…And Oceans – The Regeneration Itinerary

Metalcatto

…And Oceans has had a quiet and interesting return from the dead. It even released As in Gardens, So in Tombs, an album that could’ve made it to any serious ranking in 2023. It was a fascinating take on rough MeloBlack that borrowed heavily from ’90s Swedish Black Metal, yet still carried its own deeply depressing and personal touch. So here we are with The Regeneration Itinerary, and hopefully the album will keep regenerating (yes, pun intended) the band’s renewed career. Otherwise, I’m strong enough to be disappointed. Let’s get to it, kids.

The Great Old Ones – Kadath

If you’re wondering why I’m so late with this review, it’s because we didn’t get the promo, and I had to wait like a total pleb for the album to come out. Humiliating, I know! However, I’m a huge fan of The Great Old Ones. The band has been delivering astonishing and terrifying Lovecraft-inspired Black Metal for more than a decade now. Ever since EOD, I’ve been hooked. So, my expectations are as high as they can get when it comes to Kadath. I almost feel sorry for these guys and the impossible standards they’ll be subjected to.

Saor – Amidst the Ruins

Well, I guess this is what the people voted for on Instagram, and since I still believe in democracy (when it suits me), here we are. Honestly, I’ve been procrastinating on this review for a while. I’ve been into Saor since Aura, back when the project was limited by the constraints of being a one-person endeavor. Since then, I’ve enjoyed everything it’s released, even though Origins felt a bit predictable to me. That said, I’m willing to believe that Amidst the Ruins is exactly what Saor needs to continue its evolution. How much more Scottish can these guys get? Like, haggis Scottish? It seems impossible!

Mörk Gryning – Fasornas Tid

If Disso-Death has taken over Death Metal this year, I think it’s fair to say that MeloBlack is becoming the new meta within Black Metal. More and more bands are jumping on the sad but angry bandwagon that Dissection pioneered so long ago. Enter Mörk Gryning, a project that has been away for a while but promises to continue this newly rediscovered tradition. With Fasornas Tid, the band promises to stick to what it’s done but also adapt to these enigmatic times. Will it manage to stay on the bandwagon? Let’s find out.

Defeated Sanity – Chronicles of Lunacy

Defeated Sanity needs no introduction. Not many bands embody the heaviest of the heavy like this act does. Ever since Psalms of the Moribund, its catalog has been a masterclass in brutal consistency without devolving into the numbing exercise that often plagues Brutal Death Metal. That alone is an achievement. I can throw on a Defeated Sanity album and be annihilated for 35 minutes straight. Yet, with every new release, there’s always the lurking risk of falling into tired tropes. So, does Chronicles of Lunacy dodge the lameness abyss?

Thy Catafalque – XII: A gyönyörű álmok ezután jönnek

It’s time to stop the doomscrolling! The man, the myth, the legend is here. You wouldn’t believe how excited I was when I got the promo for Thy Catafalque’s XII: A gyönyörű álmok ezután jönnek (Satan, help me with this title!). No project sounds quite like this one. That’s the paradox of Thy Catafalque—you never know what you’re getting, yet you kind of do. Am I making sense? Probably not. I’ve been a fan since Rengeteg and loved almost everything since. But surpassing Alföld, which was album-of-the-year material, is a massive task. Let’s dive in!

1349 – The Wolf and The King

Stargazer scholar

Norway’s 1349 has been consistent in proving that maintaining the unholy spirit of Black Metal doesn’t require stagnation. Starting out as self-professed adherents of a more traditionalist approach, the band has since explored Dark Ambient and Thrash, all without compromising its blackened credentials. While some of its work has been divisive—particularly the more experimental, droning side, which received mixed reactions from the genre’s more conservative audience—the band has pressed on with unfaltering zeal and grim determination. At this point in 1349‘s career, one thing is certain: the new opus is dark, uncompromising, and extreme. Its final form, however, remains to be seen, so let’s discover The Wolf and the King together.

Gaerea – Coma

I wouldn’t be exaggerating when I say that in the barren landscape that is pure Black Metal, Gaerea stands as a rare ray of originality. I was there when Unsettling Whispers came out and was just as impressed as anyone else. Then came the crushing and lengthy Limbo, followed by the leaner and more dramatic Mirage. Now, Coma faces the difficult task of continuing a streak of innovation that few other contemporary Metal bands have been able to achieve. Can Gaerea keep us dreaming? Can it replicate the poetic anxiety that has defined its work so far? Come with me and let’s find out.

Anciients -Beyond the Reach of The Sun

Aeons ago, I had the luck of discovering Voices of the Void, and it spoke to me! How could a band summon the spirit of Mastodon and Opeth simultaneously? Anciients was a Prog Metal fan’s fantasy come true. However, I felt perfection still eluded the project. This is why Beyond the Reach of the Sun has created high expectations in me this time. I feel this band is so close to being the next big thing in Prog, and even if it falls short, whatever it delivers will be amazing and full of tasty riffs, right? I want to believe! Join me on this journey of illusions that could end in heartbreak and unfathomable drinking.

Wormed – Omegon

It’s been a long time since we heard anything from Wormed. So long, in fact, that I was beginning to assume its members had all died and their bodies were thrown in a ditch. You can imagine my joy when I found out that not only was Wormed alive, but it was also dropping a new album: Omegon. Here, we return to the origins of MER, space Metal! However, Wormed has always done its own relentless and unapologetic thing. Can this new album top a short but consistent discography? Keep reading, astronaut.