, whose approach on Disloged makes me think of a less brutal Cult of Luna—yet still heavier than Pelican (let’s be honest, anything is heavier than Pelican). But enough mixed signals—let’s dig into what this album is all about.
Few bands elicit as many passionate discussions as Deafheaven. They stand as the ultimate hipster black metal band – that distinctly warm Californian/edgy interpretation of the traditionally depressive Nordic formula. To these ears, it’s crafted exactly one perfect 5.0/5.0 album (Sunbather). However, ever since New Bermuda, I’ve gradually fallen out of love with its evolving sound. This isn’t to say its subsequent work was bad – it simply never recaptured those genre-defining heights that initially made them so revolutionary. So it was with minimal expectations that I approached Lonely People With Power a title so quintessentially Deafheaven it almost hurts), steeling myself primarily against disappointment.
I hate being late, but what can I do when all the bands want to release something cool on Valentine’s Day? (so much for being evil music!) Having said that, Decline of the I is probably the last thing you want to put on to set the mood. Wilhelm is an album with layers and horrors that aren’t for that kind of atmosphere (unless you’re reading this carefully, in which case you love anything disturbing and strange). I’ll do my best to even try to define what the album is going for, because this is a wild animal, and I’m not sure we can tame it. But how about we try!
When I open my magic mailbox, I start salivating because this promo had everything a snob wanted. French? Check! Post/Black Metal? Check! Band members with no names but initials instead? Check! But most importantly, has the band been embroiled in drama as intense as the album? Probably. So here we are, ready to dive into Zéro Absolu and its album La Saignée. It’s basically a French supergroup, so of course, our expectations can’t be realistic.
It’s been a good week for releases and the Catto life, which is why we need to end it with something urban, decadent, and utterly depressing. Too much joy can spoil the soul, and Beneath a Steel Sky‘s album Cleave delivers the perfect antidote. This release promises to delve into your most painful memories and craft art from them. With my love for crushing Post-Metal—almost rivaling my affection for Finnish Death/Doom—let’s dive into this urban wasteland.
Aren’t you excited? We finally get our first Post-Metal heavyweight of the year! I’ve been a fan of Harakiri for the Sky since III: Trauma, and though I enjoyed Arson and subsequent releases, it just hasn’t felt the same ever since. Enter Scorched Earth, an album that promises to erase all my doubts and put Harakiri for the Sky back into killer-track territory. There’s good reason to have hope because no other band can portray hopelessness as well as this one does. So let’s believe one more time!
Stargazer Scholar
Every genre has its stalwarts—the defining bands. Artists who pioneered the movement or managed to establish themselves as a beacon of quality for everyone aspiring to navigate similar sonic terrains. Poland’s Obscure Sphinx, with three excellent full-length albums and a few live releases under its belt, may be standing on the shoulders of the giants that came before, but the uncompromising, visceral talent of this Atmospheric Sludge Metal combo should have long ago earned it a place in the genre’s pantheon. But since the band, true to its name, remains underground, let me try to right this wrong by covering its newest mini-album.
Metalcatto
We continue our epic quest through the niche styles Metal has to offer before we reach the final countdown (yes, I made a pun!). Today, we delve into the best Post-Metal of 2024, as crowned by your dark majesty. What is Post-Metal, you ask? Nobody truly knows (we just know it sounds sad). The name may be awkward, but we’ve accepted it—much like we accept taxes as a necessary evil. Despite its vague definition, Post-Metal continues to evolve, and this year has been no exception. Let’s dive into these standout albums that embody the genre’s boundless creativity.
Metal Eclipse Reviews 