
Metalcatto
Shout-outs…that’s it.
Suffering so you don't have to!

Thechopstickdrummer
Coprolith is the scientific name for fossilized feces. Lovely. Their newest record’s album cover depicts a horrid amalgamation of humans where one man’s snot is another’s cerebral vein. Lovely. Everything about this Canadian band is just lovely. If my sarcastic tone isn’t potent enough for you, I’ll just scrap it entirely: Death Metal isn’t supposed to be lovely, and I expect nothing but gore-drenched horror from Coprolith and their debut album Putrescence. If the package this gore’s delivered in is nicely handled, I’m leaving a five-star rating for the delivery men. If there’s even one tiny dent, they can hear my critical wrath. That was also sarcasm.

Thechopstickdrummer
INSURRECTUM is a one-man project manned by the Ukrainian multi-instrumentalist Anatoliy Bliashuk, delivering an eclectic hodgepodge of progressive, symphonic, and Blackened Death Metal in its debut record, The Last Battle. Now I don’t want to be overly judgmental, but the abundance of AI-generated artwork–graciously excluding the official LP’s cover–doesn’t make for a suitable first impression. It’s a sign of laziness, a lack of creative drive. On the contrary, Anatoliy’s fifty-two-minute epic is brimming with ideas. In fact, The Last Battle is two different albums: there’s one in English (the edition provided for universal coverage), and another in Ukrainian. They’re musically distinct, with only the lyrical translations and core themes remaining mutual. This choice illustrates the tenacity behind INSURRECTUM’s ideas, but whether they’re as good as their covers is to be determined.

Metalcatto
Not to brag, but I actually have Dysgnostic‘s previous album, Scar Echoes, which is why I have extra preparation for End Whispers. How to describe these guys? Sure, they’re a Disso-Death band, and Denmark doesn’t have many of those—it’s a small and flat place—but the band has always approached the style differently. There’s no rush, let’s put it that way. Whether it’s a brutal blast or a low-pressure section, Dysgnostic can put you in a stretcher with ease. But you’re here to know if the album is worth your money, so let’s start.

thechopstickdrummer
A Bleeding Tree Hanging Self Destruction is a long, almost nonsensical name for an album, but Arise From Worms is a trio built on extravagant displays. Their supergroup foundation is not one to be messed with under any circumstances: Sonny Lombardozzi of Fleshtized tackles guitars and bass, Steve Tucker of Tampa’s own Morbid Angel handles vocals, Derek Sherinian tickles the electronic ivories, and Cryptopsy’s Flo Mournier mounts the drum kit. This trio founded Arise From Worms in the midst of the COVID-19 pandemic, but only recently have they set their malicious technical sights on a full-length endeavor. And what an endeavor it was…

Metalcatto
Today, I feel like trying something different. I’m going to expand on our latest IG post and see if that does any good. As a reviewer, you get to hear many hidden jewels that nobody cares about. Maybe because the algorithm isn’t pushing them down your throat on every reel or short. But I’m here to try to do some justice in this indifferent world.

Metalcatto
Sometimes I wonder why we don’t have more Death/Thrash bands. It makes sense—why wouldn’t you mix chocolate with cream? It’s the killer combo. But then I realized: finding the balance between those two is freaking hard. Ripper is more Death than Thrash, or so a superficial listen will lead you to believe. However, we’re not here to only make fart jokes and laugh at our penniless existence. We’re also giving Towards Rebirth a deeper dive.