Suffering so you don't have to!
The stressful life of a reviewer leads to many tragic mistakes. Some come in the form of missing releases or forgetting about newer acts. Hence, I’m here attempting to sink the ocean with my ship’s cannons (totally pointless, yes) and give attention to some of the many bands that hit MER’s mailbox every day. It’ll never be over, but consider this a futile act of redemption. Rarely have we seen such a strange constellation of bands in the same article, which is always fun, right? Say yes!
The Gods of violence have been kind to me this time! We’ve been given this promo, and there’s no better way to celebrate it than by writing something snobbish about it! Fleshgod Apocalypse needs no introduction. Love them or hate them, no other band does it like they do. It’s also a band willing to take big risks. Ever since Oracles—which, by the way, is one of the best Tech Death albums ever; go get it!—the band has constantly evolved. Since King, the band has embraced its Italian-ness (that’s not a word!) more and more. And though I think Veleno was underrated, you never know what to expect from this band. Opera is ambitious, as its name indicates, but can it join the other great Italian works? Let’s go!
Aeons ago, I had the luck of discovering Voices of the Void, and it spoke to me! How could a band summon the spirit of Mastodon and Opeth simultaneously? Anciients was a Prog Metal fan’s fantasy come true. However, I felt perfection still eluded the project. This is why Beyond the Reach of the Sun has created high expectations in me this time. I feel this band is so close to being the next big thing in Prog, and even if it falls short, whatever it delivers will be amazing and full of tasty riffs, right? I want to believe! Join me on this journey of illusions that could end in heartbreak and unfathomable drinking.
It’s Doom time! I know it might seem like we at MER have an anti-Doom agenda. Nothing could be further from the truth! However, this hasn’t been exactly the most Doom-filled year. That doesn’t mean we can’t run into interesting work. Look at what Solemn Ceremony brings to the table: rough and crusty music that promises to transport you to a much more relaxed world, away from the miseries of your anxious existence. Does it succeed, or can nothing save you from yourself? Slowly, we’ll find out.
I discovered Diskord by accident when they were part of Imperial Triumphant‘s first European tour. Needless to say, those two together have been the closest I’ve been to feeling under the influence of acid. I became a fan immediately and got myself a copy of Degenerations. As you’d expect, it was a degenerate experience that made me reconsider what metal was. Then there’s ATVM, which makes you feel just as high but takes a more technical route to success. Can you imagine the level of depravity that these two together can unleash? You don’t have to because Bipolarities is here!
It’s time for something more idiosyncratic! At first glance, you might think there’s nothing too strange about Forgotten Tomb, but the more you delve into its work, the more you realize how little MeloBlack has been mixed with Doom Metal. “That’s a killer combo!” you might say, and that’s exactly what Nightfloating is about. But does it work, or does it float over our heads? (I’m so getting fired after that joke.) Forgive my poor comedic timing and stay with us!
Vanhelgd‘s newest album, Atropos Doctrina, has everything a reviewer would expect from a Swedish death metal band: the hard-to-pronounce name, the paganism, the cool art. What’s not to like? If anything, I was just concerned that this album would be another consistent and dirty 40+ minutes of music from the north. I always say before starting these reviews: if I get another Swedish band that wants to sound like Entombed or Dismember, I’m going to score it below 2.5 (and get canceled by the metal world in the process, of course). So, is Vanhelgd going to get me banned from the socials again, or is there hope?
Those of you who voted in our Instagram poll get what you wanted. It wasn’t a full majority, but no election gets that these days. So, to surprise you, I dug deep into my inner child to bring you Oxygen Destroyer‘s newest album, Guardian of the Universe. It has freaking Gamera, Mothra, and Megalon-like monsters on the cover! How could it get any weirder and cooler at the same time? (Can we finally get Gamera and Gozilla to fight each other? Japan, make it happen!) I know, the real question is: can you take this album seriously? Join us on this trip through the ruins left by unknown creatures!
We’re back to our bread and butter—Black Metal from the pits of (oh surprise!) Norway. We also have something of a super band, because Ulvehunger is made up of members from Satyricon, Disgusting, and Cadaver, just to name a few. However, I must say it’s been decades since I’ve fully enjoyed an album from any of these bands. Don’t throw hate at me; taste is like a butt: split. Despite this, I had no negative preconceptions about Retaliation. If anything, I want all bands to do well and be successful (see? It’s not so bad). Let’s find out if we can jump into this.
There are moments as a reviewer when you wonder if you’ve heard it all. Le temps détruit tout (time destroys everything), so I do wonder if there’s anything left before I become a cranky reviewer who doesn’t see the sunlight and can’t get off the floor without using my hands for support (oh, you feel addressed? Maybe you should!). Despite this, I welcomed Totengott‘s Beyond the Veil with no prejudices. Little did I know, I was about to embark on a strange and uncertain journey. Tag along!
Metal Eclipse Reviews 