Hooded Menace – Lachrymose Monuments of Obscuration

Metalcatto

Let’s say you’re really into Death/Doom and don’t know who Hooded Menace is. Umm, I’m trying to follow up that phrase with a way to forgive you, but it’s hard. Not many bands have continued releasing reliable and even spectacular retro-Metal like these guys. Albums like Never Cross the Dead, Darkness Drips Forth, and Ossuarium Silhouettes Unhallowed are now considered classics. So, you can imagine the bar is high — and since my 80s nostalgia is non-existent, good luck to the band in this review!

Retro-review: Shape of Despair – Monotony Fields

Pegah

Sometimes a bond forms between you and an album that feels utterly singular—something that can’t be replicated, only forged through endless replays of the same tracks. For me, Monotony Fields became exactly that: one of the most influential records in guiding me toward the realm of Funeral Doom. The summer of 2016 was steeped in the soundscapes Shape of Despair summoned from the depths of darkness, and even now, each listen evokes emotions that their later work has never been able to recreate.

Proscription – Desolate Divine

Metalcatto

Alright, I’ll tell you something superficial — and I’m not proud of it, but it’s the truth. I had several earlier promos to check out, but I saw Proscription‘s Desolate Divine and its absolutely astonishing cover art and said, “Screw merits and fairness, this thing looks evil!” That kind of aesthetic confidence is hard to resist. Still, you always have to be cautious with artwork that looks too convincing, especially when it comes to Blackened Death Metal. You risk overindulging and ending up sick the whole trip home (which I’m actively trying to avoid during this vacation).

Malformed – Confinement of Flesh

Metalcatto

It’s been a while since we’ve reviewed some good old school Death Metal. Honestly, after everything that happened in 2024, I’ve gotten dangerously close to becoming a hater. It’s just hard to stay excited when the scene feels so oversaturated. Still, despite the genre fatigue, new bands continue to dive into the old school trenches like it’s 1992 all over again. One of these brave souls is Malformed, who arrive with the debut Confinement of Flesh. This record is supposed to bring something fresh to the table, but you’ll have to excuse my skepticism — I’ve heard that before.

Sarastus – Agony Eternal

Ixone

Ever ended up in that situation when you know an album is going to be good just because the band’s discography is flawless? If you haven’t I only have one word to say to you: Sarastus. Despite it appearing like my bias for Finnish Black Metal is doing the talking again (I am too stubborn to just stop pretending that I don’t start drooling when I see that exact tag), I think that the response to their latest record, Agony Eternal indicates that I haven’t lost the plot quite completely.

Beleth’s Trumpet – Chapel of Bones

Metalcatto

Sometimes I wonder what Atmospheric Black Metal would sound like if anyone actually knew or cared how to produce it. Enter Beleth’s Trumpet‘s Chapel of Bones, a band seemingly interested in doing old-school Black Metal that doesn’t sound like French fries fried out of existence. It also happens to be a Finnish band, and despite my best efforts to find some drama, it remains properly mysterious. Time will tell if that’s a good or bad thing. Anyway, let’s dive into this swirling mass of malevolence and static noise.

…And Oceans – The Regeneration Itinerary

Metalcatto

…And Oceans has had a quiet and interesting return from the dead. It even released As in Gardens, So in Tombs, an album that could’ve made it to any serious ranking in 2023. It was a fascinating take on rough MeloBlack that borrowed heavily from ’90s Swedish Black Metal, yet still carried its own deeply depressing and personal touch. So here we are with The Regeneration Itinerary, and hopefully the album will keep regenerating (yes, pun intended) the band’s renewed career. Otherwise, I’m strong enough to be disappointed. Let’s get to it, kids.

Lordi – Limited Deadition

Any of you who have been following the blog for the last year know two things: a) I hate nostalgia, and b) I believe the 80s are overrated in every artistic aspect. This is why Lordi’s Limited Deadition had such a hard task convincing me to even give it a chance. Besides, this is the only Metal band that won Eurovision decades ago, so with a mix of admiration and repulsion, I recalled that the point of being a reviewer is to explore horrors we never thought we’d encounter—to leave the comfort of my sauna and see what we’re up against next.

Vermillia – Karsikko

Stargazer Scholar

The world was a different place seven years ago. At least when it comes to its currently troubled corner that I happen to inhabit. No joys of pestilence, no thrills of societal cataclysms, just life in all its glorious bleakness and naive hopefulness. It was a genuinely decent time. I’ve seen worse. And it was in that relatively peaceful summer of 2018 that I stumbled upon an album premiere video by a certain one-woman Pagan Black Metal project from Finland. The artist’s name was Vermilia, the record was entitled Kätkyt, and it took me about a song and a half to fall in love, pause the stream, relocate to her Bandcamp page, and click “order”. That’s how I became a fan. Years rolled by, and here we are in 2025, with Vermilia’s third LP fresh from the metaphorical oven and waiting to be discovered.