Suffering so you don't have to!
We’re back with what the tide brought in over the last few days. It was an intense release week, but was it equally intense in the deep underground department? Today, we have a lot of familiar faces, but each brings something unique to the table. Because, let’s face it, most of you aren’t satisfied with not getting paid for one project—you have to juggle several. Nothing but respect for that, I’ll just say. Now, let’s dive in!
There’s no way around Whitechapel—it’s a band with a fiercely loyal fanbase that’s stuck with it through thick and thin. So, let’s get this out of the way: I’m fully aware that diving into Hymns in Dissonance might summon the wrath of the internet. You might be wondering, “Why even review something so ‘Core’?” After all, it’s almost a tradition at MER to trash the whole niche. But hey, someone’s gotta take one for the team, right? We’re aiming for more journalistic integrity these days, and being open-minded is part of the deal. Plus, if there’s one band that’s managed to elevate the genre, it’s Whitechapel, so why not give it the benefit of the doubt for once?
Well, this was a mistake! I was supposed to review this next month, but I mixed up dates and ended up listening to it now. I assume As The World Dies won’t mind getting an early review of Nebula. With the risk of getting repetitive, here we have another release that doesn’t necessarily fit any traditional mold in Death Metal aside from the space Metal one, which, as we know, becomes much harder to define with each passing year. So here we are, trying to put labels on this untamed beast with little success if you ask me, but let’s keep trying!
Pegah & Metalcatto
It’s another session of Weekly Rapid Fire! Some of our readers sent us stuff, and we’ve been through the pain… I mean, the joy of listening to it live and then writing a paragraph or two so the hungry masses can quench their thirst for brutality for another 20 seconds. That’s not much, but it’s something. Alright, let’s get started—I don’t have all day!
It’s a difficult task to define what type of Metal Dawn of Ouroboros likes to play. There seems to be a constant exchange between Melodic Death Metal, Progressive Metal, and Djent loudness values, all going hand in hand with songwriting that sometimes mimics more commercial acts. Hence, I was both puzzled and excited to jump into its newest release, Bioluminescence. Rarely has an album name been more fitting for the level of colorful chaos this album is about to throw at us. But is it good stuff, or are we going to feel overwhelmed by so much glitter?
Alright! After a short break, we’re back with our sewer-diving sport, where we check out what the small projects send us. Keep reading, because you never know when you’ll find the next big band here—just remember to tell everyone you discovered it via MER Industries. The rest are unnecessary details, right? Anyway, let’s get this list started and hope we survive the production choices!
It’s time for a debut album, my Metal grasshoppers! When I was reading OBRIJ’s promo, I was led to believe that Joseph would totally throw me out of my comfort zone, since it was supposed to have a ton of Hardcore influences. Yet, it was still a Death Metal album, and that always hits home for me. Plus, this work explores the atrocities of Comrade Stalin. There’s no way that horror isn’t Metal enough for us, but as a new band, I still wondered if these guys were capable of pulling anything interesting off. Stay with this cat and find out.
Alright, my beloved dungeon dwellers! We’re going to keep this one fast, violent, and sweet—because Obscureviolence makes music just like that. Unadulterated and unapologetic. So why take it easy when we’re getting hit with eight tons of pure lifeless iron? Refuting the Flesh is a pretty cool name for a short album, right? It even sounds a bit metaphysical. Someone might say it’s dualist propaganda, but let’s not get lost in academic discussion when we have so much mayhem in front of us.
Yes, I decided to be early with this one. Those who know the game understand that Havukruunu has become one of the hidden gems of the Black/Folk Metal scene. It’s the less dramatic but more aggressive Moonsorrow style that, for many, was exactly what Folk Metal needed to stop being a gimmicky parody of the genre, where all those bagpipes and accordions in choruses were getting a bit old. I wasn’t sure what to expect from Tavastland, but does it deliver? Let’s find out.
Latinoamérica isn’t exactly known for its Death/Doom scene. If anything, the region is celebrated for its Thrash/Death and Power Metal traditions. So, in a way, Matalobos is carving out a path that, while well-trodden in other parts of the world, feels fresh and unexpected in warmer climates. Phantasmagoria: Hexed Lands is their attempt at crafting your typical Death/Doom experience but with a distinctly Mexican Folk touch—and that’s not something you see every day. Here at MER, we’re all about weirdness; in fact, the weirder, the better! (Note: Just sending me weird stuff won’t guarantee a great score, but it’ll certainly make me love the job more.)
Metal Eclipse Reviews 