Ghost – Skeletá

Metalcatto

Despite my undying love for my local (Swedish) scene, Ghost has always been a tricky one for me. I even contemplated skipping Skeletá because the album isn’t even Metal. In fact, sometimes I wondered if it was even Rock, or just Pop/Rock. I’ll say it without hesitation: the band hasn’t truly had my attention since Meliora — that was its peak performance, and after that, it’s been hit or miss. So, I have no illusions of being impressed with this new release. Yet, here I am, giving it a chance.

Soliloquium- Famine

One could argue that I’m now an old school Soliloquium fan, since Contemplations was my introduction to the band. Needless to say, I still listen to it today. It’s that perfect mix of Prog and Swedish Melodeath that’s not always easy to find. The band has done interesting things since then, but Famine seems to aim for a more personal direction – channeling all the suffering and pain its creator went through (something common in Metal, let’s be honest). So the real question is: will this satisfy us or leave us hungry?

Arch Enemy – Blood Dynasty

To me, it’s always been a mystery how Arch Enemy became the big band it is today. There was nothing particularly different in what it did back in the early 2000s (granted, it had a frontwoman growling, but was that really new then?). Yet, it had a solid formula that was immediately recognizable. They gave us a few classics, and I’d be lying if I said Wages of Sin and Doomsday Machine aren’t childhood staples for me. Ever since, the band has felt washed—there, I said it. So, with zero expectations, I enter Blood Dynasty, hoping it’s at least better than Duke Dynasty (my worst joke to date, yay!).

Wombbath – Beyond the Abyss

I discovered Wombbath the way many of us have gotten into old-school Swedish Death Metal in this digital age—through a Bandcamp sale! I checked out a few of their albums and decided they were worth a shot. Needless to say, Wombbath is a pinnacle of consistency. To me, all its albums sit at least at a solid 3.5/5.0. However, there are only so many times you can pull off the chainsaw trick before it chops your arms off. And Beyond the Abyss is here to prove that the band can keep juggling familiar sounds without losing a limb.

Consumption – Catharsis

Stargazer Scholar

What makes a Metal song great?

I hope you’ll forgive me for this oversimplification. Despite the obvious personal filter that always comes into play whenever we talk about music, there is still something undeniably universal about the songs that work. You’re welcome to share your thoughts on what this X factor might be (fun fact: we have a comment section), and I promise to provide my own take in the conclusion of this review. But while you’re pondering, allow me to introduce an album that made me reflect on such existential mysteries in the first place. Enter Catharsis, the third offering by the Swedish Death Metal entity Consumption.

Scitalis – Maledictum

It’s hard to stand out in the abyss of common tropes Black Metal often falls into. I know I repeat this often, but it’s genuinely difficult to be surprised lately. How many ways can you play a blastbeat before it becomes background noise? However, Scitalis seems to disagree with me. With Maledictum, its goal is to defy expectations while staying true to the kvlt essence of the genre. Being a Swedish band, I might be a tiny bit biased, but isn’t that what a review is all about? An exercise in bias? Alright, I’ll save the philosophy for later.

Medusian – Library

Pegah

Medusian, a Swedish symphonic Metal band, has unveiled its new EP Library, featuring seven tracks that each weave a distinct and engaging narrative. Themes range from mythology and revenge to personal experiences and identity, with each track telling its own story. The cover art captures a solitary figure in a vast library, ascending a staircase toward a glowing, blue-lit window—a symbol of life, prosperity, and an ideal state. Framed by rich purple curtains, this imagery evokes power and mystery, serving as a fitting visual metaphor for the EP’s thematic exploration.

Mörk Gryning – Fasornas Tid

If Disso-Death has taken over Death Metal this year, I think it’s fair to say that MeloBlack is becoming the new meta within Black Metal. More and more bands are jumping on the sad but angry bandwagon that Dissection pioneered so long ago. Enter Mörk Gryning, a project that has been away for a while but promises to continue this newly rediscovered tradition. With Fasornas Tid, the band promises to stick to what it’s done but also adapt to these enigmatic times. Will it manage to stay on the bandwagon? Let’s find out.

Againt I – Songs for the Dying

It’s tricky to pick the last album to review this year before we all dive into top lists and rankings for the holidays. This is the perfect chance to explore some of the more discreet releases that might otherwise get drowned out by the noise. When I first checked out Against I‘s Songs for the Dying, two opposing thoughts crossed my mind: “It looks like Brave Murder Day, but it can’t be that good”, and also, “It can’t be produced that poorly either”. With that calculated, almost sociopathic train of thought, I put Songs for the Dying on. Let me tell you if it delivered.