UK – Page 3 – Metal Eclipse Reviews

The Medea Project – Kharon

Ixone

Oh good lord, what have I even gotten myself into? One bizarre mention of influences and I’m on a cruise down the river Styx… absolutely brilliant! The Medea Project have come forward and delivered what I can only describe as an absolute Doom Metal oddball; a fascinating one, yes, but an oddball nevertheless. Crushing, eerie and disjointed are only a few of the myriad of adjectives that come to mind when listening to Kharon (the river Styx mention wasn’t actually pointless), brought forth by both the music and the adjacent elements, such as the stunning cover artwork. That being said, I shall leave the introduction as it is and actually do what I am supposed to.

Ba’al – The Fine Line Between Heaven And Here

Metalcatto

It’s been a while since I reviewed a band I had absolutely no idea about going in. Ba’al didn’t arrive with a wave of hype or drama. It just had solid artwork — and sometimes, that’s all you need to get curious minds clicking. Humans are, after all, visual creatures. But you’re here to find out whether The Fine Line Between Heaven and Here is worth your time and money, or if it’s dragging us straight into sonic hell. Big questions, I know — but let’s see if we can wrangle some answers out of this beast.

Alestorm – The Thunderfist Chronicles

Vicky

You’ve probably heard about Alestorm before. As a long-time fan of these pirate Metal titans, I had to listen the moment I heard they were about to release a new album. Your average Alestorm listener knows the band has evolved from a Running Wild-esque Heavy/Power Metal act with lyrics about pirates, alcohol, and battles to a more Power Metal-oriented sound—while keeping the same lyrical themes. Over time, the band has embraced humor too (who can forget the deluxe edition of 2017’s No Grave But the Sea, which included “dog versions” of all the songs?). That’s why one wouldn’t be too wrong in saying Alestorm is to Running Wild what NanowaR of Steel is to Rhapsody of Fire: initially a parody that eventually gained worldwide recognition and became a cult favorite.

Pythia – V PT.1: Unhallowed

Vicky

If you are confused about the title, it is perfectly fine—I was too. A quick search for Pythia on Encyclopaedia Metallum revealed that Unhallowed is the band’s fifth album. However, it has decided to divide it into two (or perhaps more, it’s confusing!) parts. Before I share more about the album, I would like to clarify the actual definition of “unhallowed”: it means “unholy, not formally consecrated, wicked.”Now that you’ve been educated, let’s start!

True kvlt special: Blunt Knife Castration – Live Fast, Die Slow

Pegah

The British band, Blunt Knife Castration, make their debut with Live Fast, Die Slow, a record that claws its way through the Sludge and grime of modern heaviness with a defiant, bloodshot snarl. The cover sets the tone: a crumpled figure, his back to us in apparent frustration, barbed wire wrapped around his head like a halo—at once a symbol of suffering, oppression, and the denial of freedom. Similarly, the band’s lyrical themes lean into nihilism and decay, a perfect match for the album’s title. Vocally, it’s a serrated edge—equal parts Hardcore bark and Crust Punk bile.

Cancer – Inverted World

Metalcatto

Cancer needs no introduction. It’s been here since the dawn of Metal, and with a name like that, it really limits my ability to make sick jokes—more limited than your insurance coverage (laughs in European!). Anyway, the OG is known for being what I like to call a “missing link” band—as in, it feels like the evolutionary step between Thrash and Death Metal. It’s impossible to forget classics like To the Gory End or Death Shall Rise, but how does Inverted World compare to those? Stay with me to find out!

Cradle of Filth – The Screaming of the Valkyries

Cradle of Filth is a band that you probably already love or hate—there’s no in-between. Say what you want, but these romantic vampires don’t leave anyone indifferent. Yet, for me, the craziest thing about the band is how it went from being more washed-up than Ali in the ’80s to having a second prime in its later years. I can’t think of any other band that has pulled off such a comeback in the last decade. So, ironically, I did have high expectations for The Screaming of the Valkyries.

As The World Dies – Nebula

Well, this was a mistake! I was supposed to review this next month, but I mixed up dates and ended up listening to it now. I assume As The World Dies won’t mind getting an early review of Nebula. With the risk of getting repetitive, here we have another release that doesn’t necessarily fit any traditional mold in Death Metal aside from the space Metal one, which, as we know, becomes much harder to define with each passing year. So here we are, trying to put labels on this untamed beast with little success if you ask me, but let’s keep trying!

Abduction – Existentialismus

Abduction is clawing its way up the food chain, ready to become a recognized name in the underground—not just lurking in the depths of the scene. It’s hard to pinpoint exactly what makes the band unique since you can feel influences from all areas of Black Metal. However, Existentialismus (what’s with that name? Seriously!) proves that the band at least has the ambition to become the next hot thing in Black Metal. The real question now is: does it have what it takes? Stick with this sinister trip to find out.

Bile Caster – Writhing Between Birth and Death

Pegah

“There are certain sores in life that, like a canker, gnaw at the soul in solitude and diminish it. Since generally it is the custom to attribute these incredible sufferings to the realm of rare and singular accidents and happenings, it is not possible to speak about them to others“.
― Sadegh Hedayat, The Blind Owl