Suffering so you don't have to!
Stargazer Scholar
Let’s face it, genre debates have become as much a staple of Heavy Metal culture as battle vests and band t-shirts. Is it Thrash or Death? Is this record more Technical than it is Brutal? And if it happens to be Black, is it more Melodic or Atmospheric? Oh, and most importantly—ubiquitously, inescapably—tell me: is it, by chance, Prog?
This has been an intense release week, with both veteran and emerging bands hitting us with nearly unchecked energy. But my attention was elsewhere. Schammasch presents an intriguing proposition, to say the least. With an unusual blend of Prog, Death, Gothic, and a hint of refined snobbery, The Maldoror Chants: Old Ocean promises the kind of elevated experience I’ve been craving all week—or it might just crash into a spectacular dumpster fire. Fingers crossed!
I’ve always said one of our principles is to give nostalgia a chance, even though we deeply hate leaning on it. Lately, we’ve been indulging bands that sound straight out of 1995. So, when I heard Typhonian was 90s-inspired with a Swedish Death Metal sound, I puked my breakfast all over my marble countertop—because, honestly, I can’t handle another retro album this week. However, The Gate of the Veiled Beyond promised something different, claiming to pay homage to Edge of Sanity—and I’m always down for that kind of nostalgia. So, let’s set aside our biases for once and check this beast out.
I’ve been following Oceans of Slumber for some time now. Ever since Winter, I’ve been fascinated by its unique blend of Prog, Death, and Goth, infused with a surprising pop sensibility. This is a band poised for greatness, with the potential to become massive. However, I’ve always felt they haven’t quite reached its full potential yet—like it’s close, but still a step away from finding the perfect balance between styles that don’t naturally fit together. And you know how much I hate being late, but this month has been busier than the Mumbai metro. So, let’s dive in. Can Where Gods Fear to Speak be the album that elevates the band to new heights? Let’s find out!
Hi there, my fellow basement-dwellers! We’ve had another interview, but this time, we’re aiming to educate you a bit, especially you, our musician demographic that needs to learn how to take care of your body since four energy drinks mixed with donuts are no healthy dinner. We’ve got Gunn-Hilde Erstad from Rendezvous Point, who happens to be a PhD candidate researching physical performance in musicians. But enough talking, let’s hear from her!
Let’s not fool ourselves: Leprous is one of the biggest acts in Metal today. They might not be the heaviest band out there, but ever since Tall Poppy Syndrome (still my favorite), the group has transformed from a Prog Death Metal band to a Djent act, and now to whatever they’re doing at this point. To be honest, I haven’t been particularly interested in Leprous since The Congregation, but now that Melodies of Atonement has arrived, I’m willing to give them a second—or even third—chance.
Hi there! Today, we’ve got in our hands an album that can only be described as strange. I’m talking about Mynskh’s Chapter II – The Last Messiah. It’s supposed to be a Black/Death Metal journey, but honestly, it feels more like a Prog and Post adventure that pulls elements from a ton of other influences. You’ve probably noticed that I’m throwing a lot of sub-genre terms into the mix, so you might be wondering what the heck I’m talking about, because it’s making things less clear. Well, that’s kind of what we’re getting into here—an uncertain adventure, most likely with a tragic end. Let’s dance!
I discovered Diskord by accident when they were part of Imperial Triumphant‘s first European tour. Needless to say, those two together have been the closest I’ve been to feeling under the influence of acid. I became a fan immediately and got myself a copy of Degenerations. As you’d expect, it was a degenerate experience that made me reconsider what metal was. Then there’s ATVM, which makes you feel just as high but takes a more technical route to success. Can you imagine the level of depravity that these two together can unleash? You don’t have to because Bipolarities is here!
The year is 1996. The Bosnian War ends, leaving Europe in moral shambles, Dolly the Sheep becomes the first mammal ever cloned, Hotmail is launched, and Tupac gets shot. Right, the Metal! It was a good year for depressing albums and for bands that were underground darlings but would soon rise to become the next big thing. Iconic work from Cradle of Filth, Emperor, and In Flames marked the cusp of Europe becoming an extreme Metal powerhouse. Today, we’re going to talk about an album from a band that would change the scene forever: Opeth’s Morningrise. Love it or hate it, we have to ask, is it still worth your time?
Welcome to Retro-Reviews, a space where I indulge in my own nostalgic reveries, reminiscing about a time that never truly existed, but one that I’ve crafted through various random albums that hold significance for me. Whether good or bad, one thing is certain: remembering can be a bittersweet journey.
Metal Eclipse Reviews 