review – Page 29 – Metal Eclipse Reviews

Impureza – Alcázares

Metalcatto

It’s hard to keep a gimmick going for long, but if there’s one band that’s taken it to the next level, it’s Impureza. The French-Spanish band sings in Spanish about the fall of the Aztec Empire on La Caída de Tonatiuh (this has to be the musical equivalent of an Asian fusion restaurant). This time, though, it’s leaning even harder into its flamenco roots, and with Alcázares, the project seems determined to win over those who found Tonatiuh a bit too weird. But hey, this is Death Metal—how strange can it really get?

Rivers Of Nihil – Rivers Of Nihil

Stargazer Scholar

Believe it or not, I became a Rivers Of Nihil fan before Owls. Yes, yours truly is a Monarchy convert. The American Extreme Progressive Metal act started out in the atmospheric Tech-Death realm, yet the subsequent inclusion of saxophones and clean vocals made their third album, Where Owls Know My Name, blow up. And well-deserved. But my own relationship with the band began a few years prior, when I was taken aback by the sultry density of the sophomore. The musicians themselves may have gone on record lamenting the underwhelming reception of their second opus, but its importance for the band’s discovery of its own identity is hard to overlook. The Owls I have already referred to, and 2021’s The Work brought along further exploration, as the Rivers flowed into even more experimental waters. I hope you’re feeling as hyped for the 2025 self-titled album as me then, as you never really know what to expect with this talented bunch. Where to now? Was the band able to get over the departure of the lead vocalist? Will we get our sax again? Ah, so many questions.

Releases that almost fell through the cracks

Metalcatto

Lately, I’ve felt in control of the mess release dates can become. However, great albums from the underground still escape my grasp here and there. In an attempt to do justice to bands that we were either too late or too busy to explore deeply, we’re back with this section where we try to make this unjust world a little fairer in our own low-budget way. Let’s check out this unique bunch, ok?

Pythia – V PT.1: Unhallowed

Vicky

If you are confused about the title, it is perfectly fine—I was too. A quick search for Pythia on Encyclopaedia Metallum revealed that Unhallowed is the band’s fifth album. However, it has decided to divide it into two (or perhaps more, it’s confusing!) parts. Before I share more about the album, I would like to clarify the actual definition of “unhallowed”: it means “unholy, not formally consecrated, wicked.”Now that you’ve been educated, let’s start!

Aexylium – Myth of Mankind

Vicky

Folk Metal is a genre that most people consider to be limited strictly to Eluveitie, Korpiklaani, Arkona, Feuerschwanz, and a few other titans. But that’s not really the case. There are also numerous underground groups that certainly deserve your attention. One of them is the Italian Folk Metal act Aexylium. And it’s not trying to mimic any of the praised bands I have mentioned earlier, but it walks on its own path. So far, this means combining traditional Folk Metal instruments with enchanting symphonies and feeling – one that you have probably encountered before in Power Metal. At times, they even incorporate Technical Death Metal elements into their work (especially on the track “In Sorrow”). You may also find things specific to Brutal Death Metal on the title track.

Beleth’s Trumpet – Chapel of Bones

Metalcatto

Sometimes I wonder what Atmospheric Black Metal would sound like if anyone actually knew or cared how to produce it. Enter Beleth’s Trumpet‘s Chapel of Bones, a band seemingly interested in doing old-school Black Metal that doesn’t sound like French fries fried out of existence. It also happens to be a Finnish band, and despite my best efforts to find some drama, it remains properly mysterious. Time will tell if that’s a good or bad thing. Anyway, let’s dive into this swirling mass of malevolence and static noise.

Patchwork – Scars

Metalcatto

Traditional wouldn’t be the way I’d describe our approach at MER Industries. If anything, I make sure our writers review things that sound new and fresh simply because I hate the past. However, sometimes you have to stop and see how far we’ve come in time. Enter Patchwork, a band that tries to bring a Heavy and Thrash approach from the 80s into our era with Scars. Are you ready for some nostalgic riffs? I’m not, but I can be soon! Let’s do this.

Chepang – Jhyappa

Metalcatto

We all know that Metal is a melting pot (some people in the Black Metal community live in a fantasy, though), and we’ve seen our fair share of Folk Metal. However, how many times have you seen a band mix Grindcore with Nepali culture? Never, right? Well, that’s what Chepang promises in Jhyappa—a blasting and merciless delivery with some added detail and depth. But does it work? I was fairly skeptical. Let’s be real, this combination sounded like eating a chocolate cake with nachos on it—but who knows, maybe that’s also good. Let’s go!

EchoSoul-Time of The Dragon

Elyna Khan

Discovering incredible bands is one of the perks of being a zine reviewer. You receive the promos in your email, put on your headphones, press play, and the journey begins. Little by little, in every note, every chord, every cut, you discover pieces of yourself. The blood begins to pump strongly to your heart, filling your chest with a comforting warmth and imbuing you with an intense, luminous energy that simply leaves you happy.

Enterré Vivant – Akuzaï

Metalcatto

Whether you like it or not, we live in an interconnected world, where people end up being or living in places they didn’t plan to be in the first place. Enterré Vivant is a French project. However, its creator has been living in Japan for 25 years, so it wouldn’t be wrong to call him at least part Japanese—which is why Akuzaï got my attention. How would French/Japanese Black Metal sound? Is it going to be a cheap gimmick, or is it going to take the best of both worlds? Let’s see.