In Vespro – Where Silence Used To Sleep

Metalcatto

It’s almost summer here up north. It’s sunny, warm, and beautiful. What better way to ruin all of that than by listening to some soul-crushing and godless Death and Doom Metal from the pit? In Vespro is dropping this album named Where Silence Used To Sleep, which obviously isn’t going to be about riding into the sunset with all your friends and family singing happy songs. It’s going to make you go back to therapy—or that’s what I hope for. But you know how it is with the mellow stuff. Hit or miss.

Meltification – Meltification

Metalcatto
We don’t get enough Hardcore Punk and Grindcore at MER. It’s not that we find it boring, but it doesn’t help that so many of these releases come with potato-quality production that makes everything sound like it was recorded inside a trash can. However, Meltification promised that wasn’t going to be the case with their self-titled album, Meltification. So, with all my skepticism intact, I’m still diving into this pool of violence and rage. Let’s see if the production delivers.

Erdve – Epigrama

Metalcatto

Are you an expert on experimental Hardcore? I thought so. Then you can imagine the level of confusion I was in when Erdve‘s Epigrama hit me with such an enigmatic artwork and overall musical proposal. This is probably the first or second album we’ve gotten fully in Lithuanian. They could be singing about their breakfast, and we’d be like “this is the sickest thing ever.” Anyway, there’s nothing cute about this release, so let’s try to navigate it without much emotional damage, shall we?

Panopticon – Det Hjemsøkte Hjertet

Metalcatto

I didn’t see this one coming. Panopticon is arguably the project to beat in Black and Folk Metal. Even though Laurentian Blues left me a bit skeptical, every album since Roads to the North has been close to a masterpiece. The ups and downs that Lunn likes to put us through make Det Hjemsøkte Hjertet enigmatic and unpredictable even before the first listen. But let’s get to it, shall we?

Astriferous – Atavistic Unraveling

Metalcatto

It’s been some time since I dared to return to the oversaturated nightmare that old school Death Metal has become. Astriferous has at least a name that indicates the band feels serious and comfortable in its corpse skin. Atavistic Unraveling should have enough tentacles for everyone. I’m just worried about the adrenaline dump this might cause me if it’s too old school.

Ennui – Qroba

Pegah

I had never thought that my ideology in life might have a name. Yet the truth is that each of us carries a personal worldview—one that inevitably finds expression in different aspects of life, including the art we create. Here, this personal ideology is reflected in Qroba (Vanishment), the latest album by the Georgian funeral doom band Ennui. Qroba is one of those albums that questions the very concept of existence. Even through its title, it suggests both disappearance and the possibility of never coming into being at all.

Draconian – In Somnolent Ruin

Metalcatto

How to say this? I’m a Draconian fanboy. I’ve been digging the band’s work since Where Lovers Mourn. Every album since has been a 4.0 out of 5.0 to me. In my book, no other Doom Metal band has been this consistent for so long. If anything, this is the band that truly got me into depressive music, which is why my expectations for In Somnolent Ruin are more than just huge—they’re absolutely ridiculous. But let’s get into it, alright?

Trve kvlt special: Gemynd Beadu – Continued Degradation of Life

Metalcatto

Honestly, when I heard this was an Atmospheric Black Metal promo, my first reaction was “noooooooo.” After I managed to recover from my panic attack, I gathered the courage to click play and give Gemynd Beadu a chance. How sad can it be if the title is Continued Degradation of Life? Okay, it sounds grim, but does it sound grim? That’s what we’re here to find out.

Sarcasm – Lifeforce Omnibound

Metalcatto

Among the bands with some of the best names there’s Sarcasm—do I mean that? I guess you’ll never know. The band has its own approach to Death Metal, and needless to say, I approached their work with curiosity and even excitement. It’s not that I’m a diehard fan or anything, but you know weirdness and idiosyncratic moves are what we live and die for at MER. Keep on reading and find out.